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Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. 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The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.",[11],0.1572,"\u002F3DwUl4cvulOTwGP3zn3cT63y04T.jpg","2024-08-31",{"id":133,"adult":6,"title":134,"video":6,"overview":135,"softcore":6,"genre_ids":136,"popularity":137,"vote_count":8,"poster_path":138,"release_date":139,"vote_average":8,"backdrop_path":31,"original_title":134,"original_language":140},1007973,"Philippe-Alain Michaud, le réel traversé par la fiction","To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves!  Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.",[11],0.4223,"\u002F1kK4PGDR4EKT1FitzBzgCnTwhwM.jpg","2016-01-01","fr",{"id":142,"adult":6,"title":143,"video":6,"overview":144,"softcore":6,"genre_ids":145,"popularity":146,"vote_count":8,"poster_path":147,"release_date":148,"vote_average":8,"backdrop_path":149,"original_title":143,"original_language":111},454414,"The Real Beauty and the Beast","It's a condition known as \"hypertrichosis\" or \"Ambras Syndrome,\" but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character. 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Travelling to Aotearoa, Samoa, Japan and the United States, the doco traces key developments in tattooing, including its importance in the Pacific, prison-inspired styles, and the influence of 1960s counterculture. 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