[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1376380-en-US":3},{"detail":4,"match":299,"insight":300,"providers":301,"providerLink":25,"trailer":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":25,"revenue":8,"runtime":8,"similar":92,"tagline":108,"homepage":108,"overview":108,"softcore":6,"popularity":284,"vote_count":8,"poster_path":285,"release_date":286,"vote_average":8,"backdrop_path":25,"origin_country":287,"original_title":7,"watch\u002Fproviders":289,"spoken_languages":291,"original_language":104,"production_companies":295,"production_countries":296,"belongs_to_collection":25},1376380,false,"O Voo de Dener",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":27},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":8,"cast_id":21,"character":22,"credit_id":23,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},5019435,"Dener Marcos Xavier",15,"Himself","67294f34534d5797f54121a4",0.147,null,"Art",[28,31,38,42,47,51,56,58,65,67,74,80,86,90],{"id":19,"job":29,"name":20,"adult":6,"gender":8,"credit_id":30,"department":26,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},"Co-Art Director","671a7b38427c5c19f025cc98",{"id":32,"job":33,"name":34,"adult":6,"gender":8,"credit_id":35,"department":36,"popularity":37,"profile_path":25,"original_name":34,"known_for_department":36},4248547,"Director","Rafaela Souza","671a7b6be833d92ef05fe5a4","Directing",0.1421,{"id":32,"job":39,"name":34,"adult":6,"gender":8,"credit_id":40,"department":41,"popularity":37,"profile_path":25,"original_name":34,"known_for_department":36},"Screenplay","67294d5f554578c90de31d4e","Writing",{"id":43,"job":39,"name":44,"adult":6,"gender":8,"credit_id":45,"department":41,"popularity":46,"profile_path":25,"original_name":44,"known_for_department":41},5041175,"Giuliana Donadio","67294d84554578c90de31d61",0.1618,{"id":32,"job":48,"name":34,"adult":6,"gender":8,"credit_id":49,"department":50,"popularity":37,"profile_path":25,"original_name":34,"known_for_department":36},"Producer","67294da029735d6a04daa2e1","Production",{"id":52,"job":48,"name":53,"adult":6,"gender":8,"credit_id":54,"department":50,"popularity":55,"profile_path":25,"original_name":53,"known_for_department":50},5041178,"Thalles Sousa","67294dbc761979f005e2e42b",0.1558,{"id":43,"job":48,"name":44,"adult":6,"gender":8,"credit_id":57,"department":50,"popularity":46,"profile_path":25,"original_name":44,"known_for_department":41},"67294dd30eb51c288758a596",{"id":59,"job":60,"name":61,"adult":6,"gender":8,"credit_id":62,"department":63,"popularity":64,"profile_path":25,"original_name":61,"known_for_department":63},3709817,"Director of Photography","Pedro Dornelles","67294e04979c17cef55b628b","Camera",0.3854,{"id":43,"job":60,"name":44,"adult":6,"gender":8,"credit_id":66,"department":63,"popularity":46,"profile_path":25,"original_name":44,"known_for_department":41},"67294e2529735d6a04daa35a",{"id":68,"job":69,"name":70,"adult":6,"gender":8,"credit_id":71,"department":72,"popularity":73,"profile_path":25,"original_name":70,"known_for_department":72},5041186,"Sound Director","Pedro Tam","67294e4a979c17cef55b62b6","Sound",0.1287,{"id":75,"job":76,"name":77,"adult":6,"gender":8,"credit_id":78,"department":26,"popularity":79,"profile_path":25,"original_name":77,"known_for_department":26},5041188,"Art Direction","Iris de Brito","67294e723940c1202ff7e26f",0.1905,{"id":81,"job":82,"name":83,"adult":6,"gender":8,"credit_id":84,"department":26,"popularity":85,"profile_path":25,"original_name":83,"known_for_department":26},5041189,"Assistant Director of Photography","Rafael Oliveira","67294eb9979c17cef55b62f6",0.0996,{"id":43,"job":87,"name":44,"adult":6,"gender":8,"credit_id":88,"department":89,"popularity":46,"profile_path":25,"original_name":44,"known_for_department":41},"Editor","67294ece47311eb8990b85c3","Editing",{"id":32,"job":87,"name":34,"adult":6,"gender":8,"credit_id":91,"department":89,"popularity":37,"profile_path":25,"original_name":34,"known_for_department":36},"67294eda534d5797f5412178",{"page":93,"results":94,"total_pages":282,"total_results":283},1,[95,105,117,123,131,142,153,163,175,182,188,201,209,219,227,235,246,253,262,272],{"id":96,"adult":6,"title":97,"video":6,"overview":98,"softcore":6,"genre_ids":99,"popularity":100,"vote_count":8,"poster_path":101,"release_date":102,"vote_average":8,"backdrop_path":25,"original_title":103,"original_language":104},447310,"Straight to the Point","Documentary about the singer Bezerra da Silva and the relation with his composers.",[11],1.0554,"\u002Fe7OiOtWEjcD7BqTEIxcnwSM1r1k.jpg","2012-11-02","Onde a Coruja Dorme","pt",{"id":106,"adult":6,"title":107,"video":6,"overview":108,"softcore":6,"genre_ids":109,"popularity":110,"vote_count":111,"poster_path":112,"release_date":113,"vote_average":114,"backdrop_path":115,"original_title":107,"original_language":116},1000498,"L'Homme de Rio - A vida loca","",[11],1.0548,4,"\u002FkpuRmeZmeFb7msL4OCCEtqC5f2s.jpg","2022-07-03",8.5,"\u002FroFsrqhcTdqmW4XHcGkRIPvlk7H.jpg","fr",{"id":118,"adult":6,"title":119,"video":6,"overview":108,"softcore":6,"genre_ids":120,"popularity":121,"vote_count":8,"poster_path":25,"release_date":122,"vote_average":8,"backdrop_path":25,"original_title":119,"original_language":104},1414071,"Educação no Brasil: Vivências e Problemáticas de Ensino",[11],0.1984,"2019-04-13",{"id":124,"adult":6,"title":125,"video":6,"overview":108,"softcore":6,"genre_ids":126,"popularity":127,"vote_count":8,"poster_path":128,"release_date":129,"vote_average":8,"backdrop_path":130,"original_title":125,"original_language":104},1422666,"Os Sonhos da Gente",[11],0.1859,"\u002F1rCF2eoI7TEU8A569x7osqnuqfB.jpg","2017-10-05","\u002F4JT5V14FeS00kJZunstuK2EQKzX.jpg",{"id":132,"adult":6,"title":133,"video":6,"overview":134,"softcore":6,"genre_ids":135,"popularity":136,"vote_count":137,"poster_path":138,"release_date":139,"vote_average":140,"backdrop_path":25,"original_title":141,"original_language":104},487760,"The Other Side of the Postcard","The Favela Pacification Program was launched in 2008 to reduce crime and drug trafficking in Rio de Janeiro, Brazil. In April 2015 however, police shot and killed 10-year old Eduardo in Complexo do Alemão, causing uproar in that community. Alemão and other pacified communities began to realise that the program had become the very thing it was designed to destroy. Taking place in the build to the 2016 Olympic Games, this is the side of Rio that you have never seen before.",[11],0.1725,2,"\u002FsIdV5qEqMfBmx8gka5nfPPkXbbI.jpg","2016-12-31",7.5,"O Outro Lado do Cartão-Postal",{"id":143,"adult":6,"title":144,"video":6,"overview":145,"softcore":6,"genre_ids":146,"popularity":147,"vote_count":93,"poster_path":148,"release_date":149,"vote_average":150,"backdrop_path":151,"original_title":152,"original_language":104},297279,"Gringo on the Slum","Documentary about the foreign tourism in Rocinha, the biggest Latin America's favela, which receives about 3.000 foreign tourists per month. They come to Rocinha looking for the most varied aspects, from the poorness to the violence, from the geography to the architecture, from the viewing to the atmosphere, from the curiosity to the welfarism.",[11],0.3389,"\u002FjTYiOMihBF4rVEGK97EGv13PTdC.jpg","2015-07-21",3,"\u002FosdcgJF6YY5D09Dqnr7y0sGtVgC.jpg","Tem Gringo no Morro",{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":159,"vote_count":93,"poster_path":160,"release_date":161,"vote_average":162,"backdrop_path":25,"original_title":155,"original_language":104},809205,"Chega de Demanda","Documentary addressing the composer Cartola and the transformations that took place in Morro Carioca and in Samba during his life. Founder of the Escola de Samba Estação Primeira de Mangueira, Cartola has his life and his music marked by his community and his School, far from the city His school, created as a playful and expressive center for the mangueirense, has now become a point of tourist attraction. This made work possible for the inhabitants of the hill, but it transformed the spirit of samba and its aesthetics.",[11,158],10402,1.0059,"\u002F1rNKPM00Vk1nXTOWO0uuQdhfLEk.jpg","1973-01-01",10,{"id":164,"adult":6,"title":165,"video":6,"overview":108,"softcore":6,"genre_ids":166,"popularity":169,"vote_count":170,"poster_path":171,"release_date":172,"vote_average":173,"backdrop_path":174,"original_title":165,"original_language":104},1575450,"É Pra Mudar, Muleke - Uma Vida no DEGASE",[11,167,168],80,18,1.8274,5,"\u002F9oqYduGr0m4KseNSseBh2tTbOAF.jpg","2025-11-17",7.2,"\u002FoQIhjulCnF9OZg9b7yoU9j5cW6F.jpg",{"id":176,"adult":6,"title":177,"video":178,"overview":108,"softcore":6,"genre_ids":179,"popularity":180,"vote_count":8,"poster_path":25,"release_date":181,"vote_average":8,"backdrop_path":25,"original_title":177,"original_language":104},1070568,"Quando a parede cai",true,[11],0.2359,"2009-01-10",{"id":183,"adult":6,"title":184,"video":6,"overview":108,"softcore":6,"genre_ids":185,"popularity":186,"vote_count":8,"poster_path":25,"release_date":187,"vote_average":8,"backdrop_path":25,"original_title":184,"original_language":104},1070580,"Zé Barriga",[11],0.5266,"2007-01-01",{"id":189,"adult":6,"title":190,"video":6,"overview":191,"softcore":6,"genre_ids":192,"popularity":193,"vote_count":194,"poster_path":195,"release_date":196,"vote_average":197,"backdrop_path":198,"original_title":199,"original_language":200},71803,"The Miracle of Candeal","The story of the Candeal favela in Salvador de Bahia, Brazil, where musician Carlinhos Brown carries out social and cultural initiatives that protect and enrich the lives of its inhabitants every day.",[11,158],0.3114,6,"\u002F3PYixoWbUOFRDNxVDIvHIIIgozw.jpg","2004-09-30",5.5,"\u002F5bYnAdGRVjDuVZcd0uY9MBDmNfm.jpg","El milagro de Candeal","es",{"id":202,"adult":6,"title":203,"video":6,"overview":108,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":137,"poster_path":206,"release_date":207,"vote_average":197,"backdrop_path":208,"original_title":203,"original_language":104},1691523,"Globalização e Tecnologia: Impactos no Cotidiano",[168,11],0.313,"\u002FlOQefMRA2IaGUOTJF2Px7DGdRND.jpg","2026-05-08","\u002FvZmTSOxytN1HsNSnagB4GgKMavA.jpg",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":215,"vote_count":8,"poster_path":216,"release_date":217,"vote_average":8,"backdrop_path":25,"original_title":218,"original_language":200},543792,"Black I Am","The women of the first Garífuna community in Honduras work hard for the future of their daughters. Surrounded by a dazzling landscape, they celebrate their identity and the importance of maternal figures.",[11,214],10751,0.6147,"\u002FuTjZP7dkrCMD8jGVi3imy1XDry0.jpg","2020-11-09","Negra soy",{"id":220,"adult":6,"title":221,"video":6,"overview":108,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":8,"poster_path":224,"release_date":225,"vote_average":8,"backdrop_path":226,"original_title":221,"original_language":104},1690863,"Morro da Favela",[11],0.282,"\u002F56aaWFjmSKESClgacZyZ3i6MIb4.jpg","2026-05-07","\u002FbyhCVOGEH95BqwqctEBnLAhZK2w.jpg",{"id":228,"adult":6,"title":229,"video":6,"overview":108,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":8,"poster_path":232,"release_date":233,"vote_average":8,"backdrop_path":234,"original_title":229,"original_language":104},1690855,"Enfermagem 50",[11],0.1317,"\u002F94zGvcZ2zLOHyR4RhZLRVucJ5l1.jpg","2026-05-12","\u002F3RUHxDCjZDXmaZFl32e75bJyhei.jpg",{"id":236,"adult":6,"title":237,"video":6,"overview":238,"softcore":6,"genre_ids":239,"popularity":240,"vote_count":93,"poster_path":241,"release_date":242,"vote_average":243,"backdrop_path":244,"original_title":237,"original_language":245},1317816,"Favela Government","Brazil's \"Red Command\" drug cartel is considered a plague by the government. But for the people of the favelas they control, Red Command *is* the government. They’re the de facto leadership of the area. The gang has taken over the role of the authorities in their shanty towns, where the state has long abandoned them. Away Days got special access to the Rio favelas, hanging out out with young foot-soldiers, speaking to commanders, and seeing how civilians live between the gangs and the equally violent police militias.",[11],0.1067,"\u002F5EGYH5CsWbm5hs4dfqw76w35g32.jpg","2025-05-20",8,"\u002F3JaGFAUwdrILNZ0H1kEOqAFdqXN.jpg","en",{"id":247,"adult":6,"title":248,"video":178,"overview":108,"softcore":6,"genre_ids":249,"popularity":250,"vote_count":93,"poster_path":251,"release_date":252,"vote_average":162,"backdrop_path":25,"original_title":248,"original_language":104},1511655,"Quando o Brincar Ensina",[11],0.1845,"\u002F4PA2Rl82FY7VKDoUaDVYJQpw6RX.jpg","2025-07-12",{"id":254,"adult":6,"title":255,"video":6,"overview":256,"softcore":6,"genre_ids":257,"popularity":258,"vote_count":8,"poster_path":259,"release_date":260,"vote_average":8,"backdrop_path":261,"original_title":255,"original_language":104},1516745,"Sou Jazz","Sound is a journey. Each note opens a door, closes another. Instruments chart the course.\r Through a poetic and immersive lens, Sou Jazz shines a light on musicians from the Paraisópolis community, reaffirming the social and transformative power of art. The film invites viewers into a reflective, sensory exploration of the relationship between jazz and life on the margins.",[11],1.233,"\u002FpSQ7wZ8qXtZMjLEcjF8daH5YjZt.jpg","2025-07-02","\u002F2Wtm3C25zYENJi2usRYFSi8X5qj.jpg",{"id":263,"adult":6,"title":264,"video":6,"overview":265,"softcore":6,"genre_ids":266,"popularity":267,"vote_count":93,"poster_path":268,"release_date":269,"vote_average":270,"backdrop_path":25,"original_title":271,"original_language":104},480399,"The Good Fight","A boxer in Rio's favelas opens a club to help keep kids out of the burgeoning drug trade.",[11],0.1734,"\u002F9Pu0wPZo8pnYZM8cV7v42nobSUB.jpg","2017-10-09",6.5,"A Vida É uma Luta",{"id":273,"adult":6,"title":274,"video":6,"overview":275,"softcore":6,"genre_ids":276,"popularity":277,"vote_count":111,"poster_path":278,"release_date":279,"vote_average":280,"backdrop_path":25,"original_title":281,"original_language":104},61688,"Complexo: Parallel Universe","No Rio de Janeiro, a 13 km do Cristo Redentor, dois portugueses aventuraram-se na mais temida favela do Brasil, onde moram mais de 300.000 pessoas - o Complexo do Alemão. Em 2007, no período de maior tensão e violência no Rio de Janeiro, viveram a maior operação policial já realizada no estado, sentiram na pele como é a vida de um simples morador. O filme retrata este perigoso e complexo mundo, um universo paralelo inserido dentro de uma ordem maior, um mundo à parte, que segue uma ordem diferente da ordem global.",[11],0.9243,"\u002F73sg1ZTcLxBW2Jeb73HW0EGr56U.jpg","2011-01-13",7.3,"Complexo - Universo Paralelo",11631,232612,0.2675,"\u002FzzMADMwsfHd7M5EXBZSuDXNEvEv.jpg","2024-11-08",[288],"BR",{"results":290},{},[292],{"name":293,"iso_639_1":104,"english_name":294},"Português","Portuguese",[],[297],{"name":298,"iso_3166_1":288},"Brazil",45,"A documentary story that tends to land well.",[]]