[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1439228-en-US":3},{"detail":4,"match":248,"insight":249,"providers":250,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":27,"similar":28,"tagline":187,"homepage":187,"overview":229,"softcore":6,"popularity":230,"vote_count":8,"poster_path":26,"release_date":231,"vote_average":8,"backdrop_path":26,"origin_country":232,"original_title":234,"watch\u002Fproviders":235,"spoken_languages":237,"original_language":154,"production_companies":240,"production_countries":245,"belongs_to_collection":26},1439228,false,"Mind & Body",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},5266591,"Director","Samira Alizadehghanad","67bc879e55dd812fad46a3df","Directing",0.1199,null,7,{"page":29,"results":30,"total_pages":227,"total_results":228},1,[31,41,54,64,74,85,97,106,117,127,137,146,155,166,173,184,193,201,210,219],{"id":32,"adult":6,"title":33,"video":6,"overview":34,"softcore":6,"genre_ids":35,"popularity":36,"vote_count":29,"poster_path":37,"release_date":38,"vote_average":39,"backdrop_path":26,"original_title":33,"original_language":40},839420,"Feeling Right Now","An experimental film about the relation of Time and Space.",[11],0.215,"\u002FtlJQTJIqqT9SP95xo3UuQ1SbJT2.jpg","2021-06-05",10,"zh",{"id":42,"adult":6,"title":43,"video":6,"overview":44,"softcore":6,"genre_ids":45,"popularity":50,"vote_count":8,"poster_path":51,"release_date":52,"vote_average":8,"backdrop_path":26,"original_title":43,"original_language":53},644758,"FUCK TV","After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.",[46,47,48,11,49],10402,10752,14,36,0.5099,"\u002FjYt6l9hGmZlAWFYoeC9GT5JdWmU.jpg","2019-08-09","en",{"id":55,"adult":6,"title":56,"video":6,"overview":57,"softcore":6,"genre_ids":58,"popularity":59,"vote_count":29,"poster_path":60,"release_date":61,"vote_average":39,"backdrop_path":62,"original_title":63,"original_language":53},1428639,"And there was evening and there was morning. 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The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. 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The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. 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Meanwhile, old gods are upset with us, and I am upset with my father.",[11],0.7844,"\u002Fvoov5e4sT8NXhJStUW5zuodOp92.jpg","2024-02-20","tr",{"id":107,"adult":6,"title":108,"video":6,"overview":109,"softcore":6,"genre_ids":110,"popularity":111,"vote_count":8,"poster_path":112,"release_date":113,"vote_average":8,"backdrop_path":114,"original_title":115,"original_language":116},1616808,"In Sum","Corroded pixels struggle to form an image as they move through Cold War promises of development in rural Thailand, haunted by archival voices.",[11],0.5031,"\u002FuLP9LLB86oL1779OHzUV6gY5qpf.jpg","2026-02-14","\u002FxR6nlE9Tlocb2fwcMph1abTIcmX.jpg","ผีพัฒนา","th",{"id":118,"adult":6,"title":119,"video":6,"overview":120,"softcore":6,"genre_ids":121,"popularity":122,"vote_count":8,"poster_path":123,"release_date":124,"vote_average":8,"backdrop_path":125,"original_title":119,"original_language":126},1616842,"Forever…Forever","The uninterrupted light trail of one year and ten months, condensed down to 20 minutes, filmed on a self-made camera. Daily rhythms accelerate, slowly at first, then more intensely. 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Eighth entry into deeply beguiling series of works responding to the Alps acted as the closing night event of Alchemy Film Festival. The images are studies of the Alps degraded and distorted live at the front of the auditorium; the picture pixelated, streams of colour engulfed the screen like a crashed desktop, and as hawks hovered over the mountains they left staggered trails of glitches across the screen like computerised vapour trails. The audio was also created live using short atonal precomposed tracks. 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He uses a psychedelic effect to represent the deterioration.",[11,48,160],9648,0.282,"\u002FjnD0fKVjfXi4soZ6LVNBCZpdI75.jpg","2010-03-30","恋は朱に染まる","ja",{"id":167,"adult":6,"title":168,"video":6,"overview":169,"softcore":6,"genre_ids":170,"popularity":171,"vote_count":8,"poster_path":26,"release_date":172,"vote_average":8,"backdrop_path":26,"original_title":168,"original_language":53},1235940,"25,000","A video project meant to highlight the human cost in Palestine.",[11],0.3103,"2024-01-28",{"id":174,"adult":6,"title":175,"video":6,"overview":176,"softcore":6,"genre_ids":177,"popularity":178,"vote_count":8,"poster_path":179,"release_date":180,"vote_average":8,"backdrop_path":181,"original_title":182,"original_language":183},1235910,"fifteen zero three nineteenth of january two thousand sixteen","fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.",[11],0.7234,"\u002F4b0SSdDHlTs617tm1WPGlQgao1B.jpg","2024-01-29","\u002F6GKTMOL5xHxqAs7CbGuemu3Ejmp.jpg","femton noll tre nittonde januari två tusen sexton","sv",{"id":185,"adult":6,"title":186,"video":6,"overview":187,"softcore":6,"genre_ids":188,"popularity":189,"vote_count":29,"poster_path":190,"release_date":191,"vote_average":145,"backdrop_path":192,"original_title":186,"original_language":84},1435053,"Metropia","",[11],0.4649,"\u002Fzi2x5l8oZbz1KTYbFEozVXBEkJm.jpg","2025-03-20","\u002Fhgf7hhxLboQINHFDvh0ouOigYyA.jpg",{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":198,"vote_count":8,"poster_path":199,"release_date":200,"vote_average":8,"backdrop_path":26,"original_title":195,"original_language":84},1036150,"Resistance Sahara","Resistance Sahara, a haunting yet playful exploration of the liminal space between experimental, documentary, and fictive filmmaking, presents an artistic response to the Sahrawi refugee crisis from the frozen war in Western Sahara. Bringing international artists from a mix of disciplines to the Sahara Desert, and with them will create something new, a response to what they encounter. The film mix testimony from the mouths of the people who live in each zone of crisis with music; image; and symbolism. The audience is invited to reconsider their view of the nature of human suffering, and to build a new bridge of empathy with the people in these remote and sometimes forgotten places..",[11],0.2674,"\u002FkPD4Hwj1BkzoFYTlnR1pDFOi44c.jpg","2022-02-10",{"id":202,"adult":6,"title":203,"video":6,"overview":204,"softcore":6,"genre_ids":205,"popularity":206,"vote_count":8,"poster_path":207,"release_date":208,"vote_average":8,"backdrop_path":209,"original_title":203,"original_language":53},1425981,"Hunting Confessions","\"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement.\"",[11],0.5596,"\u002F4hc07deVaKGrSyzmrEDLY31pFrd.jpg","2025-01-31","\u002FdpWybiowPpC8QLMn5JTxHDabqm0.jpg",{"id":211,"adult":6,"title":212,"video":6,"overview":213,"softcore":6,"genre_ids":214,"popularity":215,"vote_count":8,"poster_path":216,"release_date":217,"vote_average":8,"backdrop_path":218,"original_title":212,"original_language":53},1614861,"LIVE at the Court","Three basketball players step onto the court, each with a rhythm of their own. As their movements are studied and reimagined, their game is then recontextualized into jazz, revealing the artistry within sport and the music hidden in motion.",[11],1.0613,"\u002FfBLewsRjYdvWUTQw0IK5b5PCkhp.jpg","2025-11-22","\u002FgwzCdK2xFpnlhsbqVzlkly1b6la.jpg",{"id":220,"adult":6,"title":221,"video":6,"overview":187,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":8,"poster_path":224,"release_date":225,"vote_average":8,"backdrop_path":26,"original_title":221,"original_language":226},1614871,"notice sur la métamorphose",[11],0.2323,"\u002FiDDMSQQjvk7Lz9wzZS0uaXk3tEh.jpg","2026-01-13","fr",1001,20001,"Memories shape my identity and challenge my soul and body to confront what I am or strive not to be.",0.2179,"2022-01-01",[233],"DE","Geist & Körper",{"results":236},{},[238],{"name":239,"iso_639_1":154,"english_name":239},"No Language",[241],{"id":242,"name":243,"logo_path":244,"origin_country":233},68539,"Hochschule für Bildende Künste Hamburg","\u002F5wk886WmUYaIsi9VvgkbmzIbReW.png",[246],{"name":247,"iso_3166_1":233},"Germany",45,"A documentary story that tends to land well.",[]]