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To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves!  Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.",[11],3.7642,"\u002F1kK4PGDR4EKT1FitzBzgCnTwhwM.jpg","2016-01-01",{"id":255,"adult":6,"title":256,"video":6,"overview":257,"softcore":6,"genre_ids":258,"popularity":259,"vote_count":46,"poster_path":25,"release_date":260,"vote_average":261,"backdrop_path":25,"original_title":256,"original_language":151},269000,"El campo para el hombre","\"El campo para el hombre\" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. 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How the characters created by great writers and pencilers became Spanish archetypes and how their strips persist nowadays as a portrait of Spain and its people. The daily life of the creators and the founding family, the Brugueras. The world in which hundreds of vivid colorful paper beings lived and still live, in the memory of millions, in the smile of everyone.",[11],2.6474,"\u002FQvM4v4YbxlUIH3WKOsoD7hWRFH.jpg","2012-04-20","\u002FiFWZwjSM3KkruZUbVFoLoPbZvZI.jpg",{"id":289,"adult":6,"title":290,"video":6,"overview":291,"softcore":6,"genre_ids":292,"popularity":293,"vote_count":46,"poster_path":294,"release_date":295,"vote_average":296,"backdrop_path":297,"original_title":298,"original_language":173},1226259,"The Treasures of Marie-Antoinette at Versailles","Over time, Queen Marie-Antoinette, who was the most hated woman of her time, experienced a spectacular return to favor. 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