[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1422707-en-US":3},{"detail":4,"match":269,"insight":270,"providers":271,"providerLink":40,"trailer":40},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":29,"imdb_id":40,"revenue":36,"runtime":49,"similar":50,"tagline":248,"homepage":249,"overview":250,"softcore":6,"popularity":251,"vote_count":36,"poster_path":252,"release_date":253,"vote_average":36,"backdrop_path":254,"origin_country":255,"original_title":7,"watch\u002Fproviders":258,"spoken_languages":260,"original_language":26,"production_companies":265,"production_countries":266,"belongs_to_collection":40},1422707,false,"Seagull dog child",350,[10,13],{"id":11,"name":12},99,"Documentary",{"id":14,"name":15},14,"Fantasy","Released",{"id":5,"results":18},[19],{"id":20,"key":21,"name":22,"site":23,"size":24,"type":25,"official":6,"iso_639_1":26,"iso_3166_1":27,"published_at":28},"6793092c90390f4881184a94","1049892074","SEAGULL DOG CHILD - SAMPLE","Vimeo",1080,"Clip","en","US","2025-01-24T02:58:52.000Z",{"cast":30,"crew":31},[],[32,41,44],{"id":33,"job":34,"name":35,"adult":6,"gender":36,"credit_id":37,"department":38,"popularity":39,"profile_path":40,"original_name":35,"known_for_department":38},3941613,"Director","Sebastian Vaccaris",0,"6793078308c1729ec9184342","Directing",0.3705,null,{"id":33,"job":42,"name":35,"adult":6,"gender":36,"credit_id":43,"department":42,"popularity":39,"profile_path":40,"original_name":35,"known_for_department":38},"Sound","6793079190390f4881184a50",{"id":45,"job":42,"name":46,"adult":6,"gender":36,"credit_id":47,"department":42,"popularity":48,"profile_path":40,"original_name":46,"known_for_department":42},5199655,"Tim Cederwall","679307a125d2980fb02384d4",0.2747,9,{"page":51,"results":52,"total_pages":246,"total_results":247},1,[53,61,71,80,90,105,116,127,136,145,155,162,173,184,191,201,210,218,228,236],{"id":54,"adult":6,"title":55,"video":6,"overview":56,"softcore":6,"genre_ids":57,"popularity":58,"vote_count":36,"poster_path":59,"release_date":60,"vote_average":36,"backdrop_path":40,"original_title":55,"original_language":26},1400387,"Running Fields IV","Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors",[11],0.8959,"\u002FfoU1PQZ64h5vvvA6eh5UvQwMCMT.jpg","2024-12-13",{"id":62,"adult":6,"title":63,"video":6,"overview":64,"softcore":6,"genre_ids":65,"popularity":67,"vote_count":36,"poster_path":40,"release_date":68,"vote_average":36,"backdrop_path":69,"original_title":63,"original_language":70},1582198,"Maroc : Les Défis de Mohammed VI","Two years ago, Mohammed VI succeeded his father, Hassan II, without any apparent difficulties. Is this succession really as smooth as it seems?",[11,66],10770,0.9093,"2004-12-04","\u002FR53UWHzV2ycxMFuzL7LR7vtamo.jpg","fr",{"id":72,"adult":6,"title":73,"video":6,"overview":74,"softcore":6,"genre_ids":75,"popularity":76,"vote_count":36,"poster_path":77,"release_date":78,"vote_average":36,"backdrop_path":40,"original_title":79,"original_language":70},1582852,"The Temple of Augustus and Livia seen near Saint-Prim","A study of observations around the ancient monument of the temple of Augustus and Livia and to cities of Vienne, Chonas-l'Amballan and Saint-Prim. 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The film acts as a fleeting memory, creating vignettes of the ever changing cultural pocket, through multi language prose and 16mm film.",[11],0.4919,"\u002FpCd1LcbC41lna4TxRkrEShrVsfn.jpg","2026-02-28","\u002F1bLsU2iX6OAfg4bW9HDfrwzm5Ga.jpg","ਤੁਹਾਡੇ ਵਿੱਚ ਮੇਰਾ ਅਕਸ","pa",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":36,"poster_path":133,"release_date":134,"vote_average":36,"backdrop_path":40,"original_title":129,"original_language":135},1599922,"o","For as long as she remembers, Francisca lives with an inexplicable and uncontrollable aversion to belly buttons. Nothing makes her more anxious than this simple part of the body and the shapes in the world that resemble it. 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One rotates over the course of a day, its speed  shifting gradually. On the right, a single mesh remains still.  Digital interference is continuously superimposed onto the physical rotation. Where no rotation occurs, motion persists through digital interference alone. Under different conditions, the two images arrive at similar shimmering forms.  The sound drifts with the sky.  Tremolo. Pulse.",[11],0.6498,"\u002FoxL5sWdlkeqd1YremicB3h9rjV9.jpg","2025-12-19","\u002FueL7DQXBBc2eP2YzIKrmQXtSnXW.jpg","ko",{"id":156,"adult":6,"title":157,"video":6,"overview":112,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":36,"poster_path":160,"release_date":161,"vote_average":36,"backdrop_path":40,"original_title":157,"original_language":135},1600125,"Aguardo a Ressurreição em Celulóide",[14],0.9338,"\u002FdqYjYCtFGOtVRNUgH3Lysndl3Kb.jpg","2024-10-08",{"id":163,"adult":6,"title":164,"video":6,"overview":165,"softcore":6,"genre_ids":166,"popularity":167,"vote_count":36,"poster_path":168,"release_date":169,"vote_average":36,"backdrop_path":170,"original_title":171,"original_language":172},1218390,"Duration-Difference","Inspired by Lois Patiño's short movies project called \"Paisaje-Duración\" (Duration-Landscape) and Hiroshi Sugimoto's photo series \"Seascapes\", \"Duração-Diferença\" (Duration-Difference) reveals the difference through duration, through time; this short experimental movie seeks to capture, as Patiño and Sugimoto achived, the immanence as the entrance for something more - or something in between.",[11],1.7443,"\u002FgtT8fga2BBtJeOIApHd5H5ntQdQ.jpg","2023-12-17","\u002FriicABLRHFtmPYI3j1Eire885Kr.jpg","Duração-Diferença","xx",{"id":174,"adult":6,"title":175,"video":6,"overview":176,"softcore":6,"genre_ids":177,"popularity":178,"vote_count":51,"poster_path":179,"release_date":180,"vote_average":181,"backdrop_path":182,"original_title":183,"original_language":70},463201,"Morocco from Above","Yann Arthus-Bertrand flew over Morocco with his cameras and asked the journalist Ali Baddou to write and record the comment.",[11],1.7677,"\u002FctFjBv7JwJO1Gxj5Ltbpq84ewms.jpg","2017-06-21",8,"\u002F4etBAKDovgOBwRJ5UYHUy9NeEKw.jpg","Le Maroc vu du ciel",{"id":185,"adult":6,"title":186,"video":6,"overview":187,"softcore":6,"genre_ids":188,"popularity":189,"vote_count":36,"poster_path":40,"release_date":190,"vote_average":36,"backdrop_path":40,"original_title":186,"original_language":26},1041752,"The Silver Stream","Along the silver stream",[95,14,97],0.4592,"2022-11-22",{"id":192,"adult":6,"title":193,"video":6,"overview":194,"softcore":6,"genre_ids":195,"popularity":196,"vote_count":36,"poster_path":197,"release_date":198,"vote_average":36,"backdrop_path":199,"original_title":200,"original_language":26},1609663,"Fourteen variations on the intimate","In early 2020, MUTA - International Festival of Audiovisual Appropriation and Cine Íntimo rescued and digitised a Peruvian archive of orphaned 8mm and Super 8 home movies.  With the aim of restoring these lost memories, we sent the images around the world.  This omnibus film is the result of the intervention of this material, by 14 experimental filmmakers.  Fourteen perspectives and ways of experiencing appropriation.  Fourteen variations on the intimate.",[11],1.1934,"\u002F6kuEGFyGQkc6nj5UlEaxBGwgGP.jpg","2023-08-23","\u002FfRt9eKtMVGrU4WAaE3f80f8otF4.jpg","Catorce Variaciones de lo Íntimo",{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":51,"poster_path":207,"release_date":208,"vote_average":209,"backdrop_path":40,"original_title":203,"original_language":26},1445885,"Swinging Light","An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.",[11],1.371,"\u002FvdOMxrTVq3HBu5tJDCjck2xe8qH.jpg","2025-03-21",5,{"id":211,"adult":6,"title":212,"video":6,"overview":213,"softcore":6,"genre_ids":214,"popularity":215,"vote_count":36,"poster_path":216,"release_date":217,"vote_average":36,"backdrop_path":40,"original_title":212,"original_language":115},1446468,"Deshilando Luz","A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?",[11],1.2255,"\u002F6ZJXBPT5X3qePIyuX86V9QdNjwV.jpg","2025-05-29",{"id":219,"adult":6,"title":220,"video":6,"overview":221,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":36,"poster_path":224,"release_date":225,"vote_average":226,"backdrop_path":40,"original_title":220,"original_language":227},1433592,"Tramuntana","In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.",[11],1.0063,"\u002FdyKcKmblDXYEUZMuyFV3T3t2XOq.jpg","2025-02-23",6,"ca",{"id":229,"adult":6,"title":230,"video":6,"overview":231,"softcore":6,"genre_ids":232,"popularity":233,"vote_count":36,"poster_path":234,"release_date":235,"vote_average":36,"backdrop_path":40,"original_title":230,"original_language":26},1050380,"How to Be a Candid Woman","To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film \"Normal Speech Articulation\" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.",[11],0.7914,"\u002FsOu4uMUNg4WJWHXNg7gxSGiTr7.jpg","2022-11-16",{"id":237,"adult":6,"title":238,"video":6,"overview":239,"softcore":6,"genre_ids":240,"popularity":241,"vote_count":36,"poster_path":242,"release_date":243,"vote_average":36,"backdrop_path":244,"original_title":245,"original_language":26},1618887,"I Saw Mockingbirds laughing under the sun of Valence","A sort of non-narrative itinerary between Lyon, Vienne and Valence-Ville that goes exploring the relationships between the interactions and the light it exposes, a reflection of identity and beauty that the shadows goes preserving the perceptions of new space.",[11],1.339,"\u002FmFHkxtJsznyxPC6LZiJYXVn4QTY.jpg","2026-01-23","\u002F7slBFIOAEUj7CtuGifLLNvTvkKX.jpg","J'ai vu des oiseaux-moqueurs ricaner sous le soleil de Valence",1001,20001,"16mm experimental short film","https:\u002F\u002Fsebastianvaccaris.com\u002FSEAGULL-DOG-CHILD","A seagull, a dog, a child, a call to prayer;\r Looking through a window, the corridor of a train, the wall of a medina;\r Everyday life is momentarily paused through the eyes of a stranger in an unknown land.",0.8024,"\u002FrvlnGWNjMUioI91iXTl0m3oEKGP.jpg","2025-02-17","\u002FkNF8snbMD5hfJRfvHGeLuQHyiK3.jpg",[256,257],"AU","MA",{"id":5,"results":259},{},[261],{"name":262,"iso_639_1":263,"english_name":264},"العربية","ar","Arabic",[],[267],{"name":268,"iso_3166_1":256},"Australia",45,"A documentary story that tends to land well.",[]]