[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-144442-en-US":3},{"detail":4,"match":255,"insight":256,"providers":257,"providerLink":53,"trailer":258},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":26,"imdb_id":42,"revenue":8,"runtime":43,"similar":44,"tagline":106,"homepage":106,"overview":236,"softcore":6,"popularity":237,"vote_count":238,"poster_path":53,"release_date":239,"vote_average":240,"backdrop_path":241,"origin_country":242,"original_title":7,"watch\u002Fproviders":243,"spoken_languages":245,"original_language":23,"production_companies":248,"production_countries":252,"belongs_to_collection":53},144442,false,"Westinghouse Works",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[16],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":6,"iso_639_1":23,"iso_3166_1":24,"published_at":25},"533ec6f6c3a36854480098b8","UXxfh2NrlcI","Westinghouse 1904 -- Night Dance","YouTube",360,"Clip","en","US","2007-11-09T17:18:04.000Z",{"cast":27,"crew":28},[],[29,38],{"id":30,"job":31,"name":32,"adult":6,"gender":33,"credit_id":34,"department":35,"popularity":36,"profile_path":37,"original_name":32,"known_for_department":35},8819,"Director of Photography","Billy Bitzer",2,"5684dfddc3a3685f89006126","Camera",0.5586,"\u002F9nNC55iPLBuBK8KwQUoiK06piHW.jpg",{"id":30,"job":39,"name":32,"adult":6,"gender":33,"credit_id":40,"department":41,"popularity":36,"profile_path":37,"original_name":32,"known_for_department":35},"Director","58bc2559925141607303b990","Directing","tt0178983",70,{"page":45,"results":46,"total_pages":234,"total_results":235},1,[47,55,62,74,85,92,103,112,121,131,141,153,164,175,184,194,206,214,221,228],{"id":48,"adult":6,"title":49,"video":6,"overview":50,"softcore":6,"genre_ids":51,"popularity":52,"vote_count":8,"poster_path":53,"release_date":54,"vote_average":8,"backdrop_path":53,"original_title":49,"original_language":23},289048,"Convalescing","“Convalescing, when you don't have to participate in the world. 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The local favourite has also done time for bribery, but refuses to comment on Cosa Nostra. The film is as astonishing as its subject. Shot in luscious b\u002Fw, it's driven forward by an offscreen interrogator who alternates between ludicrously hyperbolic flattery and forthright questions about corruption and crime. It also serves as a study of the way ethics get abandoned in the unending pursuit of fame, wealth and self-esteem.",[11],0.9968,9,"\u002F2CjemDdNKB9oVXHUroMTmEUdMLH.jpg","1999-09-01",7.4,"\u002FrksJwmVvOh2Vi2xJBcxBhEnglde.jpg","it",{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":158,"vote_count":159,"poster_path":160,"release_date":161,"vote_average":162,"backdrop_path":163,"original_title":155,"original_language":73},33229,"Dickson Greeting","William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. 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The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. 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The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the \"unpleasant\" guest, meaning the justice officer that brings the eviction notice; d) the fight of classes of the houses of capitalists and working classes; e) the parks of the working class; f) the houses of the working class, origin of the tuberculosis and the victims; g) the playground of the working class; h) the swimming pool for the working class, ironically called the \"Baltic Sea\" of the working class; i) the effects of humidity of basement where a family lives, with one member deaf; j) one working class family having dinner while the capitalist baths his dog; k) the eviction notice received from an unemployed family and their eviction.",[11],1.0973,5,"\u002FvFaXzdEFuC94xe6fBI7fwrclZc2.jpg","1930-12-31",5.9,"Zeitprobleme: Wie der Arbeiter wohnt","de",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":8,"poster_path":212,"release_date":213,"vote_average":8,"backdrop_path":53,"original_title":208,"original_language":130},663264,"Les héritiers","Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. 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