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Mozart’s music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello’s engrossing production with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous ‘La ci darem la mano’ to the fabulous ensemble as Don Giovanni’s infatuated conquests, vengeful victims and their outraged relatives join forces for justice. And retribution does finally come to Don Giovanni, a serial womanizer and a murderer, with the searing flames of Hell ready to engulf him. 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In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.",1.3684,"1971-12-01",{"adult":5,"backdrop_path":210,"genre_ids":211,"id":212,"title":213,"original_language":18,"original_title":213,"overview":214,"popularity":215,"poster_path":216,"release_date":217,"softcore":5,"video":5,"vote_average":218,"vote_count":59},"\u002F3cW6FEsqlEr88nkwVPaPhWzzcaY.jpg",[10],272306,"Rossini: La cenerentola","In late 18th-century Italy, in the mansion of Don Magnifico, the young and pretty Angelina works as a maid. Teased by her two frivolous half-sisters, Clorinda and Tisby, Angelina believes she is in love with a young valet and goes to the ball. Dressed in her finest finery, she meets the man who is in fact the Prince and flees from him after giving him a bracelet that will allow him to recognise her a little later. The masks come off, and kindness and love triumph!\r ‘La Cenerentola’ is the last opera buffa composed by Gioachino Rossini for an Italian audience. A dramma giocoso in two acts, with a libretto by Jacopo Ferretti, freely adapted from Charles Perrault’s fairy tale ‘Cinderella’ (1697), omitting the magic in favour of a realism tinged with humour and social criticism. Premiered for the Rome Carnival at the Teatro Valle in Rome on 28 January 1817. Recorded live at Glyndebourne Opera, Lewes, East Sussex, on 2 and 4 June 2005.",1.0697,"\u002FyJIVoi7HN1l7e2h7COyx2VKfGYF.jpg","2005-05-19",9.5,{"adult":5,"backdrop_path":6,"genre_ids":220,"id":221,"title":222,"original_language":18,"original_title":223,"overview":224,"popularity":225,"poster_path":6,"release_date":226,"softcore":5,"video":39,"vote_average":7,"vote_count":7},[10],272308,"The Newspaper","La Gazzetta","The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.",1.5552,"2005-01-01",{"adult":5,"backdrop_path":228,"genre_ids":229,"id":230,"title":231,"original_language":172,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FzNRcRcJOvCNNS8MnUvxb77dQfmh.jpg",[10],447466,"The Metropolitan Opera: L’Amour de Loin","Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). 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Though she’s known mainly for her Wagner roles, acclaimed German mezzo-soprano Doris Soffel shines in the title role of Isabella. Ralf Weikert conducts, and Mauro Pagano oversees sets and costumes.",0.7832,"\u002FhEasVFY4APwxiwLAN5J9UlASpc.jpg","1987-12-01",{"adult":5,"backdrop_path":6,"genre_ids":275,"id":276,"title":277,"original_language":205,"original_title":278,"overview":279,"popularity":280,"poster_path":281,"release_date":282,"softcore":5,"video":5,"vote_average":105,"vote_count":59},[258,10,202],276705,"Marriage of Figaro","Figaros Hochzeit","Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. 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Featuring soloists Ellie Laugharne, Ann Taylor, Mongezi Mosoaka and Simon Shibambu alongside the Chorus and Orchestra of Opera North.",0.1867,"2023-09-24",{"adult":5,"backdrop_path":317,"genre_ids":318,"id":319,"title":320,"original_language":160,"original_title":320,"overview":321,"popularity":322,"poster_path":323,"release_date":324,"softcore":5,"video":5,"vote_average":105,"vote_count":84},"\u002Fxct4b6ycWDdnNYRIDKbhcRcaGsq.jpg",[10],5479,"Not Mozart: Letters, Riddles and Writs","Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.",0.2617,"\u002Fw22jOZoskl6fMWIldmC9ZFLhyiL.jpg","1991-01-01",{"adult":5,"backdrop_path":6,"genre_ids":326,"id":327,"title":328,"original_language":205,"original_title":328,"overview":329,"popularity":330,"poster_path":331,"release_date":332,"softcore":5,"video":39,"vote_average":65,"vote_count":59},[10],265030,"Salome","Richard Strauss's opera, from the Royal Opera House, Covent Garden.",1.7271,"\u002F7uQPrrvUoBJN1nPicqCuhzcqILu.jpg","1997-04-29",{"adult":5,"backdrop_path":6,"genre_ids":334,"id":335,"title":19,"original_language":18,"original_title":19,"overview":336,"popularity":337,"poster_path":338,"release_date":339,"softcore":5,"video":39,"vote_average":340,"vote_count":41},[10],265036,"Live performance at the Metropolitan Opera in 2000.",0.3295,"\u002Fd0Oh6LgEsbDWaV8ekSxZztG3F7C.jpg","2000-12-01",8.5,3267,65339,{"results":344},{},{"results":346},[],45,"A music story that tends to land well.",[]]