[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1376139-en-US":3},{"detail":4,"match":254,"insight":255,"providers":256,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":6,"production_companies":20,"production_countries":24,"release_date":28,"revenue":7,"runtime":29,"softcore":5,"spoken_languages":30,"status":35,"tagline":12,"title":17,"video":5,"vote_average":7,"vote_count":7,"credits":36,"similar":39,"watch\u002Fproviders":250,"videos":252},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",1376139,[15],"US","en","Uzbek Madonna","Documentary highlighting clips and providing historical context to surviving silent films from Uzbekistan.",0.1443,[21],{"id":22,"logo_path":6,"name":23,"origin_country":12},242712,"National Archive of the Republic of Uzbekistan",[25],{"iso_3166_1":26,"name":27},"UZ","Uzbekistan","2024-10-10",22,[31],{"english_name":32,"iso_639_1":33,"name":34},"Uzbek","uz","ozbek","Released",{"cast":37,"crew":38},[],[],{"page":40,"results":41,"total_pages":248,"total_results":249},1,[42,56,66,75,84,93,102,115,122,134,146,154,166,173,184,195,207,220,229,240],{"adult":5,"backdrop_path":43,"genre_ids":44,"id":46,"title":47,"original_language":48,"original_title":49,"overview":50,"popularity":51,"poster_path":52,"release_date":53,"softcore":5,"video":5,"vote_average":54,"vote_count":55},"\u002Fot5flQDp97Y8U5LDcOlZjRniCfk.jpg",[10,45],36,639590,"Lumière, Le Cinéma!","fr","Lumière, l’aventure continue","In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.",1.3242,"\u002F6ZCBDsnLXdLptJOSPG7mm0dblqU.jpg","2024-11-22",7,15,{"adult":5,"backdrop_path":6,"genre_ids":57,"id":58,"title":59,"original_language":60,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1195892,"To Live and to Die in Samarkand","ru","Жить и умереть в Самарканде","Having gone to Samarkand in search of traces of colonial culture, of which there were quite a few left there, having carefully photographed them, we suddenly discovered that it was not the dead buildings that were much more interesting, but the living carriers of this very colonial culture. The result is a film about people who live on the ruins of an empire.",0.6373,"\u002FdSUCJvu7g3nPu23yADW5bkBEjE3.jpg","2007-01-01",{"adult":5,"backdrop_path":6,"genre_ids":67,"id":68,"title":69,"original_language":60,"original_title":70,"overview":71,"popularity":72,"poster_path":73,"release_date":74,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1195894,"Live and live in Fergana","Жить и жить в Фергане","About Russians living in Fergana, why they are not going to leave and what they see as the meaning of their presence on the land of Turkestan",0.5887,"\u002Fz9E4f9fAeb1gE159Migd5ARAX8T.jpg","2009-01-01",{"adult":5,"backdrop_path":6,"genre_ids":76,"id":77,"title":78,"original_language":60,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1195013,"Neither live nor die in Tashkent","Ни жить, ни умереть в Ташкенте","Chronicles of the cultural life of Tashkent (2007 – 2015). 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Has this mythical treasure finally been found in an old South American cinema?",0.2672,"\u002F5UEXWhTtcKsMBSFJrqFUmH7fGjh.jpg","2021-10-16",{"adult":5,"backdrop_path":103,"genre_ids":104,"id":106,"title":107,"original_language":48,"original_title":108,"overview":109,"popularity":110,"poster_path":111,"release_date":112,"softcore":5,"video":5,"vote_average":113,"vote_count":114},"\u002Fx7wJtOb4e0l7yM39P5JSRRrY103.jpg",[10,45,105],10770,888110,"The Cinematograph: Birth of an Art","L’Œil, le pinceau et le cinématographe : naissance d'un art","Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.",0.2988,"\u002Fbu78yE9ALD3kM3JYO7RUm0o8SLf.jpg","2021-10-17",7.2,6,{"adult":5,"backdrop_path":6,"genre_ids":116,"id":117,"title":118,"original_language":16,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":12,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,45],742087,"Misha","The tragic story of the greatest soccer player the most have never heard of.",0.9389,"\u002F5sgt3mBAIBko9AZYBzUIbBDYP4H.jpg",{"adult":5,"backdrop_path":6,"genre_ids":123,"id":124,"title":125,"original_language":126,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":5,"video":5,"vote_average":132,"vote_count":133},[10,45],1126923,"The Meeting of President Taft and President Díaz at El Paso, Texas","es","La entrevista de los presidentes Díaz-Taft","The first meeting of a U.S. president and a Mexican president took place when William Howard Taft met Porfirio Díaz on 16 October 1909, in El Paso. The meeting was celebrated in both El Paso and Juárez with parades, elaborate receptions, lavish gifts and large crowds. Shot by the pioneers of Mexican Cinema the brothers Alva. This is a typical example of newsreel material prior to the Mexican revolution. By hemerographical references we know that this footage was presented to the then president of Mexico General Porfirio Díaz in the Castle of Chapultepec, then residence of the president.",0.263,"\u002F19BXKEzibaISH5tnaUvaDb1MdRT.jpg","1909-10-16",3.2,3,{"adult":5,"backdrop_path":135,"genre_ids":136,"id":138,"title":139,"original_language":33,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":5,"video":5,"vote_average":54,"vote_count":145},"\u002FAdbiZTkTOlYuNcFMlp6QTXqfh2b.jpg",[10,137,45],18,419510,"Abu Raykhan Biruni","Абу Райҳон Беруний","A biographical film about one of the greatest Medieval scientists and scholars, Al-Biruni.",1.4712,"\u002F4DUIcFBUjoIQcMIORrei9Q5vxZw.jpg","1974-08-07",2,{"adult":5,"backdrop_path":6,"genre_ids":147,"id":148,"title":149,"original_language":16,"original_title":149,"overview":150,"popularity":151,"poster_path":152,"release_date":153,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1495588,"Tashkent: The End of an Era","Tashkent: The End of an Era reconstructs the complex history of Tashkent by means of archive footage which has never been shown before and the testimonies of its inhabitants.",0.8017,"\u002FoHp1ifmqSn5MsaQqBlveU9KKDdQ.jpg","1996-01-01",{"adult":5,"backdrop_path":155,"genre_ids":156,"id":157,"title":158,"original_language":48,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":5,"video":5,"vote_average":164,"vote_count":165},"\u002F42mJ1tutVUa4Le7iwiJAQhAllNz.jpg",[10,45],411003,"Lumière!","Lumière ! 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At last remembered.",1.2638,"\u002Fo5fz4qNgI5nfDirf6UcX0SpAG6T.jpg","2018-12-07",7.263,40,{"adult":5,"backdrop_path":185,"genre_ids":186,"id":187,"title":188,"original_language":48,"original_title":189,"overview":190,"popularity":191,"poster_path":192,"release_date":193,"softcore":5,"video":5,"vote_average":194,"vote_count":54},"\u002FmQDSkP6mlzpHI1OMHGKba2ECigU.jpg",[10,45,105],929552,"Fantômas: A Thoroughly Modern Villain","Fantômas démasqué","The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.",1.9474,"\u002F5zkFs3NhoS8P1EmQUPOeqXzc71I.jpg","2022-01-21",7.1,{"adult":5,"backdrop_path":196,"genre_ids":197,"id":198,"title":199,"original_language":48,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":5,"video":5,"vote_average":205,"vote_count":206},"\u002FbEcIK8aKmXVwLBNzPuYbjqHaBmP.jpg",[10,45],91603,"The Magic of Méliès","La Magie Méliès","A walk through the life and work of the brilliant French filmmaker Georges Méliès (1861-1938), pioneer of special and visual effects.",1.0151,"\u002Fddgl8kqMGKob8qFNFcrIdERgi8w.jpg","1997-01-01",7.25,12,{"adult":5,"backdrop_path":208,"genre_ids":209,"id":210,"title":211,"original_language":212,"original_title":213,"overview":214,"popularity":215,"poster_path":216,"release_date":217,"softcore":5,"video":5,"vote_average":218,"vote_count":219},"\u002FkAp3QWUBFC9uNQtTDz8AvK3s2K1.jpg",[10,45],942482,"Italia: Fire and Ashes","it","Italia: il fuoco, la cenere","The epic and poetic tale of the early years of Italian cinema, from 1896 to 1930: how peplum was born, how the first stars shone, how many daring filmmakers were able to create an original style amalgamating literature, theater, painting and opera; a tale of splendor and decadence.",0.705,"\u002FvfcObX7NYZ0fKfaRU5lEMrnC4ir.jpg","2023-03-15",5.5,4,{"adult":5,"backdrop_path":221,"genre_ids":222,"id":223,"title":224,"original_language":16,"original_title":224,"overview":225,"popularity":226,"poster_path":227,"release_date":228,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F3RSW7YApFy9ajjc6osGBPQQHNkU.jpg",[10],1694374,"A Brave Engineer: Buster Keaton's Last Ride","From 1920 to 1965, the great Buster Keaton made spectacular use of locomotives in his films. This video essay charts the course of his iconic cinematic career across the many tracks he rode along on screen: as a young man in the surge of his silent movie ascent in Our Hospitality, while making his masterpiece The General, and traversing the width of Canada on a railway speeder car as an old man in The Railrodder.",1.5187,"\u002F7mHLtysv9m36j108k5Ip0SGCyWY.jpg","2026-05-18",{"adult":5,"backdrop_path":230,"genre_ids":231,"id":232,"title":233,"original_language":234,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F4HSSJzGUGJ2bXWgM46hvrRdiYAe.jpg",[10],752911,"Sex, Sensations & Superstars: The History of Danish Silent Cinema","da","Sex, sensationer & superstjerner: Historien om dansk stumfilm","Documentary on the rise and fall of the Danish silent film industry.",0.4452,"\u002FxKv8C7MW40s0vEnb6A9kLUIOZUp.jpg","2020-10-14",{"adult":5,"backdrop_path":6,"genre_ids":241,"id":242,"title":243,"original_language":33,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":5,"video":5,"vote_average":113,"vote_count":219},[10],203329,"Aral, Fishing in an Invisible Sea","A documentary film about the three remaining generations of fishermen in the Aral Sea-- Their everyday struggle to survive in one of the most dire and inhospitable places on the planet.",0.8071,"\u002FfP3yA2eLnjFhckLohbrHOfBLutt.jpg","2004-06-23",11658,233154,{"results":251},{},{"results":253},[],45,"A documentary story that tends to land well.",[]]