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It was Paik’s own way of summarizing his artistic career with video. The film installation consists of fast-paced and overlapping images that completely cover the gallery walls and ceiling—one of the most under-appreciated parts of architecture, according to Paik. With its electronic visuals and booming audio, interspersed with periods of silence, the immersive installation stands in stark contrast to the experience of its namesake.",[11,46],36,1.3249,"\u002FeInya8NK8SVNQsyAkiUWA9HuuAH.jpg","1993-10-13","xx",{"id":52,"adult":6,"title":53,"video":6,"overview":54,"softcore":6,"genre_ids":55,"popularity":56,"vote_count":8,"poster_path":57,"release_date":58,"vote_average":8,"backdrop_path":28,"original_title":53,"original_language":59},1050380,"How to Be a Candid Woman","To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film \"Normal Speech Articulation\" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.",[11],0.9721,"\u002FsOu4uMUNg4WJWHXNg7gxSGiTr7.jpg","2022-11-16","en",{"id":61,"adult":6,"title":62,"video":6,"overview":63,"softcore":6,"genre_ids":64,"popularity":65,"vote_count":8,"poster_path":66,"release_date":67,"vote_average":8,"backdrop_path":28,"original_title":68,"original_language":59},1435772,"Imitation of Waves - Guy's Visions","Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's studies through fluctuations of bright nuances and an imitation of these tormented waves in the eyes of a modern camera",[11],1.1435,"\u002F8SKlfFhLmokIcuBOBpxQRRgN9bR.jpg","2025-02-21","Les Yeux d'Alice Guy-Blaché",{"id":70,"adult":6,"title":71,"video":6,"overview":72,"softcore":6,"genre_ids":73,"popularity":74,"vote_count":8,"poster_path":75,"release_date":76,"vote_average":8,"backdrop_path":77,"original_title":78,"original_language":59},1618887,"I Saw Mockingbirds laughing under the sun of Valence","A sort of non-narrative itinerary between Lyon, Vienne and Valence-Ville that goes exploring the relationships between the interactions and the light it exposes, a reflection of identity and beauty that the shadows goes preserving the perceptions of new space.",[11],0.903,"\u002FmFHkxtJsznyxPC6LZiJYXVn4QTY.jpg","2026-01-23","\u002F7slBFIOAEUj7CtuGifLLNvTvkKX.jpg","J'ai vu des oiseaux-moqueurs ricaner sous le soleil de Valence",{"id":80,"adult":6,"title":81,"video":6,"overview":82,"softcore":6,"genre_ids":83,"popularity":84,"vote_count":8,"poster_path":85,"release_date":86,"vote_average":87,"backdrop_path":28,"original_title":81,"original_language":88},1433592,"Tramuntana","In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.",[11],0.8144,"\u002FdyKcKmblDXYEUZMuyFV3T3t2XOq.jpg","2025-02-23",6,"ca",{"id":90,"adult":6,"title":91,"video":6,"overview":92,"softcore":6,"genre_ids":93,"popularity":94,"vote_count":8,"poster_path":95,"release_date":96,"vote_average":8,"backdrop_path":28,"original_title":91,"original_language":59},1624180,"Lurching","A body lurchs through the university.",[11],1.0971,"\u002Fr3b0EEoybvXZjJS3LO1HJu4Yn1p.jpg","2025-06-01",{"id":98,"adult":6,"title":99,"video":6,"overview":100,"softcore":6,"genre_ids":101,"popularity":102,"vote_count":103,"poster_path":104,"release_date":105,"vote_average":106,"backdrop_path":107,"original_title":108,"original_language":109},38879,"The Beaches of Agnès","Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.",[11],3.4708,147,"\u002FmqTFhLpdyMNLBvmN5KFhCOFWWIp.jpg","2008-12-17",7.7,"\u002Fz9S7Z0NDbXcqhDCoPMv6ixeXZ6V.jpg","Les Plages d'Agnès","fr",{"id":111,"adult":6,"title":112,"video":6,"overview":113,"softcore":6,"genre_ids":114,"popularity":116,"vote_count":31,"poster_path":117,"release_date":118,"vote_average":119,"backdrop_path":120,"original_title":112,"original_language":121},1240236,"¿Por qué la gallina cruzó el camino?","A hen questions the meaning of her life on a farm.",[11,115],18,0.7118,"\u002FqGH295rrZHitnjjl0kugSf95SXC.jpg","2024-01-29",10,"\u002Fw5gz7U1IfeCbQsVeG7HjQLXe4xo.jpg","es",{"id":123,"adult":6,"title":124,"video":6,"overview":125,"softcore":6,"genre_ids":126,"popularity":127,"vote_count":23,"poster_path":128,"release_date":129,"vote_average":130,"backdrop_path":131,"original_title":124,"original_language":121},1240239,"Las Preguntas que Perdimos","",[11],0.6652,"\u002FtIkn26VFrxUHo0zpH0jlQu1KWRM.jpg","2023-12-30",9,"\u002Fs9KhXCsnE1Y8sJJsyQC3ejA5TJ7.jpg",{"id":133,"adult":6,"title":134,"video":6,"overview":135,"softcore":6,"genre_ids":136,"popularity":137,"vote_count":31,"poster_path":138,"release_date":139,"vote_average":119,"backdrop_path":140,"original_title":134,"original_language":141},1601538,"Corpos que Contam","Samba, Popping, and Jazz. Through these dance styles and documentary interviews, Bodies That Tell Stories seeks to discuss the standardization and whitening of dances that had their roots in Black people.",[11],0.8812,"\u002F4u482IScEUmR9CRSso3V9l7CqUQ.jpg","2025-12-19","\u002FlVqHt4YmI23q1akRLWr5amgdbxr.jpg","pt",{"id":143,"adult":6,"title":144,"video":6,"overview":145,"softcore":6,"genre_ids":146,"popularity":149,"vote_count":8,"poster_path":150,"release_date":151,"vote_average":8,"backdrop_path":28,"original_title":144,"original_language":152},1221080,"Herkules","Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.",[11,147,148],12,14,2.1873,"\u002Fx66PhvMYklMDVwftACgQKyAu9PH.jpg","2023-04-28","de",{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":158,"vote_count":8,"poster_path":28,"release_date":159,"vote_average":8,"backdrop_path":28,"original_title":160,"original_language":59},466548,"This Is Not an Olive Tree","A theoretical exercise can stem from a physical one: using the camera as if it was the vibrating device placed on the olive trees for the harvest of its fruit, the final result is a series of original and intriguing images. The camera shakes, gets in and out of focus, and we don’t exactly know what is happening. At first this is a strange disorientation, but then you get used to it through the cyclical mechanical noise that joins the images. The words of a peaceful female voice allows you to frame the film: a visual exercise after all can also be free.",[11],0.4163,"2017-01-01","Esto no es un olivo",{"id":162,"adult":6,"title":163,"video":6,"overview":164,"softcore":6,"genre_ids":165,"popularity":166,"vote_count":8,"poster_path":167,"release_date":168,"vote_average":8,"backdrop_path":28,"original_title":163,"original_language":59},1223009,"Time","Then, now, where? how?",[11],1.1788,"\u002FrEvRL3rr6Kd3F3lL6ZqV4cLUMgF.jpg","2022-05-02",{"id":170,"adult":6,"title":171,"video":6,"overview":172,"softcore":6,"genre_ids":173,"popularity":174,"vote_count":8,"poster_path":175,"release_date":176,"vote_average":8,"backdrop_path":177,"original_title":171,"original_language":59},1033186,"back home","In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.",[11],1.1451,"\u002FafqaJbaymrDWr3QxqlDXL67pb2.jpg","2022-09-30","\u002FiJkLMhEugPObnbMCGwJdwQaXJ4M.jpg",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":184,"poster_path":185,"release_date":186,"vote_average":187,"backdrop_path":188,"original_title":189,"original_language":109},639590,"Lumière, Le Cinéma!","In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.",[11,46],2.6813,16,"\u002FbSVyLSjGXNUIQk25RbZdb6ZA0Oy.jpg","2024-11-22",7.1,"\u002Fot5flQDp97Y8U5LDcOlZjRniCfk.jpg","Lumière, l’aventure continue",{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":31,"poster_path":196,"release_date":139,"vote_average":8,"backdrop_path":197,"original_title":192,"original_language":109},1598439,"The Cemetery of Sainte-Colombe","A small exploration in the cemetery from the township of Sainte-Colombe throught a focus into the light, graveyards, flaggings and funerary plaques.",[11],0.8549,"\u002FnQJL6IWsotRGwNZ89fF1bOFv7M9.jpg","\u002FkqOUXiQWlgssmKiv3AnkNnIsT5T.jpg",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":8,"poster_path":204,"release_date":205,"vote_average":8,"backdrop_path":206,"original_title":200,"original_language":207},1030409,"Iranian Lives Matter","Made with virtually no budget during COVID-19 quarantine in 2020, IRANIAN LIVES MATTER abstractly recounts the true story of what occurred in Iran during the November 2019 protests, sparked by a surprise hike in gasoline prices, which quickly spread across the entire nation and was subsequently crushed by the dictator's iron fist, resulting in the death of approximately 1500 protesters, as reported by Reuters.  IRANIAN LIVES MATTER is an experimental documentary, an audio-visual endurance test that audibly takes its audience through the chaos in the streets of Iran as the brutal regime cracks down on Iranian protesters, while visually showing the hands of the dictatorship as it crosses out 1500 lives one by one to further emphasize the scale of the massacre and show to a world desensitized to news of mass killings in the Middle East what the term \"1500 dead\" truly means.",[11],0.4286,"\u002F1BQoB5TkXZnrB82Nng1v8lesg8F.jpg","2021-01-01","\u002FzJ2NHlsU9rcWHZhlXnRC7HbX60U.jpg","fa",{"id":209,"adult":6,"title":210,"video":6,"overview":211,"softcore":6,"genre_ids":212,"popularity":213,"vote_count":8,"poster_path":214,"release_date":215,"vote_average":8,"backdrop_path":216,"original_title":210,"original_language":59},1219144,"Comes to a Point Like an Ice-Cream Cone","Experimental mash-up of circus and sideshow footage.",[11],0.534,"\u002Fe0pwCjaMGcTnz8zO3Bx49ENQfNO.jpg","1997-01-01","\u002FAwBVY6pkec0hTXsAU1yXNfBEz0p.jpg",{"id":218,"adult":6,"title":219,"video":6,"overview":220,"softcore":6,"genre_ids":221,"popularity":222,"vote_count":8,"poster_path":223,"release_date":224,"vote_average":8,"backdrop_path":225,"original_title":219,"original_language":226},1610144,"Futura Free","An experimental odyssey through altered realities and reconstructed archives, where  wandering voices of the past, present, and future unravel the elusive nature of time  and memory.",[11],1.0881,"\u002FwyzHaXwNPzlpTBOX0K7bBIifQZB.jpg","2025-06-19","\u002F3UsbyNrzjPeAqkOWESTlexJ2DlI.jpg","ar",1001,20001,"A condensation of a handful of sunsets with various visual moods. Red and blue as opposites that still find a way to cohere. Concrete silhouettes over an ever-changing, expanding canvas. Every movement is collective, molecular. Over an invisible horizon, a chance presents itself to meditate on the “speed” of water (and the sea) and also for a more fluid kind of editing.",0.4553,"\u002FdrkizlmJBG64YI9gyIFB6qTNrsO.jpg","2025-03-30",[234],"US",{"results":236},{},[238],{"name":239,"iso_639_1":50,"english_name":239},"No Language",[],[242],{"name":243,"iso_3166_1":244},"Chile","CL",45,"A documentary story that tends to land well.",[]]