[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1458155-en-US":3},{"detail":4,"match":290,"insight":291,"providers":292,"providerLink":41,"trailer":41},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":19,"imdb_id":53,"revenue":8,"runtime":54,"similar":55,"tagline":76,"homepage":267,"overview":268,"softcore":6,"popularity":269,"vote_count":56,"poster_path":270,"release_date":271,"vote_average":167,"backdrop_path":272,"origin_country":273,"original_title":275,"watch\u002Fproviders":276,"spoken_languages":278,"original_language":84,"production_companies":282,"production_countries":287,"belongs_to_collection":41},1458155,false,"Rosans, Bitter Honey",0,[10,13],{"id":11,"name":12},99,"Documentary",{"id":14,"name":15},36,"History","Released",{"id":5,"results":18},[],{"cast":20,"crew":21},[],[22,31,35,42,46],{"id":23,"job":24,"name":25,"adult":6,"gender":26,"credit_id":27,"department":28,"popularity":29,"profile_path":30,"original_name":25,"known_for_department":28},5344661,"Director","Rémi Nelson Borel",2,"67ed5654836c8eda7caaf9fc","Directing",0.4151,"\u002F6UHVjstPXUXE7blOGOsujvQsgFd.jpg",{"id":23,"job":32,"name":25,"adult":6,"gender":26,"credit_id":33,"department":34,"popularity":29,"profile_path":30,"original_name":25,"known_for_department":28},"Writer","67ed5671836c8eda7caafa09","Writing",{"id":36,"job":37,"name":38,"adult":6,"gender":8,"credit_id":39,"department":37,"popularity":40,"profile_path":41,"original_name":38,"known_for_department":37},3878351,"Sound","Jeremie Van-Quynh","67ed56b1836c8eda7caafa43",0.5562,null,{"id":23,"job":43,"name":25,"adult":6,"gender":26,"credit_id":44,"department":45,"popularity":29,"profile_path":30,"original_name":25,"known_for_department":28},"Editor","67ed56bc836c8eda7caafa5b","Editing",{"id":47,"job":48,"name":49,"adult":6,"gender":8,"credit_id":50,"department":51,"popularity":52,"profile_path":41,"original_name":49,"known_for_department":51},5344715,"Cinematography","Delphine Bole","67ed5c410e262c9a5f0150cd","Crew",0.3364,"tt2369261",60,{"page":56,"results":57,"total_pages":265,"total_results":266},1,[58,73,85,95,105,116,127,136,146,158,169,181,190,199,208,217,226,235,243,255],{"id":59,"adult":6,"title":60,"video":6,"overview":61,"softcore":6,"genre_ids":62,"popularity":65,"vote_count":66,"poster_path":67,"release_date":68,"vote_average":69,"backdrop_path":70,"original_title":71,"original_language":72},17295,"The Battle of Algiers","Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.",[63,64,14],18,10752,6.6274,934,"\u002F2p3AFtOHFvP6OeVMqlnL1zLKOqL.jpg","1966-09-08",7.906,"\u002Fze7GsNSv418o7pzqc9fb00LWWDk.jpg","La battaglia di Algeri","it",{"id":74,"adult":6,"title":75,"video":6,"overview":76,"softcore":6,"genre_ids":77,"popularity":78,"vote_count":79,"poster_path":80,"release_date":81,"vote_average":82,"backdrop_path":83,"original_title":75,"original_language":84},1221793,"Congo-Océan, un chemin de fer et de sang","",[11,14,63],0.8152,3,"\u002FetLkSubGR3FYRZ5QxLfyScOwA1V.jpg","2024-01-26",8,"\u002FeSaqjdhdOkgVzUvgfkkkRRVN9wL.jpg","fr",{"id":86,"adult":6,"title":87,"video":6,"overview":88,"softcore":6,"genre_ids":89,"popularity":90,"vote_count":56,"poster_path":91,"release_date":92,"vote_average":82,"backdrop_path":93,"original_title":87,"original_language":94},277624,"Algeria: Drink, Smoke and Love","Agnieszka Lukasiak travels to Algeria to capture it's conflict on camera. When she arrives, she's immediately sidetracked by romance with her host, Habib. She turns the camera on herself as she falls in love with him. the atmosphere quickly diminishes when Habib's family steps in and kicks her out. Not to be deterred, on her second visite to Algeria to seek Habib's love, she begins her real journey to expose the underside of the country.",[11],0.4428,"\u002FgOmoapouHa3uMtEIfjBzq46sEd1.jpg","2002-01-01","\u002FspgoV39umQQSfjU7Tf6kj2pTD0q.jpg","en",{"id":96,"adult":6,"title":97,"video":6,"overview":98,"softcore":6,"genre_ids":99,"popularity":100,"vote_count":8,"poster_path":101,"release_date":102,"vote_average":8,"backdrop_path":103,"original_title":104,"original_language":84},1019629,"Dreams have no titles","Part of Zineb Sedira's art installation for the French Pavilion at the 59th Venice Biennale. A piece where Sedira explores her passion for the militant cinema of the 60s and 70s.",[11],0.5086,"\u002FgSqi3Epez0FaBMt8kytMr25Yf4m.jpg","2022-04-23","\u002FtU21UThAZCFm8JSFw4Crurr9vNH.jpg","Les rêves n'ont pas de titre",{"id":106,"adult":6,"title":107,"video":6,"overview":108,"softcore":6,"genre_ids":109,"popularity":110,"vote_count":26,"poster_path":111,"release_date":112,"vote_average":113,"backdrop_path":114,"original_title":107,"original_language":115},274155,"Noua","In Algeria in 1954, in a village in the Aurès region, poverty reigns over peasants enslaved by colonial administrators and Algerian landowners. Noua, in love with the son of a peasant dispossessed of his land, must be sold to a wealthy landowner.",[63,14,64],1.2719,"\u002FicvsBh5XmO3uvfYAZkwfV3uPEJ2.jpg","1972-01-02",8.5,"\u002Fd95KMAxEtLTnKr54GT285aXZY5P.jpg","ar",{"id":117,"adult":6,"title":118,"video":6,"overview":119,"softcore":6,"genre_ids":120,"popularity":121,"vote_count":26,"poster_path":122,"release_date":123,"vote_average":124,"backdrop_path":41,"original_title":125,"original_language":126},641742,"Ghosts: Long Way Home","After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.",[11,63],0.5581,"\u002F39reQW5RxgZjokete4XXHvdMewx.jpg","2019-10-18",7.5,"Fantasmas: Caminho Longo para Casa","pt",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":8,"poster_path":133,"release_date":134,"vote_average":8,"backdrop_path":41,"original_title":129,"original_language":135},446675,"La bisabuela tiene Alzheimer","A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.",[11],0.8957,"\u002FmzmiO4KFfi1ZfIAHmkblOrxxwZC.jpg","2012-05-13","es",{"id":137,"adult":6,"title":138,"video":6,"overview":139,"softcore":6,"genre_ids":140,"popularity":141,"vote_count":26,"poster_path":142,"release_date":143,"vote_average":113,"backdrop_path":144,"original_title":145,"original_language":115},273112,"Algeria in Flames","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",[11,64],0.8757,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02","\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg","Algérie en flammes",{"id":147,"adult":6,"title":148,"video":6,"overview":149,"softcore":6,"genre_ids":150,"popularity":151,"vote_count":152,"poster_path":153,"release_date":154,"vote_average":155,"backdrop_path":156,"original_title":157,"original_language":84},13507,"Intimate Enemies","A drama following a French platoon during Algeria's war of independence.",[63,64,14],1.8842,93,"\u002FmQlekXRJwYB10yvMKkR6cCMvjQv.jpg","2007-10-03",6.4,"\u002FuYwkie6GONadcf2MiL3TwGy4r2Q.jpg","L'Ennemi intime",{"id":159,"adult":6,"title":160,"video":6,"overview":161,"softcore":6,"genre_ids":162,"popularity":164,"vote_count":56,"poster_path":165,"release_date":166,"vote_average":167,"backdrop_path":168,"original_title":160,"original_language":84},1415248,"Sahara Vertical","Following in the footsteps of Frison Roche, 7 climbers explore the main Hoggar massifs in Algeria. Their main objective is the ascent of the Garet El Djenoun summit via the north ridge, a long climb symbolic of a certain difficulty and a significant commitment, due to its location in the desert. They also attempt the Diedre Agresti, a daring route from the 70s, opened in around ten days on artificial, and unequipped; it is a path that has never been repeated; the objective is to do it free and almost only on wedges, with difficulties up to 7b\u002Fc in a sometimes very delicate rock... Excerpts from the film shot in 1970 by Henri Agresti on this same route, allow us to compare the technical and material means of the time to those of today. They also discover the beauty of the Algerian desert, its silence, its rock paintings, the customs of the Tuaregs, etc... a fascinating journey.",[11,163],12,1.6713,"\u002Fp85H6IDldPOLzgJT0x7hEN1dr5w.jpg","2006-01-01",10,"\u002Fl5Wh1a41n4ftztyfdosJRqL3Qqi.jpg",{"id":170,"adult":6,"title":171,"video":6,"overview":172,"softcore":6,"genre_ids":173,"popularity":174,"vote_count":175,"poster_path":176,"release_date":177,"vote_average":178,"backdrop_path":179,"original_title":180,"original_language":84},273852,"The Zerda or the Songs of Forgetting","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",[63,11],0.5827,5,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg","La Zerda ou les chants de l'oubli",{"id":182,"adult":6,"title":183,"video":6,"overview":184,"softcore":6,"genre_ids":185,"popularity":186,"vote_count":8,"poster_path":187,"release_date":188,"vote_average":8,"backdrop_path":189,"original_title":183,"original_language":94},1214186,"Lahore - Refugees from India","Millions of Muslims flee to Lahore in the newly created state of Pakistan, prompted by the partition of British India.",[11],0.5266,"\u002FboaoOXahak6kacICW9sCVrEIAb4.jpg","1947-08-01","\u002FoPw87KCu9aAA86E3NbI4nicq25G.jpg",{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":8,"poster_path":196,"release_date":197,"vote_average":8,"backdrop_path":198,"original_title":192,"original_language":94},1593174,"When the Water Stops Flowing","Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.",[11],0.7239,"\u002FhYKHkswTffxcO0G8BueUEqxOClL.jpg","2026-01-03","\u002Fr9ZgWCFAjScFd5x1pnfGcQDF4iY.jpg",{"id":200,"adult":6,"title":201,"video":6,"overview":202,"softcore":6,"genre_ids":203,"popularity":204,"vote_count":8,"poster_path":205,"release_date":206,"vote_average":8,"backdrop_path":207,"original_title":201,"original_language":94},1026033,"Mudder's Hands","A dash of youth, a pinch of age, and an unrecorded recipe: Mudder's Hands is a charming documentary conversation about arthritis, centered around the tradition of baking Newfoundland raisin bread.",[11],0.8177,"\u002F4PT8DsdwRpbbWxqOP23ZYZGiRAd.jpg","2022-07-11","\u002FiADqUNOt07g4ygQGaZ4ImvBABbe.jpg",{"id":209,"adult":6,"title":210,"video":6,"overview":211,"softcore":6,"genre_ids":212,"popularity":213,"vote_count":8,"poster_path":214,"release_date":215,"vote_average":8,"backdrop_path":216,"original_title":210,"original_language":115},1610144,"Futura Free","An experimental odyssey through altered realities and reconstructed archives, where  wandering voices of the past, present, and future unravel the elusive nature of time  and memory.",[11],1.0704,"\u002FwyzHaXwNPzlpTBOX0K7bBIifQZB.jpg","2025-06-19","\u002F3UsbyNrzjPeAqkOWESTlexJ2DlI.jpg",{"id":218,"adult":6,"title":219,"video":6,"overview":220,"softcore":6,"genre_ids":221,"popularity":222,"vote_count":56,"poster_path":223,"release_date":224,"vote_average":167,"backdrop_path":225,"original_title":219,"original_language":84},1046774,"Expédition Hoggar 79","TSR documentary on the 1979 expedition to Algeria in the Atakor massif (Hoggar desert), organized by Geneva mountaineer Michel Vaucher and Jean-Blaise Fellay. The climbers make a dozen ascents including the famous summit of Adaouda (which means \"finger\" in Tamasheq, the Tuareg dialect), by several routes. Then a new route on the peaks of the southern Tezoulegs. They discover the volcanic geological characteristics of the Atakor massif and meet the nomadic inhabitants of the region, the Tuaregs, who are increasingly settling in the town of Tamanrasset.",[11,163],1.0525,"\u002FArb0v14UI4NrummuGviDiIXNaXN.jpg","1979-05-31","\u002F7viYbWqC5cYShHv0OV3gRxLsbDk.jpg",{"id":227,"adult":6,"title":228,"video":6,"overview":229,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":8,"poster_path":232,"release_date":233,"vote_average":8,"backdrop_path":234,"original_title":228,"original_language":94},480280,"Leftovers","A manufactured memory.",[11],1.3913,"\u002Fc4jFB6H5DpiNJ7xiEjqSVf6WLia.jpg","2017-05-23","\u002Fnui6OaLOxRCUPuXuxxjRqxIwLxz.jpg",{"id":236,"adult":6,"title":237,"video":6,"overview":238,"softcore":6,"genre_ids":239,"popularity":240,"vote_count":8,"poster_path":241,"release_date":242,"vote_average":8,"backdrop_path":41,"original_title":237,"original_language":84},1047205,"Avant de franchir la ligne d'horizon","Habiba Djahnine went to meet activists who continue to take action. To meet them, to capture them in the spaces where they live, work or fight. They inscribe a few words of our tormented history. Memory, memory gaps, background noise, demonstrations... The film bears witness to 20 years of political mobilization\u002Frepression in Algeria.",[11],0.7195,"\u002FdM3B1ub3SlpgHHfR8ALZExHB12P.jpg","2010-01-01",{"id":244,"adult":6,"title":245,"video":6,"overview":246,"softcore":6,"genre_ids":247,"popularity":249,"vote_count":250,"poster_path":251,"release_date":252,"vote_average":124,"backdrop_path":253,"original_title":254,"original_language":84},31327,"Dark Night, October 17, 1961","Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.",[248,63,14],10770,1.5805,11,"\u002FdqnJEjIi0xxIqNLgc5jsMkxu5zY.jpg","2005-06-07","\u002F3dg7YOt1OB0wwEfRBeIPvexe07w.jpg","Nuit Noire, 17 Octobre 1961",{"id":256,"adult":6,"title":257,"video":6,"overview":258,"softcore":6,"genre_ids":259,"popularity":260,"vote_count":56,"poster_path":261,"release_date":262,"vote_average":167,"backdrop_path":263,"original_title":264,"original_language":84},1046880,"Anatomy of a First","In February 1966, Pierre Mazeaud and Lucien Berardini traveled to the Atakor massif, in the Hoggar mountain range of the Sahara in southern Algeria. There, they attempted a challenging first ascent: the Takouba spur, one of the peaks adjacent to Garet El Djenoun, a legendary mountain in the Hoggar massif, first climbed by Roger Frison-Roche and Raymond Coche in 1935. The documentary, superbly filmed by Jacques Ertaud, won the Grand Prize at the Trento International Mountain Film Festival in 1966.",[11,163],0.9263,"\u002FmKbYhFPRqElKtapdKEENXMXVTWY.jpg","1966-01-01","\u002FdA6keoTWbyD1DoJsg1RRKPekbcM.jpg","Anatomie d'une Première",1001,20001,"https:\u002F\u002Fwww.cimalpes.fr\u002Ffilms-de-montagne-rosans-miel-amer-752-1199-0-1.html?ref=1f95a8811969c82f3eb4c98e5647310a","In 1963, Rosans, a village in the Hautes-Alpes region depopulated by the rural exodus, welcomed Harkis (military soldiers) forced to leave Algeria for supporting France during the Algerian War. Around thirty families settled in a camp below Rosans. Nearly half a century after their arrival, first- and second-generation Harkis and native Rosanais recount their experiences of this culture clash, often painful, sometimes happy. Language barriers, religious differences, living in barracks for 14 years, and unemployment were all obstacles to overcome in order to be accepted and then achieve mutual enrichment. Enriched with archive footage to explain the historical context of the time, the film seeks above all to express feelings and unspoken words.",0.814,"\u002FdaiDnSXxzWclIcPtNYtXWNJESWG.jpg","2011-01-01","\u002FyH0FiHIxorG8BC2R0eb1U5IpSHT.jpg",[274],"FR","Rosans, Miel Amer",{"results":277},{},[279],{"name":280,"iso_639_1":84,"english_name":281},"Français","French",[283],{"id":284,"name":285,"logo_path":286,"origin_country":274},258284,"La Forge aux Utopies","\u002FfhKjRA8dxVBRw7XmQgd04rr6Mol.png",[288],{"name":289,"iso_3166_1":274},"France",50,"A documentary story that tends to land well.",[]]