[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1448134-en-US":3},{"detail":4,"match":329,"insight":330,"providers":331,"providerLink":35,"trailer":35},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":26,"imdb_id":35,"revenue":8,"runtime":127,"similar":128,"tagline":315,"homepage":316,"overview":317,"softcore":6,"popularity":318,"vote_count":8,"poster_path":319,"release_date":320,"vote_average":8,"backdrop_path":35,"origin_country":321,"original_title":7,"watch\u002Fproviders":322,"spoken_languages":324,"original_language":23,"production_companies":327,"production_countries":328,"belongs_to_collection":35},1448134,false,"Please Hold",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[16],{"id":17,"key":18,"name":19,"site":20,"size":21,"type":22,"official":6,"iso_639_1":23,"iso_3166_1":24,"published_at":25},"67d38f6e00c85c5a2864ee58","1051666644","Please Hold Trailer","Vimeo",1080,"Trailer","en","US","2025-01-29T20:01:07.000Z",{"cast":27,"crew":105},[28,37,45,52,60,67,73,79,85,91,97],{"id":29,"name":30,"adult":6,"order":8,"gender":8,"cast_id":31,"character":32,"credit_id":33,"popularity":34,"profile_path":35,"original_name":30,"known_for_department":36},5303183,"James Robert Lamb",5,"Himself","67d38d70bf4818854c64e901",0.2024,null,"Acting",{"id":38,"name":39,"adult":6,"order":40,"gender":8,"cast_id":41,"character":42,"credit_id":43,"popularity":44,"profile_path":35,"original_name":39,"known_for_department":36},5303184,"Juanita Mohammed Szczepanski",1,6,"Herself","67d38d79ec4ebd28a253abf3",0.1261,{"id":46,"name":47,"adult":6,"order":48,"gender":8,"cast_id":49,"character":32,"credit_id":50,"popularity":51,"profile_path":35,"original_name":47,"known_for_department":36},5303185,"Jih-Fei Cheng",2,7,"67d38d98bf4818854c64e91c",0.4094,{"id":53,"name":54,"adult":6,"order":55,"gender":8,"cast_id":56,"character":57,"credit_id":58,"popularity":59,"profile_path":35,"original_name":54,"known_for_department":36},5303187,"Marty Fink",3,8,"Themself","67d38db200c85c5a2864ecd1",0.1205,{"id":61,"name":62,"adult":6,"order":63,"gender":8,"cast_id":64,"character":32,"credit_id":65,"popularity":66,"profile_path":35,"original_name":62,"known_for_department":36},5303189,"Pato Hebert",4,9,"67d38dbc00c85c5a2864ecf6",0.2068,{"id":68,"name":69,"adult":6,"order":31,"gender":8,"cast_id":70,"character":32,"credit_id":71,"popularity":72,"profile_path":35,"original_name":69,"known_for_department":36},5303190,"Theodore Kerr",10,"67d38dcebf4818854c64e92b",0.3043,{"id":74,"name":75,"adult":6,"order":41,"gender":8,"cast_id":76,"character":32,"credit_id":77,"popularity":78,"profile_path":35,"original_name":75,"known_for_department":36},5303191,"Gavin Downie",11,"67d38de7914de8d891027481",0.2648,{"id":80,"name":81,"adult":6,"order":49,"gender":8,"cast_id":82,"character":42,"credit_id":83,"popularity":84,"profile_path":35,"original_name":81,"known_for_department":36},5303192,"Elizabeth Koke",12,"67d38df400c85c5a2864ed2e",0.4092,{"id":86,"name":87,"adult":6,"order":56,"gender":8,"cast_id":88,"character":32,"credit_id":89,"popularity":90,"profile_path":35,"original_name":87,"known_for_department":36},5303195,"Henry Szczepanski",13,"67d38e0bec4ebd28a253ac6b",0.5097,{"id":92,"name":93,"adult":6,"order":64,"gender":8,"cast_id":94,"character":42,"credit_id":95,"popularity":96,"profile_path":35,"original_name":93,"known_for_department":36},5303199,"CHRISTEENE",14,"67d38e6d00c85c5a2864edad",0.0947,{"id":98,"name":99,"adult":6,"order":70,"gender":40,"cast_id":100,"character":42,"credit_id":101,"popularity":102,"profile_path":103,"original_name":99,"known_for_department":104},1727035,"Alexandra Juhasz",15,"67dc0f7608cb5eb727e7aabb",0.5286,"\u002FprNwDrKHLGhO2mk0apV78MbAtvR.jpg","Directing",[106,109,113,120],{"id":98,"job":107,"name":99,"adult":6,"gender":40,"credit_id":108,"department":104,"popularity":102,"profile_path":103,"original_name":99,"known_for_department":104},"Director","67d38cae506cc90d64027016",{"id":98,"job":110,"name":99,"adult":6,"gender":40,"credit_id":111,"department":112,"popularity":102,"profile_path":103,"original_name":99,"known_for_department":104},"Producer","67d38cb9f17459c8ff53aa82","Production",{"id":114,"job":115,"name":116,"adult":6,"gender":8,"credit_id":117,"department":118,"popularity":119,"profile_path":35,"original_name":116,"known_for_department":118},5303171,"Editor","Matt Hittle","67d38cd7506cc90d64027032","Editing",0.0977,{"id":121,"job":122,"name":123,"adult":6,"gender":8,"credit_id":124,"department":125,"popularity":126,"profile_path":35,"original_name":123,"known_for_department":125},5303180,"Sound Mixer","Paul Hill","67d38d47914de8d891027421","Sound",0.0909,70,{"page":40,"results":129,"total_pages":313,"total_results":314},[130,141,149,159,168,176,186,194,204,213,224,233,242,250,259,268,277,286,295,305],{"id":131,"adult":6,"title":132,"video":6,"overview":133,"softcore":6,"genre_ids":134,"popularity":135,"vote_count":40,"poster_path":136,"release_date":137,"vote_average":41,"backdrop_path":138,"original_title":139,"original_language":140},649385,"Three Days in August 1914","Documentary on the atrocities the germans committed at the start of WW I in Dinant.",[11],0.3703,"\u002FTR2zErptnOuUpR8N7SK0hIdiEo.jpg","2013-01-01","\u002FkEZ9XVd7Kci6ztpCCrAiNIwXZeT.jpg","Trois journées d'août 1914, les murs de Dinant","fr",{"id":142,"adult":6,"title":143,"video":6,"overview":144,"softcore":6,"genre_ids":145,"popularity":146,"vote_count":8,"poster_path":147,"release_date":148,"vote_average":8,"backdrop_path":35,"original_title":143,"original_language":23},1237867,"Reframing AIDS","Through a series of interviews with leading British AIDS activists and cultural theorists, this documentary investigates the way in which AIDS has been used by the media and by the government to increase state harassment of gay men and lesbians, black people and women. Framing the problem in terms of a left politic, the tape reveals how both homophobia and puritanism have been responsible for the slow government response to AIDS.",[11],0.6505,"\u002FmmqhvFXwWmzba4SkOnFG4NjavBW.jpg","1987-01-01",{"id":150,"adult":6,"title":151,"video":6,"overview":152,"softcore":6,"genre_ids":153,"popularity":154,"vote_count":40,"poster_path":155,"release_date":156,"vote_average":70,"backdrop_path":157,"original_title":151,"original_language":158},1237807,"Tan só o demo lembra","",[11],0.5412,"\u002FpUIv1GuK4gEq3W31scqPt6Fw1YD.jpg","2023-05-07","\u002FuXbI4cpjMhTxl6ebUuq2KkEvotB.jpg","es",{"id":160,"adult":6,"title":161,"video":6,"overview":162,"softcore":6,"genre_ids":163,"popularity":164,"vote_count":8,"poster_path":165,"release_date":166,"vote_average":8,"backdrop_path":167,"original_title":161,"original_language":23},1622277,"The Last Gift: Jim's Courage Our Hope","The Last Gift: Jim’s Courage, Our Hope is a moving short documentary exploring the intersection of science, altruism, and human dignity at the end of life. The film follows Jim Dunn, a man living with HIV who chooses to participate in UC San Diego’s Last Gift Study, a pioneering research effort enabling people nearing death to donate their bodies to science immediately after passing, helping researchers uncover where HIV persists despite treatment.  Through intimate conversations, reflections on mortality, and moments shared with his wife Susan, clinicians, advocates, and scientists, the film reveals Jim’s profound desire to contribute to a future free of HIV. With honesty and grace, it captures the emotional complexity of end-of-life decisions and the extraordinary courage behind them. Jim’s legacy reminds us that scientific progress is built not only on data, but on human generosity, relationships, and hope.",[11],0.3684,"\u002FjcQ7AhdFndvOC0mMI8dO7dvzfOq.jpg","2025-12-28","\u002Fk7Hw48cjXW6ge5DOBRzXP9AxhX9.jpg",{"id":169,"adult":6,"title":170,"video":6,"overview":171,"softcore":6,"genre_ids":172,"popularity":173,"vote_count":40,"poster_path":174,"release_date":175,"vote_average":56,"backdrop_path":35,"original_title":170,"original_language":23},842235,"Paper City","Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.",[11],0.3965,"\u002Ft13c27U21MmPljisKsDiZeYjiF9.jpg","2021-08-16",{"id":177,"adult":6,"title":178,"video":6,"overview":179,"softcore":6,"genre_ids":180,"popularity":182,"vote_count":8,"poster_path":183,"release_date":184,"vote_average":8,"backdrop_path":185,"original_title":178,"original_language":23},1442043,"Carnations","Seven strangers are interviewed to talk about the relationship they have with their mother.",[181,11],18,0.8432,"\u002F3dd3jihWEB73SatSNbvSbREu7ZB.jpg","2025-12-12","\u002Fc4N7ZlcBidLvd84LM7iNIwN048W.jpg",{"id":187,"adult":6,"title":188,"video":6,"overview":152,"softcore":6,"genre_ids":189,"popularity":190,"vote_count":40,"poster_path":191,"release_date":192,"vote_average":56,"backdrop_path":193,"original_title":188,"original_language":140},854327,"L'Épopée des gueules noires",[11],1.1801,"\u002FoFnXQfzfuilmas69O7Cc63UqJJy.jpg","2017-01-31","\u002F7tJjo8430UotgD98ZzKzzhbGjfS.jpg",{"id":195,"adult":6,"title":196,"video":6,"overview":197,"softcore":6,"genre_ids":198,"popularity":199,"vote_count":41,"poster_path":200,"release_date":201,"vote_average":202,"backdrop_path":203,"original_title":196,"original_language":23},473016,"Life of Crime 2","This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.",[11],0.9504,"\u002FpeTrWRtRKt3H1GLmiVPxwEY75fm.jpg","1998-12-15",7.3,"\u002F4ALFcMXfxcNS6rSQJSHuMV1zBPq.jpg",{"id":205,"adult":6,"title":206,"video":6,"overview":152,"softcore":6,"genre_ids":207,"popularity":209,"vote_count":8,"poster_path":210,"release_date":211,"vote_average":8,"backdrop_path":212,"original_title":206,"original_language":140},1636556,"Le cahier de Danièle Kahn",[11,208],36,0.4194,"\u002F1RdhbhBShZnvbyxsMBvukiYtHEc.jpg","2024-04-25","\u002F1v05PMA4fOrD4SzBtRx5ffHzdpn.jpg",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":8,"poster_path":219,"release_date":220,"vote_average":8,"backdrop_path":221,"original_title":222,"original_language":223},1232484,"Baldiga: Unlocked Heart","Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.",[11],0.5785,"\u002Fi7MOmGBGpHSNY9Bsw7ymoGZY20K.jpg","2024-11-28","\u002FdZazkW7sEoEG725jo5Jsevv44uH.jpg","Baldiga – Entsichertes Herz","de",{"id":225,"adult":6,"title":226,"video":6,"overview":152,"softcore":6,"genre_ids":227,"popularity":228,"vote_count":40,"poster_path":229,"release_date":230,"vote_average":64,"backdrop_path":231,"original_title":226,"original_language":232},1621920,"O Que Acontece Por Trás Das Câmeras",[11],0.83,"\u002FjvsXcdKt5FcKHvll1E4o3HdEbSZ.jpg","2026-10-09","\u002Fsfz0UFeleIxaefzbTZ1fqhzmnlY.jpg","pt",{"id":234,"adult":6,"title":235,"video":236,"overview":152,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":8,"poster_path":239,"release_date":240,"vote_average":8,"backdrop_path":241,"original_title":235,"original_language":23},1639601,"Frammenti",true,[181,11],0.3638,"\u002FhC7CRUQqwQCXtz2QvVTWvnZeGtw.jpg","2025-06-26","\u002FiZilj1MEexgRP8tN4Z1RjC0Nnqu.jpg",{"id":243,"adult":6,"title":244,"video":6,"overview":152,"softcore":6,"genre_ids":245,"popularity":246,"vote_count":8,"poster_path":247,"release_date":248,"vote_average":8,"backdrop_path":249,"original_title":244,"original_language":140},1640096,"Le château de mon père",[11],0.5531,"\u002Ffhn5HWHXMwfw1LrsvRCpSrdaxBe.jpg","2023-07-26","\u002F1lP1CFIcKbvpQwvNXG8dNcbPBaW.jpg",{"id":251,"adult":6,"title":252,"video":6,"overview":253,"softcore":6,"genre_ids":254,"popularity":255,"vote_count":55,"poster_path":256,"release_date":257,"vote_average":56,"backdrop_path":258,"original_title":252,"original_language":23},288973,"Drawing the Line: A Portrait of Keith Haring","Short documentary about artist Keith Haring, detailing his involvement in the New York City graffiti subculture, his opening of the Pop Shop, and the social commentary present in his paintings and drawings.",[11],0.732,"\u002FQX6UBplniYIPbCUwgG9ihySwi2.jpg","1989-11-01","\u002Fny0KP1MtuIHqR1ZJ9CicZ6F42po.jpg",{"id":260,"adult":6,"title":261,"video":6,"overview":262,"softcore":6,"genre_ids":263,"popularity":264,"vote_count":8,"poster_path":265,"release_date":266,"vote_average":8,"backdrop_path":267,"original_title":261,"original_language":158},1436176,"Lo Que Queda en la Tierra","In the mountains of Colombia's Coffee Triangle, a family faces the shadow of armed conflict. Years later, a son reconstructs the inherited fear, amidst echoes of the past and invisible scars. A sensory journey into memory, where the unspoken still resonates.",[11],0.5891,"\u002FEGxZzCuP3xLMpeLWcapV3IqsPJ.jpg","2025-01-31","\u002F9qrpo6euajVfYCuPnJlB5DkSL28.jpg",{"id":269,"adult":6,"title":270,"video":6,"overview":152,"softcore":6,"genre_ids":271,"popularity":272,"vote_count":40,"poster_path":273,"release_date":274,"vote_average":275,"backdrop_path":276,"original_title":270,"original_language":140},1627316,"Les survivants, l'impossible départ après la Shoah",[11,208],1.3815,"\u002FmaTdo0x6N4apAE7o4dGlKxbCcwH.jpg","2026-01-27",7.5,"\u002F4WQD5dRWRXu0nIHc657veGSnkMm.jpg",{"id":278,"adult":6,"title":279,"video":6,"overview":280,"softcore":6,"genre_ids":281,"popularity":282,"vote_count":8,"poster_path":283,"release_date":284,"vote_average":8,"backdrop_path":285,"original_title":279,"original_language":23},466150,"Tricky Memory","The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day.  The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials?  Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.",[11],2.6994,"\u002Fs9krlSLH3EgpQ31B4egX14zvoYF.jpg","2016-01-01","\u002FvXSVegBF626JpoF1Sqkj4Ryat7u.jpg",{"id":287,"adult":6,"title":288,"video":6,"overview":289,"softcore":6,"genre_ids":290,"popularity":291,"vote_count":40,"poster_path":292,"release_date":293,"vote_average":70,"backdrop_path":294,"original_title":288,"original_language":23},1046892,"Double Around the Interlude","A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.",[11],0.6152,"\u002Fawkaalg1wdZTdWfYUubLd0ncXmO.jpg","2022-12-06","\u002FjC641SHdqeOucfIGzSgnUwckj8q.jpg",{"id":296,"adult":6,"title":297,"video":6,"overview":298,"softcore":6,"genre_ids":299,"popularity":300,"vote_count":40,"poster_path":301,"release_date":302,"vote_average":70,"backdrop_path":303,"original_title":304,"original_language":140},1627210,"October 17, 1961, Cover-up Of a Massacre","On October 17 and 18, 1961, during a non-violent demonstration against the imposed curfew, dozens of Algerians were murdered in Paris by police officers acting on orders from their superiors. For forty years, this crime has been concealed; yet these events, the deadliest on French soil since the Second World War, resemble, in some respects, the darkest hours of the collaboration. Why has this history been hidden? Under what conditions, and in the name of what reasons, did officials of a democratic state conceal the scale and gravity of such events?",[11],0.9248,"\u002Fmu5T8cA0bKTW74MnJBamNJAcaJW.jpg","2001-01-01","\u002FaALJemVlriG8mm9pe1T2Jdg0H5t.jpg","17 octobre 1961, dissimulation d’un massacre",{"id":306,"adult":6,"title":307,"video":6,"overview":152,"softcore":6,"genre_ids":308,"popularity":309,"vote_count":48,"poster_path":310,"release_date":311,"vote_average":64,"backdrop_path":312,"original_title":307,"original_language":158},1240239,"Las Preguntas que Perdimos",[11],0.3715,"\u002FtIkn26VFrxUHo0zpH0jlQu1KWRM.jpg","2023-12-30","\u002Fs9KhXCsnE1Y8sJJsyQC3ejA5TJ7.jpg",1001,20001,"An Experimental Documentary","https:\u002F\u002Fpleaseholdvideo.com\u002F","An experimental documentary engaging with decades of DIY activist media, two death bed\u002Flegacy videos, and the wisdom of many living AIDS workers, as we all sit together in one (changing) format, video—VHS, hi-8, digital, Zoom—to address these and other questions: How do neighborhoods, sweaters and scarves, videotapes and queer bars hold ghosts? How do we let them go?",1.7028,"\u002F1avbhL91Xba6WOAd4aZr4AKKJ69.jpg","2025-03-08",[24],{"results":323},{},[325],{"name":326,"iso_639_1":23,"english_name":326},"English",[],[],45,"A documentary story that tends to land well.",[]]