[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1370202-en-US":3},{"detail":4,"match":219,"insight":220,"providers":221,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":7,"origin_country":15,"original_language":17,"original_title":18,"overview":13,"popularity":19,"poster_path":20,"production_companies":21,"production_countries":22,"release_date":13,"revenue":8,"runtime":8,"softcore":5,"spoken_languages":23,"status":24,"tagline":13,"title":18,"video":5,"vote_average":8,"vote_count":8,"credits":25,"similar":38,"watch\u002Fproviders":215,"videos":217},false,"\u002Ff1eWt1QcC27h7LHvADF9vvuazHZ.jpg",null,0,[10],{"id":11,"name":12},10402,"Music","",1370202,[16],"FR","fr","JORDI SAVALL : Madrigali, Guerrieri & Amorosi",0.3146,"\u002F1hj2kA5njpciJYCzprukmL8Cbge.jpg",[],[],[],"Released",{"cast":26,"crew":35},[27],{"adult":5,"gender":28,"id":29,"known_for_department":30,"name":31,"original_name":31,"popularity":32,"profile_path":7,"cast_id":33,"character":13,"credit_id":34,"order":8},2,41523,"Sound","Jordi Savall",0.2089,1,"670a9d5a3bb4557c669b2514",[36],{"adult":5,"gender":28,"id":29,"known_for_department":30,"name":31,"original_name":31,"popularity":32,"profile_path":7,"credit_id":37,"department":30,"job":30},"670a9d70b15d97b1a93c16e0",{"page":33,"results":39,"total_pages":213,"total_results":214},[40,52,60,67,76,86,95,103,111,119,127,135,143,152,160,170,178,187,195,204],{"adult":5,"backdrop_path":41,"genre_ids":42,"id":43,"title":44,"original_language":45,"original_title":46,"overview":47,"popularity":48,"poster_path":49,"release_date":50,"softcore":5,"video":5,"vote_average":51,"vote_count":33},"\u002Fr8bkytfPv0pABafkZI5joimB7Vu.jpg",[11],273460,"Summer Night Concert: 2014 - Vienna Philharmonic","en","Sommernachtskonzert der Wiener Philarmoniker Schönbrunn","The renowned orchestra presents the world's biggest annual classical open air concert live from their hometown Vienna, Austria on Thursday, May 29th, 2014.  The Summer Night Concert with the Vienna Philharmonic is an annual open-air event that takes place in the magical setting of the Schönbrunn Palace Park in Vienna with the palace as a magnificent backdrop. Everyone is invited to come to this unique occasion with free admission. Each year up to 100,000 people can take up the invitation, or enjoy on radio and TV in over 60 countries.",0.3528,"\u002Fi74ISMDMOFQnyuw799t1BAAdoe.jpg","2014-05-29",10,{"adult":5,"backdrop_path":7,"genre_ids":53,"id":54,"title":55,"original_language":56,"original_title":55,"overview":57,"popularity":58,"poster_path":7,"release_date":59,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1197857,"Beethovenova 9. symfonie – Koncert pro EU","cs","A festive event marking the 10th anniversary of the Czech Republic's accession to the European Union, during which the Brno Philharmonic Orchestra will perform a live broadcast of L. van Beethoven's popular Symphony No. 9 in D minor, Op. 125, with Ode to Joy.",1.0451,"2014-05-01",{"adult":5,"backdrop_path":7,"genre_ids":61,"id":62,"title":63,"original_language":56,"original_title":63,"overview":64,"popularity":65,"poster_path":7,"release_date":66,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1197894,"Antonín Dvořák: Slovanské tance 1. řada, op. 46","Performed by the Czech Philharmonic Orchestra conducted by J. Bělohlávek. Slavonic Dances are among the most popular works by Antonín Dvořák and Czech Romantic music in general. The first series, originally composed for four-hand piano and later orchestrated for symphony orchestra, is inspired mainly by Czech folk dances. The orchestral version of Slavonic Dances is considered a groundbreaking work, thanks to which Dvořák attracted attention abroad and launched his international career. A television recording of this outstanding performance was made in 2014. The Czech Philharmonic Orchestra is conducted by Jiří Bělohlávek.",1.019,"2015-10-28",{"adult":5,"backdrop_path":7,"genre_ids":68,"id":69,"title":70,"original_language":45,"original_title":70,"overview":71,"popularity":72,"poster_path":73,"release_date":74,"softcore":5,"video":75,"vote_average":8,"vote_count":8},[11],278578,"The Metropolitan Opera Centennial Gala","In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.",0.3013,"\u002FieryxlE3DZkqJ7nQ9yUQjFaGKmN.jpg","1983-01-01",true,{"adult":5,"backdrop_path":7,"genre_ids":77,"id":80,"title":81,"original_language":45,"original_title":81,"overview":82,"popularity":83,"poster_path":84,"release_date":85,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11,78,79],99,10770,648107,"Karajan in Rehearsal","Karajan conducts rehearsal and performance of Schubert's Symphony No. 4 with the Vienna Symphony in Vienna, Nov. 1965, and Beethoven's Symphony No. 5 with the Berlin Philharmonic, January 1966. Henri-Georges Clouzot directs.",0.3971,"\u002FiJvKGfGnueF1ctMDomFI72ruLqe.jpg","1965-03-04",{"adult":5,"backdrop_path":7,"genre_ids":87,"id":88,"title":89,"original_language":45,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":5,"video":5,"vote_average":94,"vote_count":33},[11],651613,"Bernstein Mahler Rehearsal","\"Four Ways to Say Farewell\" is a personal introduction to Mahler and his Ninth Symphony, during which Leonard Bernstein is seen and heard rehearsing the Vienna Philharmonic Orchestra. Filmed in 1971, this rehearsal was directed by Humphrey Burton,",1.509,"\u002F5F04IetBsm5qJMWGYpysRIrxweq.jpg","1976-07-08",7,{"adult":5,"backdrop_path":7,"genre_ids":96,"id":97,"title":98,"original_language":45,"original_title":98,"overview":99,"popularity":100,"poster_path":101,"release_date":102,"softcore":5,"video":75,"vote_average":8,"vote_count":8},[11],652253,"Mahler - Symphonies Nos. 7 & 8","Leonard Bernstein made these recordings during his wonderfully productive collaboration with the Wiener Philharmoniker in the mid-1970s when he was at the peak of his career. Humphrey Burton's direction is, as always, very fine, giving the viewer\u002Flistener both the larger picture and highlighting individual soloists, players or groups of musicians and, of course, the maestro. The video and audio tracks show their age, but are quite acceptable even for today's standards. Bernstein's Seventh is everything one could desire: dark and spooky, highly sensual, but also structurally strong and assertive where needed. Bernstein's reading does not gloss over breakdowns in tonality and the foreshadowing of later musical developments.",0.3183,"\u002Fz3R3NIDORi6f2oBPM7PAFoWdBmr.jpg","1975-07-17",{"adult":5,"backdrop_path":7,"genre_ids":104,"id":105,"title":106,"original_language":45,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":5,"video":5,"vote_average":51,"vote_count":33},[11],652144,"Mahler - Symphonies Nos. 9 & 10 \u002F Das Lied von der Erde","Filmed on tour at Berlin's Philharmonie, this account of the valedictory Ninth Symphony is an intense interpretation, expressing Bernstein's conviction that modern man had at last caught up with the message encoded in Mahler's last completed work. Having made his famous 1966 studio recording of \"Das Lied von der Erde\" in Vienna, Bernstein re-recorded this in Israel with the same searing subjectivity. René Kollo draws on the voice of a great Wagner tenor, while Christa Ludwig, the greatest exponent of the contralto songs at the time, is unbearably poignant in the final movement's fusion of elation and sadness.",1.7067,"\u002FhWOSgpudGmt3yi82Bzv4pQ7fyeq.jpg","2005-11-22",{"adult":5,"backdrop_path":7,"genre_ids":112,"id":113,"title":114,"original_language":45,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],654640,"Bruckner: Symphony No. 6","Anton Bruckner’s 6th Symphony was written between 1879 and 1881: a very happy time in his life. Unlike most of Bruckner’s symphonies, the 6th was not revised. Of all his works, this one seems to come from a single source of inspiration. Bruckner himself called it his “boldest” symphony – probably due to its extreme degree of motivic, rhythmic and harmonic originality. This live recording of the seldom-performed 6th Symphony is the next instalment of the acclaimed Bruckner cycle by the Staatskapelle Berlin and Daniel Barenboim.  Anton Bruckner Symphony No. 6 in A major  (original version)  Daniel Barenboim, Conductor  Staatskapelle Berlin  Recorded live at the Philharmonie Berlin, 22 June 2010",0.608,"\u002FnIakcecG7VfxgZCBwDc2dQQB2sm.jpg","2014-01-06",{"adult":5,"backdrop_path":7,"genre_ids":120,"id":121,"title":122,"original_language":45,"original_title":122,"overview":123,"popularity":124,"poster_path":125,"release_date":126,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],654642,"Bruckner: Symphony No. 8","“Clarity was one thing that made this performance a marvel. Another was the flexibility of Barenboim’s speeds…. The flexibility of Barenboim’s tempi meant that Bruckner’s charm – an often overlooked aspect of his genius – shone through, especially in the genial Trio.” (The Telegraph) Bruckner’s 8th is the last symphony completed by the Austrian composer. Many of his contemporaries regarded the symphony as “the pinnacle of 19th century music”. Even today, this monumental work fascinates listeners with its virtuoso orchestral technique, its immensity of sound, and its inexhaustible richness of detail.  Symphony No. 8 in C minor  (second version 1887-90, Robert Haas Edition)  Daniel Barenboim, Conductor  Staatskapelle Berlin  Recorded live at the Philharmonie Berlin, 26 June 2010",0.5704,"\u002F9VCTThtQb7zCuftlYAHmy7AqA2R.jpg","2014-11-03",{"adult":5,"backdrop_path":7,"genre_ids":128,"id":129,"title":130,"original_language":45,"original_title":130,"overview":131,"popularity":132,"poster_path":133,"release_date":134,"softcore":5,"video":75,"vote_average":8,"vote_count":8},[11],654247,"Bruckner: Symphony No. 5","The Süddeutsche Zeitung summed up this highly acclaimed performance of Bruckner's monumental Fifth Symphony by saying: Both Bruckners belief in God, as it majestically wells up out of the chorale of the Fifth, and his deeply tragic world view, collide with one another in Barenboims interpretation. The operatic experience of the conductor was almost tangible, revealing the sheer dramatic instrumental battle between Bruckners God and the Devil between heaven and hell without betraying Bruckners unerring sense of striking proportions. The release of this contrapuntal masterpiece (as Bruckner, not without pride, referred to this work) is part of Daniel Barenboims Bruckner cycle with the renowned Staatskapelle Berlin.",0.6248,"\u002Foyh3aqJOX8sbvKWh5Ddf8JDuKsJ.jpg","2010-06-15",{"adult":5,"backdrop_path":7,"genre_ids":136,"id":137,"title":138,"original_language":45,"original_title":138,"overview":139,"popularity":140,"poster_path":141,"release_date":142,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],654907,"Bruckner: Symphony No. 7","In Anton Bruckner’s 7th Symphony, the listener encounters a music characterized by great spaciousness and profound solemnity, a music which speaks of grief and lamentation, but also of their transcendence. With its monumental architecture and intensity of sound, the symphony has moved listeners ever since its triumphal premiere in 1884.  The Guardian calls Daniel Barenboim’s London interpretation “Tremendous … Barenboim and the Staatskapelle seem to have this work in their systems, and the overall impression was of music unfolding organically at its own pace rather than of a work being self-consciously interpreted or led.”  Anton Bruckner  Symphony No. 7 in E major (original version)  Daniel Barenboim, conductor  Staatskapelle Berlin  Recorded live at the Philharmonie Berlin, 25 June 2010",0.5981,"\u002FA4oaVC2uBrXmTnI39UJLbZlohVS.jpg","2014-03-31",{"adult":5,"backdrop_path":7,"genre_ids":144,"id":145,"title":146,"original_language":45,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":5,"video":75,"vote_average":151,"vote_count":33},[11],654196,"Bruckner: Symphony No. 4","Daniel Barenboim is an expert in exploiting the impact of cyclical performances of composers works: This time he focuses his sharp intellect on all six of Anton Bruckners mature symphonies. Der Tagesspiegel described Barenboim's performance of the works with the Staatskapelle Berlin on six nearly consecutive evenings in June 2010 as a superhuman accomplishment and went on to praise how: His Bruckner is conceived and performed very theatrically, like an opera without words. Bruckners famous Romantic Symphony No. 4 forms the prelude to a spectacular DVD series from Accentus Music and Unitel Classica, exploring Bruckners symphonic cosmos.",0.5254,"\u002FoGizfJGEyq6boXYT5U7hdt8jz1w.jpg","2010-02-16",6,{"adult":5,"backdrop_path":7,"genre_ids":153,"id":154,"title":155,"original_language":45,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":5,"video":75,"vote_average":8,"vote_count":8},[11],654201,"Brahms The Piano Concertos","Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahmss orchestral works with the Wiener Philharmoniker to honor the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Leonard Bernstein, Krystian Zimerman, and the Wiener Philharmoniker, it's very hard to get a better group of musicians for these masterpieces. Mr. Zimerman and Mr. Wolfgang Herzer's piano cello duets in the third movement of Brahms' second is simply tearful.",0.6921,"\u002FmrB6HYz0IMhee7ZBWjhxiKf1iuw.jpg","1984-12-11",{"adult":5,"backdrop_path":161,"genre_ids":162,"id":163,"title":164,"original_language":45,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":5,"video":75,"vote_average":169,"vote_count":33},"\u002F3qdydGj3gZq77yHKG2OjuSTvZSM.jpg",[11],650712,"Brahms: The Symphonies","Karajan conducts these symphonies with eyes closed, often intently enraptured by the music, smiling occasionally when a passage or solo sounds just right to his ear. He conducts Brahms with a greater sense of urgency than does Bernstein: the First symphony is 11 minutes shorter as conducted by Karajan! Nothing is rushed but there is what can only be described as emotional compression, an intensity of expression that sounds quicker than Bernstein's performances.",0.377,"\u002FMlaG5VySmKz2exYJPpDQ2mmAFN.jpg","1980-02-05",9,{"adult":5,"backdrop_path":7,"genre_ids":171,"id":172,"title":173,"original_language":45,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":5,"video":75,"vote_average":8,"vote_count":8},[11],651292,"Beethoven Piano Concertos 1-5","These recordings, filmed in March and April 1974 for the BBC, occurred at the tail end of the old performance era and the very start of the new. Vladimir Ashkenazy was a graduate of the same Soviet school of piano playing that produced Sviatoslav Richter, Emil Gilels, Lazar Berman and a host of others of that era. There are simularities that unite them, including a broad romanticism, a degree of Lisztian showmanship coupled with periods of introspection, powerful technique that occasionally borders on pounding and an intellectual streak that produces some deeply insightful playing. Ashkenazy was younger than the others, more modern in his playing.",0.227,"\u002FpRI3iPYijPPmz00i4jjLZ6W8ggf.jpg","1974-04-01",{"adult":5,"backdrop_path":179,"genre_ids":180,"id":181,"title":182,"original_language":45,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":5,"video":75,"vote_average":8,"vote_count":8},"\u002FnEsBnqgU7EQzxIL0YpSxHY7yl3h.jpg",[11],651397,"Vivaldi Le Quattro Stagioni","In April 1981 violinist Gidon Kremer performed Vivaldi's Four Seasons leading the English Chamber Orchestra recorded in the baroque library of the monastery in Polling, near Munich. It is, as one would expect from a master violinist, a superbly insightful performance. The sound is resonant and satisfying although surely not true 5.1, and those who wish to have this music on video might well investigate it.",0.3098,"\u002FoScnLp6q3ZZACBuBbYtCRFkz5Aa.jpg","2008-11-12",{"adult":5,"backdrop_path":7,"genre_ids":188,"id":189,"title":190,"original_language":45,"original_title":190,"overview":191,"popularity":192,"poster_path":193,"release_date":194,"softcore":5,"video":75,"vote_average":94,"vote_count":33},[11],652959,"Mozart Symphonies Vol. I - Nos. 29,34,35,40,41 and Minuet K.409","There are only a couple of DVD recordings of Mozart's Symphony No. 40. Fortunately, this one by Karl Bohm, recorded live in Vienna's Musikvereinssaal, is excellent, as are the other Mozart symphonies on this DVD. Since this disc offers three of the big six last symphonies of Mozart, Nos. 35 (Haffner), 40, and 41 (Jupiter), plus two more, it is an outstanding value. Despite the age of the recordings (1973-74), both the sound and the video are quite good.",0.8498,"\u002Fyo10XhBaKy7lUMcBlypZM0kiRO.jpg","1978-10-03",{"adult":5,"backdrop_path":7,"genre_ids":196,"id":197,"title":198,"original_language":45,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":5,"video":75,"vote_average":203,"vote_count":28},[11],652923,"Mozart Symphonies Vol. II - Nos. 1,25,31,36,38 and \"Eine Kleine Nachtmusik\"","In the 1960s Karl Böhm (1894–1981) had made his mark as interpreter of Mozart with the the Berlin Philharmonic. Yet his recordings with the Vienna Symphony demonstrate a mutual sympathy and deep love for this timeless music. The musicians are razor-sharp in attack, harmony, and release. Böhm's style is minimalist: a firm downbeat, a ruffled hand here and there, a slight sway, no mugging. Occasionally, when quite excited, he gives a little hop but immediately pulls himself on a tight leash.",0.9785,"\u002FgCG1gcVC56nkbVuQIiN2tsbmOnl.jpg","1978-07-12",8.2,{"adult":5,"backdrop_path":205,"genre_ids":206,"id":207,"title":208,"original_language":17,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":5,"video":75,"vote_average":8,"vote_count":8},"\u002F4KWljy3e7oOyucTtRFp2x2DlmP7.jpg",[11],1450271,"Pierre et le loup : Avec Jean Reno et Renaud Capuçon","For Peter and the Wolf, premiered in 1936, Prokofiev chose the form of a symphonic tale, featuring a narrator alongside the orchestra. A unique work in which each instrument embodies a character. Renaud Capuçon conducts the Orchestre de Chambre de Lausanne, while Jean Reno takes on the role of narrator.",0.1592,"\u002FnruFckn3MhRnMUe0sz6OXUkjbMd.jpg","2025-02-20",3268,65347,{"results":216},{},{"results":218},[],45,"A music story that tends to land well.",[]]