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Christophe","",[14],1.3762,"\u002F7Rg2zoradHFBKIe8rEIuTsHyb82.jpg","1965-01-01","\u002FwgkNXrN253jVw9GjmGwtNioD27k.jpg","fr",{"id":109,"adult":6,"title":110,"video":6,"overview":111,"softcore":6,"genre_ids":112,"popularity":113,"vote_count":8,"poster_path":114,"release_date":101,"vote_average":8,"backdrop_path":115,"original_title":116,"original_language":117},1631151,"AL HAKIM: Benzerdjeb Benaouda","An investigative documentary tracing the life of Dr. Benaouda Benzerdjeb from his studies in Europe to his revolutionary medical work in Algeria, while challenging the colonial narrative surrounding his arrest and martyrdom.",[11],0.2657,"\u002FiiOeXSpxU0WpnsS3MV84P5u8x1r.jpg","\u002F7S24P44KSFLcTJZWPoPEErQeQiX.jpg","الحكيم: بن عودة بن زرجب","ar",{"id":119,"adult":6,"title":120,"video":6,"overview":121,"softcore":6,"genre_ids":122,"popularity":123,"vote_count":95,"poster_path":124,"release_date":125,"vote_average":126,"backdrop_path":127,"original_title":120,"original_language":128},653733,"Be Water","In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.",[11],1.2367,"\u002FyUDtBBQEpmYptyk6wbYR54Sa2OD.jpg","2020-01-25",6.795,"\u002Fogtf9Xub7mweKlznWvFVNddmFmF.jpg","en",{"id":130,"adult":6,"title":131,"video":6,"overview":132,"softcore":6,"genre_ids":133,"popularity":134,"vote_count":50,"poster_path":135,"release_date":136,"vote_average":42,"backdrop_path":137,"original_title":138,"original_language":107},1241414,"The Words Women Spoke One Day","1962, at the end of the Algerian War, Algerian independence activists are released from Rennes prison. For one night, filmmaker Yann Le Masson films them. They tell him their vision for the future of Algeria and the place women must occupy in the new society to be built. Fifty years later, with the soundtrack missing, Raphaël Pillosio sets out to find these women. Two deaf people set about lip-reading the women filmed by Yann Le Masson, revealing snatches of sentences, words cut short by the camera's shifts. An investigative film in which the few activists still alive discover their old testimonies and tell us their silent story. The reconstruction of the lost soundtrack will remain in suspense; no happy ending will come to absorb the absence, to cancel the ferocious operation of time. An essay film about cinema that depicts their disappearance, and forever keeps them alive.",[11,14],0.5739,"\u002Fzr6oQmDNEgLr2iJddkqiNaRpnyH.jpg","2024-03-24","\u002FrD6X9fKpw8akMIZMULCAHZQdtmr.jpg","Les Mots qu'elles eurent un jour",{"id":140,"adult":6,"title":141,"video":6,"overview":142,"softcore":6,"genre_ids":143,"popularity":145,"vote_count":24,"poster_path":146,"release_date":147,"vote_average":25,"backdrop_path":148,"original_title":149,"original_language":107},671384,"De Gaulle, the Last King of France","Charles de Gaulle, the first president (1958-1969) of the Vth Republic, France’s current system of government, left his mark on the country . He was statesman of action and has been compared to a monarch. This film depicts the general’s personality through the great events of his presidential term, at a time when the world was undergoing considerable changes.",[11,14,144],10770,0.7494,"\u002FA2Ngr8JrWIaWLlUrTlKvqOVGlD0.jpg","2017-03-27","\u002F2QiN5jz92u9kzRrsTC5Gbor0u58.jpg","De Gaulle, le dernier roi de France",{"id":151,"adult":6,"title":152,"video":6,"overview":153,"softcore":6,"genre_ids":154,"popularity":155,"vote_count":34,"poster_path":156,"release_date":157,"vote_average":51,"backdrop_path":158,"original_title":159,"original_language":107},1458155,"Rosans, Bitter Honey","In 1963, Rosans, a village in the Hautes-Alpes region depopulated by the rural exodus, welcomed Harkis (military soldiers) forced to leave Algeria for supporting France during the Algerian War. Around thirty families settled in a camp below Rosans. Nearly half a century after their arrival, first- and second-generation Harkis and native Rosanais recount their experiences of this culture clash, often painful, sometimes happy. Language barriers, religious differences, living in barracks for 14 years, and unemployment were all obstacles to overcome in order to be accepted and then achieve mutual enrichment. Enriched with archive footage to explain the historical context of the time, the film seeks above all to express feelings and unspoken words.",[11,14],0.4524,"\u002FdaiDnSXxzWclIcPtNYtXWNJESWG.jpg","2011-01-01","\u002FyH0FiHIxorG8BC2R0eb1U5IpSHT.jpg","Rosans, Miel Amer",{"id":161,"adult":6,"title":162,"video":6,"overview":163,"softcore":6,"genre_ids":164,"popularity":166,"vote_count":34,"poster_path":167,"release_date":168,"vote_average":51,"backdrop_path":169,"original_title":162,"original_language":107},1626701,"Hoggar","A 1959 documentary about climbing in the Hoggar Mountains of Algeria. For the first time, a mountain expedition was organized for 60 young aspiring climbers, accompanied by renowned mountaineers such as Lionel Terray, Lucien Bérardini, Maurice Herzog, and Jean-Paul Gardinier. In two weeks, dozens of new routes, often extremely difficult, were established. Jacques Ertaud's camera followed the climbers through all the challenging sections of the first ascent of the south spur of Assekrem.",[11,165],12,0.6964,"\u002F55Wl79dBixSoG4zSROcenC527aN.jpg","1959-01-01","\u002F3HsXrhNGCqGSbC1QsadhXXw1TTs.jpg",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":176,"vote_count":34,"poster_path":177,"release_date":178,"vote_average":51,"backdrop_path":179,"original_title":172,"original_language":107},1627235,"Mémoires du 17 octobre 1961","Three demonstrators from October 17, 1961, and a journalist recount the peaceful success of the demonstration and its brutal repression in the streets of Paris. Five months before the end of the Algerian War, the Gaullist government violently suppressed (40 to 300 deaths in a single evening, according to various sources) a peaceful demonstration by the entire Algerian civilian population of the Paris region, protesting the curfew imposed solely on this population (all participants held French citizenship). The government long denied this state crime; the official version: 3 deaths! In 1962, these events were granted amnesty by a simple decree (later enacted into law) issued by the same Gaullist government.",[11,14,175],18,0.8029,"\u002FbOKjU8QWUCozFTnwOYs8UxLq2Jn.jpg","2002-01-01","\u002FlCJ0XcwwB2ZDb4TJz3gEyAJYhjo.jpg",{"id":181,"adult":6,"title":182,"video":6,"overview":183,"softcore":6,"genre_ids":184,"popularity":185,"vote_count":34,"poster_path":186,"release_date":157,"vote_average":51,"backdrop_path":187,"original_title":188,"original_language":107},1627296,"The Forgotten Night - October 17, 1961","On October 17, 1961, in response to the curfew imposed on Muslim Algerians by Paris police prefect Maurice Papon, the FLN Federation of France organized a peaceful demonstration in the streets of the capital. The demonstration turned into a bloody crackdown: unprecedented violence, thousands of arrests, hundreds missing, and dozens dead. Today, much is known about the violence of that night: at least 200 Algerians were killed, beheaded, beaten, or thrown into the Seine; 11,500 others were arrested and often tortured. Hundreds were deported back to Algeria. Long silenced, the repression has been acknowledged thanks to the work of remembrance and eyewitness accounts.",[11],0.9255,"\u002FpyTJfx0PnSIp8VJZ48BTBi6uUbw.jpg","\u002FonF50zo96fKlrDCMJnkoLb7Jnm5.jpg","La Nuit Oubliée - 17 Octobre 1961",{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":34,"poster_path":195,"release_date":196,"vote_average":51,"backdrop_path":197,"original_title":198,"original_language":107},1627210,"October 17, 1961, Cover-up Of a Massacre","On October 17 and 18, 1961, during a non-violent demonstration against the imposed curfew, dozens of Algerians were murdered in Paris by police officers acting on orders from their superiors. For forty years, this crime has been concealed; yet these events, the deadliest on French soil since the Second World War, resemble, in some respects, the darkest hours of the collaboration. Why has this history been hidden? Under what conditions, and in the name of what reasons, did officials of a democratic state conceal the scale and gravity of such events?",[11],0.9248,"\u002Fmu5T8cA0bKTW74MnJBamNJAcaJW.jpg","2001-01-01","\u002FaALJemVlriG8mm9pe1T2Jdg0H5t.jpg","17 octobre 1961, dissimulation d’un massacre",{"id":200,"adult":6,"title":201,"video":6,"overview":202,"softcore":6,"genre_ids":203,"popularity":204,"vote_count":34,"poster_path":205,"release_date":206,"vote_average":51,"backdrop_path":197,"original_title":207,"original_language":107},1627083,"October 17, 1961: A day that went missing","This documentary bears witness to the events that took place more than thirty years before the filming of this movie, on October 17, 1961, in Paris, during the Algerian War. It is a work not only about historical truth but also about memory. Constructed primarily from interviews conducted with those involved in the events, along with archival footage, photographs, and radio broadcasts from the time, our investigation proves that nearly 200 Algerians were killed (drowned, tortured) that night and in the days that followed by the French police. \"A Missing Day\" seeks to ask two key questions: how could such events have unfolded in the capital of a Western democracy barely thirty years ago? And why have they been silenced ever since?",[11,14,175],1.1474,"\u002Fqwlaiwt3b8HWD0cij8IlipfCtD6.jpg","1992-01-01","17 octobre 1961 : Une journée portée disparue",{"id":209,"adult":6,"title":210,"video":6,"overview":211,"softcore":6,"genre_ids":212,"popularity":213,"vote_count":34,"poster_path":214,"release_date":215,"vote_average":51,"backdrop_path":216,"original_title":210,"original_language":107},477310,"Abd El-Kader","Illustrated with archival photographs, animations and live action, this film explores the history and historical and spiritual heritage of Emir Abd El-Kader. Algerian leader of the 19th century, was admired by Abraham Lincoln and celebrated to this day by the Red Cross as a great humanitarian. Emir Abd el-Kader, the man who challenged the French armies from 1832 to 1847 before creating the bases of a real Algerian state, is today considered by independent Algeria as one of the most outstanding figures. of its history. The nobility of his attitude after his capture and the very effective protection he brought to the Christians of Damascus at the end of his life also earned him great prestige among his former adversaries. A documentary told in dialectal Arabic by the voice of Amazigh Kateb.",[11],0.5881,"\u002F2msUUIumBHzlbxcMTE6D7jp1RYt.jpg","2014-01-14","\u002FetMo4IxNMH9ZOYFOTtUPFBMEexf.jpg",{"id":218,"adult":6,"title":219,"video":6,"overview":220,"softcore":6,"genre_ids":221,"popularity":222,"vote_count":34,"poster_path":223,"release_date":224,"vote_average":51,"backdrop_path":225,"original_title":226,"original_language":107},1449482,"Brothers in Arms","From 1954 to 1962, during the Algerian War, French citizens provided concrete assistance to the FLN in France: sheltering refugees, forging documents, facilitating border crossings, and transporting funds. Whether committed to the ideals of the Republic or driven by Third Worldist revolutionaries, they sought to build a bridge of friendship between nations. They paid for their commitment with imprisonment and exile. Four veterans of the Jeanson network recall this period. Today, they are no longer seen as traitors or heroes, but as witnesses recounting \"their\" war... Silent for 30 years, the \"Jeanson network\" now bears witness to this history.",[11,14],2.4034,"\u002F2U3CMOvDXUbzpojbW6l7qnc58pT.jpg","1992-03-14","\u002FiSMJsRg5e8nh8Zg4SvIfpuTy2Iy.jpg","Les frères des Frères",{"id":228,"adult":6,"title":229,"video":6,"overview":230,"softcore":6,"genre_ids":231,"popularity":232,"vote_count":34,"poster_path":233,"release_date":234,"vote_average":51,"backdrop_path":235,"original_title":229,"original_language":128},859936,"Five Directors On The Battle of Algiers","This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .",[11],1.0751,"\u002FhlxewWQaGTCTTnnlL5HQ5hHVeXE.jpg","2004-08-01","\u002FjzWrAcwZoQnL2B4t4k1rZG530sV.jpg",{"id":237,"adult":6,"title":238,"video":6,"overview":239,"softcore":6,"genre_ids":240,"popularity":242,"vote_count":34,"poster_path":243,"release_date":244,"vote_average":51,"backdrop_path":74,"original_title":238,"original_language":117},478076,"Sawt Echaâb","“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.",[241,11],10752,0.2738,"\u002FtciK1fCuXBCqIAXDgOM1GkXYEcB.jpg","1961-01-01",{"id":246,"adult":6,"title":247,"video":6,"overview":248,"softcore":6,"genre_ids":249,"popularity":250,"vote_count":34,"poster_path":251,"release_date":252,"vote_average":51,"backdrop_path":253,"original_title":247,"original_language":117},1251068,"M'hamed Issiakhem","M'hamed Issiakhem (Kabyle: Mḥemmed Isyaxem; Arabic: محمد إسياخم)—born on June 17, 1928, in Taboudoucht (Aghribs), then part of the Tizi Ouzou Department in Algeria, and who died on December 1, 1985, in Algiers—was an Algerian painter and a leading figure of modern painting in Algeria. In 1943, he handled a grenade stolen from a US military camp, and it exploded; two of his sisters and a nephew were killed. Hospitalized for two years, he underwent the amputation of his left arm. From 1947 to 1951, he studied in Algiers, first at the Société des Beaux-Arts and later at the École des Beaux-Arts. \"A country without artists is a dead country... I hope we are alive...\" These words were spoken in a film by Fawzi Sahraoui—produced by the RTA in 1985 and shot just months before the painter M'hamed Issiakhem passed away. It is a fascinating docudrama in which Issiakhem opens up with subtlety, passion, and generosity.",[11],0.4144,"\u002F3XsaDi88ae0p2X3cFIXKcXFSThv.jpg","1985-12-01","\u002FjWmwFYFfr0l3EGQfE6xX1pzusvw.jpg",{"id":255,"adult":6,"title":256,"video":6,"overview":257,"softcore":6,"genre_ids":258,"popularity":259,"vote_count":260,"poster_path":261,"release_date":262,"vote_average":263,"backdrop_path":264,"original_title":256,"original_language":128},26843,"Lion of the Desert","Resistance leader Omar Mukhtar opposes Italian colonization before World War II. The brutal guerrilla war against Italian General Rodolfo Graziani and the Fascist forces of Benito Mussolini highlights the struggle for Libyan independence and the harsh tactics utilised by the colonisers.",[14,241,175],2.9225,210,"\u002Fxm7CKN5mo09RNAcL1IP1xmJ5avT.jpg","1981-04-17",7.3,"\u002F6hCRE8o7yy0UQkt46NYaB6p9aNY.jpg",{"id":266,"adult":6,"title":267,"video":6,"overview":268,"softcore":6,"genre_ids":269,"popularity":270,"vote_count":34,"poster_path":271,"release_date":272,"vote_average":51,"backdrop_path":273,"original_title":274,"original_language":107},1252372,"Interviews with Abdelkrim Baba Aïssa","In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journalist Thoria Smati. They address the chronology of the rich and committed career of this self-taught Algerian actor, director, producer and screenwriter, who made his debut on Algerian television as an assistant director then at ONCIC as a director in the years 70.",[11],1.3146,"\u002Fh0lSzgU7ewORRgVJobQ0opRHhAt.jpg","2024-02-01","\u002Fr7N5lUrObu2idYo17r3uesmrdrK.jpg","Entretiens avec Abdelkrim Baba Aissa",{"id":276,"adult":6,"title":277,"video":6,"overview":278,"softcore":6,"genre_ids":279,"popularity":280,"vote_count":50,"poster_path":281,"release_date":282,"vote_average":35,"backdrop_path":283,"original_title":284,"original_language":107},665907,"The Lives of Albert Camus","Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature. Author of “L'Etranger”, one of the most widely read novels in the world, philosopher of the absurd and of revolt, resistant, journalist, playwright, Albert Camus had an extraordinary destiny. Child of the poor districts of Algiers, tuberculosis patient, orphan of father, son of an illiterate and deaf mother, he tore himself away from his condition thanks to his teacher. French from Algeria, he never ceased to fight for equality with the Arabs and the Kabyle, while fearing the Independence of the FLN. Founded on restored and colorized archives, and first-hand accounts, this documentary attempts to paint the portrait of Camus as he was.",[11,14],0.7206,"\u002F3vywMgtVzrVBfudOsaO4rEujF09.jpg","2020-01-22","\u002FknaYx8aJ33IQ8YdorZ4PSI9VXzy.jpg","Les Vies d'Albert Camus",{"id":286,"adult":6,"title":287,"video":6,"overview":288,"softcore":6,"genre_ids":289,"popularity":290,"vote_count":8,"poster_path":74,"release_date":101,"vote_average":8,"backdrop_path":74,"original_title":291,"original_language":292},842438,"Sankofa","A short documentary that emerge at the center of round table debate, participating in it there's three students from the Superior School of Arts and Design, Caldas da Rainha - Portugal. This conversation go along with a video essay about Afrofuturism and Pop Culture. Also, during the debate, an interview with another student gives some real example of how afrofuturism can be applied when it comes to in taking control of the colonial narratives into a black person perspective.",[11],0.2455,"Sankofa - Não é errado voltar para o que se esqueceu","pt",1001,20001,"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=tS2MQC3X1_I","In this film, four key witnesses, who live in Algeria today, as full-fledged Agerians, show us what this colonization was really like, so \"beneficial\" that they themselves perceived it as the oppression of one people by another. Three of them, who today would be called \"pieds noirs,\" in other words, those Europeans to whom France, the occupying power, gave the best land, taken from the indigenous populations, work, and exclusive rights, not shared by the entire population, lived rather well compared to the majority of the \"natives.\" The fourth was far from all that and lived in Argentina. Annie Steiner, Felix Colozzi, Pierre Chaulet, and Roberto Muniz explain to us what led them to show solidarity with the struggle of the weak, the humiliated, and to risk their freedom and their lives by committing to liberate Algeria.",0.6551,"\u002FsR0QEA1LJ9aaWwonMWhFBUJf7SB.jpg","2012-01-01","\u002FvJvQIuMtzdIV4FhWRLxIcj7WZ9r.jpg",[302,303],"DZ","FR","Ils ont rejoint le Front",{"results":306},{},[308,311],{"name":309,"iso_639_1":117,"english_name":310},"العربية","Arabic",{"name":312,"iso_639_1":107,"english_name":313},"Français","French",[315,319,323],{"id":316,"name":317,"logo_path":318,"origin_country":302},7461,"Agence Algérienne pour le Rayonnement Culturel","\u002FwBP6cqL8BV2Fhe8KEVpnytwjoTf.png",{"id":320,"name":321,"logo_path":322,"origin_country":302},212826,"Ministère de la Culture et des Arts","\u002FQfMQ02dFrXx7Opb7eyycab6p2u.png",{"id":324,"name":325,"logo_path":74,"origin_country":302},56037,"Djinn",[327],{"name":328,"iso_3166_1":302},"Algeria",46,"A documentary story that tends to land well.",[]]