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It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn\u002FPamela Stanford (2016)).",[11,129],0.1681,"\u002FuTaNGJbYCg6e5eNPBkLdAK01TkK.jpg","2019-07-01",7,{"id":244,"adult":6,"title":245,"video":6,"overview":39,"softcore":6,"genre_ids":246,"popularity":247,"vote_count":8,"poster_path":248,"release_date":249,"vote_average":8,"backdrop_path":41,"original_title":245,"original_language":198},619492,"Habiter le mouvement (un récit en 10 chapitres)",[11],0.1336,"\u002Fj74nOy3SSPlvJDnZBQrMEsBd7V5.jpg","2019-10-29",11430,228586,"A documentary about Laura Alonso and ballet in Cuba.","A documentary on the legacy of ballet in Cuba that aired on PBS in Rochester, NY.  Filmed on location in Havana, Cuba July – August, 2016. Featuring Laura Alonso, the history of the National Ballet of Cuba, and interviews with staff and dancers attending CUBALLET at or studying at The Center Prodanza of Cuba.",0.067,"\u002Fgx4sS84vj0Y332HnjOVqxZucc5.jpg","2021-01-23",[24],"El Método Cubano",{"results":260},{},[262,264],{"name":263,"iso_639_1":23,"english_name":263},"English",{"name":265,"iso_639_1":105,"english_name":266},"Español","Spanish",[268],{"id":269,"name":270,"logo_path":41,"origin_country":39},239323,"Average Content",[272],{"name":273,"iso_3166_1":274},"Cuba","CU",45,"A documentary story that tends to land well.",[],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":6,"iso_639_1":23,"iso_3166_1":24,"published_at":25}]