[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1361186-en-US":3},{"detail":4,"match":250,"insight":251,"providers":252,"providerLink":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"credits":14,"imdb_id":30,"revenue":8,"runtime":31,"similar":32,"tagline":225,"homepage":226,"overview":227,"softcore":6,"popularity":228,"vote_count":21,"poster_path":229,"release_date":230,"vote_average":126,"backdrop_path":231,"origin_country":232,"original_title":7,"watch\u002Fproviders":236,"spoken_languages":238,"original_language":241,"production_companies":242,"production_countries":243,"belongs_to_collection":25},1361186,false,"Green Grey Black Brown",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"cast":15,"crew":16},[],[17,26],{"id":18,"job":19,"name":20,"adult":6,"gender":21,"credit_id":22,"department":23,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":23},2424710,"Director","Wang Yuyan",1,"6802a280e4753425efad47f7","Directing",0.0503,null,{"id":18,"job":27,"name":20,"adult":6,"gender":21,"credit_id":28,"department":29,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":23},"Editor","6802a2adb113ff8723d9ac7f","Editing","tt35932600",11,{"page":21,"results":33,"total_pages":223,"total_results":224},[34,43,50,61,70,79,91,99,108,119,131,141,148,158,168,180,189,197,206,214],{"id":35,"adult":6,"title":36,"video":6,"overview":37,"softcore":6,"genre_ids":38,"popularity":39,"vote_count":8,"poster_path":40,"release_date":41,"vote_average":8,"backdrop_path":25,"original_title":36,"original_language":42},451649,"Untitled #29.95","Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.",[11],0.2155,"\u002FtHSdJEklTN3LksMRRn2UNEYdPEf.jpg","1999-01-01","en",{"id":44,"adult":6,"title":45,"video":6,"overview":46,"softcore":6,"genre_ids":47,"popularity":48,"vote_count":8,"poster_path":25,"release_date":49,"vote_average":8,"backdrop_path":25,"original_title":45,"original_language":42},992238,"Sisterhood™: Hyping the Female Market","This video takes an analytical and humorous stab at the plethora of “pro-feminist” advertising that followed the emergence of the “new woman” and the increasing presence of women in the workforce during the 1990s. Conventional television genres are appropriated to show how the language and sentiments of feminism have been exploited by the advertising of an industry which cares little for the rights of its own female workers.",[11],0.1779,"1993-01-01",{"id":51,"adult":6,"title":52,"video":6,"overview":53,"softcore":6,"genre_ids":54,"popularity":55,"vote_count":21,"poster_path":56,"release_date":57,"vote_average":58,"backdrop_path":59,"original_title":52,"original_language":60},810466,"Grid","A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).",[11],0.2089,"\u002Fpnty2w8uVVDF6jN0nW5uQimwibh.jpg","2021-10-22",6,"\u002FjJwtyOXbeUvrSkMRtta1FtxVnd4.jpg","pt",{"id":62,"adult":6,"title":63,"video":6,"overview":64,"softcore":6,"genre_ids":65,"popularity":66,"vote_count":8,"poster_path":67,"release_date":68,"vote_average":8,"backdrop_path":69,"original_title":63,"original_language":42},651330,"Kill Your TV: Jim Moir’s Weird World of Video Art","Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.",[11],0.1291,"\u002Fv0rca7GMZnorrFolEGmZbtF1pR8.jpg","2019-11-24","\u002FYGJqS9ML1S7MGcG0G7DFJcPaQj.jpg",{"id":71,"adult":6,"title":72,"video":6,"overview":73,"softcore":6,"genre_ids":74,"popularity":75,"vote_count":21,"poster_path":76,"release_date":77,"vote_average":78,"backdrop_path":25,"original_title":72,"original_language":42},1012221,"Flooded McDonald’s","Flooded McDonald's is a new film work in which a convincing life-size replica of the interior of a McDonald's burger bar, without any customers or staff present, gradually floods with water.",[11],0.1692,"\u002FcRweERVyqeuxbXwFzI2tSstavf3.jpg","2009-01-16",4,{"id":80,"adult":6,"title":81,"video":6,"overview":82,"softcore":6,"genre_ids":83,"popularity":88,"vote_count":8,"poster_path":89,"release_date":90,"vote_average":8,"backdrop_path":25,"original_title":81,"original_language":42},644758,"FUCK TV","After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.",[84,85,86,11,87],10402,10752,14,36,2.3367,"\u002FjYt6l9hGmZlAWFYoeC9GT5JdWmU.jpg","2019-08-09",{"id":92,"adult":6,"title":93,"video":6,"overview":94,"softcore":6,"genre_ids":95,"popularity":96,"vote_count":8,"poster_path":97,"release_date":98,"vote_average":8,"backdrop_path":25,"original_title":93,"original_language":42},1392679,"Douglas Gordon sings the best of Lou Reed & The Velvet Underground (For Bas Jan Ader)","In the present work, the artists appears lying on his back, his eyes mostly closed, dreamingly listening to a walkman that plays, a recording of 'The Best of Lou Reed and the Velvet Underground'. The artist can hear the music through his earphones, but as viewers we are only privy to the sound of his voice that whispers the melody. As we listen to the hypnotic interpretion of the familiar songs - as emblematic for pop music history as 'Psycho' is for film - we are forced to mentally 'reconstruct' the remaining orchestration, instrumentation and vocals. We must attempt to reassemble something we already know to be a fact by negotiating the sticky mess of interpretation, meaning, and memory.",[11],0.1641,"\u002Fm1EfnnziFM2B1Wrymxj9Muw4JoK.jpg","1993-11-19",{"id":100,"adult":6,"title":101,"video":6,"overview":102,"softcore":6,"genre_ids":103,"popularity":104,"vote_count":21,"poster_path":105,"release_date":106,"vote_average":107,"backdrop_path":25,"original_title":101,"original_language":42},650147,"Wintopia","IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.",[11],0.1445,"\u002FzmQA1WCUVjvNQ2NEbGq1XTIfstp.jpg","2019-11-23",10,{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":8,"poster_path":114,"release_date":115,"vote_average":8,"backdrop_path":116,"original_title":117,"original_language":118},1541793,"I Miss (The Istanbul I Don't Remember)","Someone born in the 1990s, who never actually lived in 1990s Istanbul, can only long for what they’ve seen in old videos. But how do you yearn for moments you never experienced... or why do you? In this nostalgic Istanbul we don’t remember, a digital passage unfolds from the European side to the Asian side, told only through the footage recorded on the cameras of those who once lived it.",[11],0.1917,"\u002F2sFklhRZmsbUGwja01zMZDr10V9.jpg","2025-08-26","\u002F20z0kRsWDN2vTwrJNn1hPCIlu9I.jpg","özledim yani (hatırlamadığım İstanbul)","tr",{"id":120,"adult":6,"title":121,"video":6,"overview":122,"softcore":6,"genre_ids":123,"popularity":125,"vote_count":126,"poster_path":127,"release_date":128,"vote_average":129,"backdrop_path":130,"original_title":121,"original_language":42},255644,"Between Science and Garbage","A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.",[84,124,11],16,0.2318,2,"\u002FakGYL4pmPEte4EuWMmjO7e83mpG.jpg","2004-04-27",5.2,"\u002FjFfBuciqRgvZKcl2AQgnOqnJsM0.jpg",{"id":132,"adult":6,"title":133,"video":6,"overview":134,"softcore":6,"genre_ids":135,"popularity":136,"vote_count":8,"poster_path":137,"release_date":138,"vote_average":8,"backdrop_path":25,"original_title":139,"original_language":140},980903,"Several Ways to Please Valya","Vickie and Zhenya are identical twins in the process of transitioning. They live in the small city of Norilsk in the far north of Russia. Their entire life is condensed into the space of their small room.  The film is constructed as a methodological manual for the creation and arrangement of a living space, and the placement of various objects there. The room of Vickie and Zhenya is examined as an ideal example of the intimate private space capable of authentically reflecting its hostess.  The film is based on a video-letter that Vickie and Zhenya sent to their friend Valya. Vickie and Zhenya got to know Valya at the clinic where they underwent their sex reassignment. Since then, Valya has been their constant—though invisible—witness of their life. They report to Valya on all the changes they go through in the process of their transfiguration into Beautiful Ladies.",[11],0.1753,"\u002FzdsfCaJBEawESLCq8fKN4Wt5kdU.jpg","2001-01-25","Несколько способов понравиться Вале. Комната Вики и Жени","ru",{"id":142,"adult":6,"title":143,"video":6,"overview":144,"softcore":6,"genre_ids":145,"popularity":146,"vote_count":8,"poster_path":25,"release_date":147,"vote_average":8,"backdrop_path":25,"original_title":143,"original_language":42},1358727,"[sound of subtitles]","Deaf artist Seo Hye Lee gives new subtitles to a selection of archive films about pottery, ones which playfully examine the disparity between how people with different levels of hearing experience art.",[11],0.166,"2021-10-14",{"id":149,"adult":6,"title":150,"video":6,"overview":151,"softcore":6,"genre_ids":152,"popularity":153,"vote_count":21,"poster_path":154,"release_date":155,"vote_average":107,"backdrop_path":156,"original_title":150,"original_language":157},825219,"Super Sauber","A dream where obsession for German as a second language mixes up with an obsession for neatness and cleanliness as a distinctive feature of the national culture in question seen from the perspective of a foreigner. The dream is not a nightmare only because the set it is dreamt into is the seashore of the mare nostrum, where the dreaming subject is perfectly at home. A homeland which she, in turn, in her more secret thus naïf dreams would dream of being cleaner and tidier as in the reality, especially in front of such beauty of nature. As is right and proper.",[11,86],0.1443,"\u002Ff5O594YRdeKNwaCiPCKEabsg2sK.jpg","2018-08-27","\u002FemfSfuc2e2r4F54UkGDSyk50uCM.jpg","de",{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":163,"vote_count":21,"poster_path":164,"release_date":165,"vote_average":166,"backdrop_path":167,"original_title":160,"original_language":42},999444,"Projections","The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.",[84,11],0.2085,"\u002F7l05LFVnfE6Fh30ffMpvWEkQLZ0.jpg","1993-11-29",9,"\u002FtirZ9YLj0jHrwbfks4EXaPkCTWE.jpg",{"id":169,"adult":6,"title":170,"video":6,"overview":171,"softcore":6,"genre_ids":172,"popularity":175,"vote_count":78,"poster_path":176,"release_date":177,"vote_average":178,"backdrop_path":179,"original_title":170,"original_language":42},318657,"Good Morning, Mr. Orwell","In his book \"1984\", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).",[173,84,174,11],35,10770,0.5109,"\u002FiNhtbEfbqCkVZyQGFuyGHwRbvLS.jpg","1984-01-01",8.1,"\u002FtZpvcNctxBIMTurICTWrSv1Dqso.jpg",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":21,"poster_path":186,"release_date":187,"vote_average":188,"backdrop_path":25,"original_title":182,"original_language":42},501722,"Living in the World","An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime.",[173,11],0.1234,"\u002FiugDjsL18SLC3aFPbSLJbjftQuG.jpg","1985-01-01",8,{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":8,"poster_path":195,"release_date":196,"vote_average":8,"backdrop_path":25,"original_title":191,"original_language":42},674352,"No Ordinary Protest","Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Karikis. The video section of the installation features seven-year-olds from Mayflower Primary School in East London discussing the novel's environmental themes.",[11],0.2608,"\u002FmXQ54yHLBQCyMXjR1DKL71iWQ4E.jpg","2019-10-25",{"id":198,"adult":6,"title":199,"video":6,"overview":200,"softcore":6,"genre_ids":201,"popularity":202,"vote_count":8,"poster_path":203,"release_date":204,"vote_average":8,"backdrop_path":205,"original_title":199,"original_language":42},1624143,"Emerald ▣","A continuously running installation of two video monitors on pedestals, overlooked by a green Kit-Cat clock. A 9\" and a 13\" CRT display two different video collages of footage from the Emerald Square Mall and the strike during its 1989 construction with remixed interferences of Channel J's Emerald City TV (1976-1979): the self-proclaimed \"world’s first television show for gay men and women\", Huge Video's Heat in the Night (1989), Genet's Un Chant D'Amour (1950), various cigarette commercials, The Wizard of Oz (1939), and a performance of a mylar-clad entity wrapping up one of the televisions in videotape.",[11],0.2623,"\u002FaxYhXOIt2vKvyC81HdQn5rH6cUE.jpg","2025-07-19","\u002FwdJCtYXVnLEP92gZ4aCNwkrZHKD.jpg",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":8,"poster_path":212,"release_date":213,"vote_average":8,"backdrop_path":25,"original_title":208,"original_language":42},1237006,"The Statue of Giordano Bruno","This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.",[11,84,124],0.1849,"\u002Fc9wd6H6tedXIbttQJ8G6Ayp1zvh.jpg","2005-01-01",{"id":215,"adult":6,"title":216,"video":6,"overview":217,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":58,"poster_path":220,"release_date":221,"vote_average":222,"backdrop_path":25,"original_title":216,"original_language":42},325017,"Measures of Distance","In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves personal images and audio recordings of a very intimate nature, binding the personal with the political.  Reading aloud from letters sent by her mother in Beirut, Hatoum creates a visual montage reflecting her feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement.",[11],0.1312,"\u002Freow44y0aSbQrl8A2kDo6SBNI8q.jpg","1988-01-01",6.7,11353,227046,"","https:\u002F\u002Ftheunrealwangyuyan.com\u002FGreen-Grey-Black-Brown","Departing from the traditional factory lines of production on the plastic plant manufacturing industry. From there, the film expands into the realm of synthetic nature, portraying a highly engineered landscape,developed by startups.  The images appear to be bound together by a dark slime—an oily, recurrent presence as a connection to the strange and gory logics of petro capitalism and global territories of extraction.Petroleum, in both refined and unrefined forms, serves as a temporal vector: it is the raw material for plastic plants,  Revealing the absurd techno-solutionist vision of the future.",0.1282,"\u002F66vzcu2HQxGr27Znp9SrzYyjHQ9.jpg","2024-09-05","\u002F9xyik8ksMhAxreoilpO7FRWArhR.jpg",[233,234,235],"CN","KR","FR",{"results":237},{},[239],{"name":240,"iso_639_1":241,"english_name":240},"No Language","xx",[],[244,246,248],{"name":245,"iso_3166_1":234},"South Korea",{"name":247,"iso_3166_1":235},"France",{"name":249,"iso_3166_1":233},"China",45,"A documentary story that tends to land well.",[]]