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These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. 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These fragmented scenes choreograph class structure and foreign influence into an intimate, poetic view of a nation about to change.",[11],0.6147,"\u002Fz0DUIhWUgfSBnhFR9XSur9cOYoQ.jpg","2011-11-01","\u002FeD6bY8lPWvvfT3j1afZnI7QjglD.jpg",{"id":116,"adult":6,"title":117,"video":6,"overview":118,"softcore":6,"genre_ids":119,"popularity":120,"vote_count":8,"poster_path":121,"release_date":122,"vote_average":8,"backdrop_path":123,"original_title":117,"original_language":45},1212607,"Giri Chit","GIRI CHIT tells a tale of the subtle trace of irreconcilable worlds. A worker driving a mobile sweeper in hypnotic circles across an already immaculate surface. The high drama of cosplay aficionados clamoring to be seen. A cast of thousands toiling hundreds of feet above the street.  Giri translates as ‘duty’ in Japanese, but the concept is in fact far more complicated. Giri is a sort of interpersonal political capital that informs careers, family relations, and much more. Its presence and flow is palpable in Japan, where this film was shot. A “giri chit” then may be a hypothetical voucher for this intangible flow (with a tip of the cap to Thomas Pynchon’s “Vineland”).  Selected Screenings and Awards: DaVinci Film Festival (Best Experimental Film), Chicago Underground Film Festival, Athens International Film and Video Festival, Dallas Videofest, ICDOCS Film Festival,  NewFilmmakers at Anthology Film Archives, Oxford Film Festival, Director’s Lounge Berlin",[11],0.4909,"\u002Fn8aOXgHa8VLvGkIdZobeDEuyNBY.jpg","2009-12-01","\u002FpVXBjRWdTA2lXKMInHa5cqkxZ9l.jpg",{"id":125,"adult":6,"title":126,"video":6,"overview":127,"softcore":6,"genre_ids":128,"popularity":129,"vote_count":130,"poster_path":131,"release_date":132,"vote_average":133,"backdrop_path":134,"original_title":126,"original_language":45},449796,"Corridors","Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.",[11],0.8166,2,"\u002FwsFIOTb0yLjLTQTagnvOlcPT51b.jpg","2007-01-01",7,"\u002F3Cgmzfgicy6Qv6pdpP7QWojXVua.jpg",{"id":136,"adult":6,"title":137,"video":6,"overview":138,"softcore":6,"genre_ids":139,"popularity":141,"vote_count":8,"poster_path":142,"release_date":143,"vote_average":8,"backdrop_path":26,"original_title":137,"original_language":144},1212943,"Insistir","A documentary about the sea and memory. Its movement is its form. 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The film surrounds the feeling of nostalgia shown through the layering of video.",[11],0.7021,"\u002F5DzWrrVmjuCSyny2HeOeTDSf5u5.jpg","\u002Fkv9YXwED7lyRsIH3DfVCtIILhjj.jpg",{"id":186,"adult":6,"title":187,"video":6,"overview":188,"softcore":6,"genre_ids":189,"popularity":190,"vote_count":32,"poster_path":191,"release_date":192,"vote_average":43,"backdrop_path":193,"original_title":187,"original_language":80},1601538,"Corpos que Contam","Samba, Popping, and Jazz. Through these dance styles and documentary interviews, Bodies That Tell Stories seeks to discuss the standardization and whitening of dances that had their roots in Black people.",[11],1.0454,"\u002F4u482IScEUmR9CRSso3V9l7CqUQ.jpg","2025-12-19","\u002FlVqHt4YmI23q1akRLWr5amgdbxr.jpg",{"id":195,"adult":6,"title":196,"video":6,"overview":197,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":32,"poster_path":200,"release_date":201,"vote_average":202,"backdrop_path":26,"original_title":196,"original_language":45},463695,"Trapline","Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication\".",[11],0.5687,"\u002F2ewKmMmtWOMdNCW8zYlvLsB9Hx6.jpg","1976-01-01",6,{"id":204,"adult":6,"title":205,"video":6,"overview":73,"softcore":6,"genre_ids":206,"popularity":207,"vote_count":8,"poster_path":208,"release_date":209,"vote_average":8,"backdrop_path":26,"original_title":205,"original_language":144},844890,"Soy",[11],1.4263,"\u002F7KTrJ5dMcUNin5cyEdtHLKqGwbc.jpg","2020-06-10",{"id":211,"adult":6,"title":212,"video":6,"overview":213,"softcore":6,"genre_ids":214,"popularity":215,"vote_count":8,"poster_path":216,"release_date":217,"vote_average":8,"backdrop_path":26,"original_title":218,"original_language":144},1239231,"The Song of the Years to Come","On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.",[11,62,75],0.5502,"\u002Fj5twv98upInPxHzTxmiw4QxGsVN.jpg","2024-04-08","El Canto de los Años Nuevos",1001,20001,0.5082,"\u002F5U0KkaN5P9yrg058KpEzK5RBPr1.jpg","2025-04-05","\u002Faaj88wWhffHwOwnAX3WVR8mNCwY.jpg",[226],"DE",{"results":228},{},[230],{"name":231,"iso_639_1":55,"english_name":231},"No Language",[],[],45,"A documentary story that tends to land well.",[]]