[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1467581-en-US":3},{"detail":4,"match":301,"insight":302,"providers":303,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":7,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":23,"release_date":26,"revenue":27,"runtime":28,"softcore":5,"spoken_languages":29,"status":32,"tagline":13,"title":33,"video":5,"vote_average":27,"vote_count":27,"credits":34,"similar":117,"watch\u002Fproviders":297,"videos":299},false,"\u002FaNOr3xcNDPgXueasaqldg5al2dq.jpg",null,1,[10],{"id":11,"name":12},99,"Documentary","",1467581,[16],"IN","ml","നെല്ലി മരൂം, ആ മാവും, പേര മരൂം...","Set against the vibrant backdrop of Kerala's legendary School Kalolsavam, this film is a heartfelt exploration of memory, identity, and tradition.",0.4498,"\u002F5IHcx3MachpmtWUCSYgLd0JwKcZ.jpg",[],[24],{"iso_3166_1":16,"name":25},"India","2025-04-16",0,38,[30],{"english_name":31,"iso_639_1":17,"name":13},"Malayalam","Released","Gooseberries, Mangoes, and the Guava...",{"cast":35,"crew":49},[36,43],{"adult":5,"gender":27,"id":37,"known_for_department":38,"name":39,"original_name":39,"popularity":40,"profile_path":7,"cast_id":41,"character":39,"credit_id":42,"order":27},5388231,"Acting","Aavani P Chandran",0.2525,13,"68078fe003344aee708a5c1d",{"adult":5,"gender":27,"id":44,"known_for_department":38,"name":45,"original_name":45,"popularity":46,"profile_path":7,"cast_id":47,"character":45,"credit_id":48,"order":8},5388233,"Jayasree P P",0.2541,14,"68078fefac02d4407bab035d",[50,59,63,67,74,80,83,89,94,99,106,112],{"adult":5,"gender":51,"id":52,"known_for_department":53,"name":54,"original_name":54,"popularity":55,"profile_path":56,"credit_id":57,"department":53,"job":58},2,5383224,"Directing","Anand P Chandran",0.2805,"\u002Foo1HYJlnmuBLJggPiZVGARHYgvt.jpg","680493f06e1a769e81ee06ed","Director",{"adult":5,"gender":51,"id":52,"known_for_department":53,"name":54,"original_name":54,"popularity":55,"profile_path":56,"credit_id":60,"department":61,"job":62},"6804941f3f88854c49ee0b0a","Camera","Director of Photography",{"adult":5,"gender":51,"id":52,"known_for_department":53,"name":54,"original_name":54,"popularity":55,"profile_path":56,"credit_id":64,"department":65,"job":66},"68049435276bf64e41aa75b8","Editing","Editor",{"adult":5,"gender":27,"id":68,"known_for_department":65,"name":69,"original_name":69,"popularity":70,"profile_path":7,"credit_id":71,"department":72,"job":73},5383276,"Anand C",0.25,"68049456e3fac2f90289c9c7","Crew","Creative Consultant",{"adult":5,"gender":27,"id":75,"known_for_department":76,"name":77,"original_name":77,"popularity":46,"profile_path":7,"credit_id":78,"department":76,"job":79},4752242,"Sound","Karpagaselvam","680494736e1a769e81ee0703","Sound Mixer",{"adult":5,"gender":51,"id":52,"known_for_department":53,"name":54,"original_name":54,"popularity":55,"profile_path":56,"credit_id":81,"department":76,"job":82},"680494a837a722b88689c36a","Sound Recordist",{"adult":5,"gender":27,"id":84,"known_for_department":53,"name":85,"original_name":85,"popularity":86,"profile_path":7,"credit_id":87,"department":53,"job":88},5383353,"Manjari P J",0.2566,"680494c0c3e8e74b6dee070c","Assistant Director",{"adult":5,"gender":27,"id":90,"known_for_department":53,"name":91,"original_name":91,"popularity":92,"profile_path":7,"credit_id":93,"department":53,"job":88},5383354,"Vaishak A",0.2629,"680494d0059fbcecf6aa7704",{"adult":5,"gender":27,"id":95,"known_for_department":72,"name":96,"original_name":96,"popularity":86,"profile_path":7,"credit_id":97,"department":72,"job":98},5383281,"Deependu P S","680494de276bf64e41aa75da","Translator",{"adult":5,"gender":51,"id":100,"known_for_department":101,"name":102,"original_name":102,"popularity":70,"profile_path":103,"credit_id":104,"department":101,"job":105},5383277,"Art","Adith Gopal","\u002F3pt5svYz8mvIuKJixPs6Yqkjqwd.jpg","680495006e1a769e81ee072c","Title Designer",{"adult":5,"gender":27,"id":107,"known_for_department":101,"name":108,"original_name":108,"popularity":109,"profile_path":7,"credit_id":110,"department":101,"job":111},5383278,"Jomy J",0.2552,"6804953d37a722b88689c387","Title Illustration",{"adult":5,"gender":27,"id":113,"known_for_department":65,"name":114,"original_name":114,"popularity":70,"profile_path":7,"credit_id":115,"department":65,"job":116},5383356,"Sarath K S","68049588059fbcecf6aa773a","Colorist",{"page":8,"results":118,"total_pages":295,"total_results":296},[119,130,138,146,155,164,171,180,191,199,208,215,223,234,243,253,261,269,277,287],{"adult":5,"backdrop_path":7,"genre_ids":120,"id":121,"title":122,"original_language":123,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":5,"video":5,"vote_average":129,"vote_count":8},[11],479655,"The Great Ordinary Movie","fr","Le grand film ordinaire","The Ordinary Grand Film is the result of love at first sight with The Ordinary Grand Circus. With film and equipment borrowed from left and right, with the free complicity of all those who appear in the credits, they went on weekends to film a few moments of their tour.",1.053,"\u002F2O9KciUAzdpVe9FOPmhKYc3aEdG.jpg","1971-02-04",9,{"adult":5,"backdrop_path":7,"genre_ids":131,"id":132,"title":133,"original_language":134,"original_title":133,"overview":135,"popularity":136,"poster_path":137,"release_date":13,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[11],479679,"T = Turtleneck","en","A video for the Museum of Modern Art #ItemsMoMA screened at the Items Abecedarium. Mixture of original and archive footage.",0.3899,"\u002F5G79ZGsWD87koo43A1ALebCPGqy.jpg",{"adult":5,"backdrop_path":7,"genre_ids":139,"id":140,"title":141,"original_language":134,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[11],479866,"Jeff Koons: The Whitney Retrospective","The Whitney Museum of American Art presented the landmark exhibition Jeff Koons: A Retrospective from June 27 to October 19, 2014. It was the largest, most comprehensive survey of Koons’s art ever assembled, spanning four decades of his career and displaying 145 works from every series, including 13 new pieces exhibited publicly for the first time.  The film follows Koons and Whitney Chief Curator, Scott Rothkopf, who conceived and organized the show, through every gallery of the exhibition. In addition, insightful interviews with Adam Weinberg, the Whitney’s Director, Robert Storr, Dean Emeritus of the Yale School of Art, and Michelle Kuo, Editor of Artforum, help to deepen the investigation into Koon’s art and process.",0.9357,"\u002Fh0GGMfcetzjYPQFp6RNfLrjA1Bd.jpg","2014-06-27",{"adult":5,"backdrop_path":147,"genre_ids":148,"id":149,"title":150,"original_language":134,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":5,"video":5,"vote_average":129,"vote_count":8},"\u002FmZj34xGtbGyynS5l9SegC823hVm.jpg",[11],1620661,"CONTACT","CONTACT is a short documentary film directed by Jonathan Walley that chronicles the transformation of an entire skatepark into a playable musical instrument—where the skate, BMX, art, and music scenes collide.  HCS has been many things: a skatepark, gallery, library, museum, and stage; but, for one weekend, Derek Nelson fabricator,  activist, BMX pro, and artist, transformed his skatepark into an immersive sonic installation—part instrument, part playground—for the community of Binghamton, NY to become co‑creators in a conflagration of sound. SMALL TOWN, BIG SOUND.  CONTACT reminds us of the joy in creativity, community, and the DIY spirit. Contact is about pushing boundaries, experimenting with art, and reclaiming space in an increasingly cruel, unkind, and oppressive world. It’s a poetic exploration of the creative process told by a filmmaker who calls HCS home.",1.5255,"\u002FhjxbOSTlFRuDvT0GU5sHCkaDsM5.jpg","2026-09-12",{"adult":5,"backdrop_path":7,"genre_ids":156,"id":157,"title":158,"original_language":159,"original_title":158,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[11],479619,"Mannen, myten och huset","sv","About the artist Ian Hellström (1925-2012) with his own museum. A tour of Ian's house is an adventure in art, antiques, skulls and dolls, all in perfect balance. Ian created various jewelry sculptures, a kind of collage with glass beads, brooches, simple jewelry and various toys, which were sometimes pasted into boxes with small compartments. His colorful art and cross-border life is captivating but not always easy to understand.",0.701,"\u002F3naU2VgOGxTjo0oBKPXsK6zMykt.jpg","2009-04-02",{"adult":5,"backdrop_path":7,"genre_ids":165,"id":166,"title":167,"original_language":134,"original_title":167,"overview":168,"popularity":169,"poster_path":7,"release_date":170,"softcore":5,"video":5,"vote_average":51,"vote_count":8},[11],288749,"Sculptures for a Windless Space","A short film with shots of sculptures by Anneke Walvoort. The materiality of film plays an important role: visible grain, flashes of colour, unexpected camera movements.",0.6134,"1995-08-25",{"adult":5,"backdrop_path":172,"genre_ids":173,"id":174,"title":175,"original_language":134,"original_title":175,"overview":176,"popularity":177,"poster_path":178,"release_date":179,"softcore":5,"video":5,"vote_average":27,"vote_count":27},"\u002FgO0sLRLJDkKARbTkoGg99flmCYQ.jpg",[11],1432752,"Jo","Jo; or The Act of Riding a Bike is Zefier's third film.",0.5922,"\u002FlGSpa0gEVVIZarpfquwcjW4jGqt.jpg","2025-02-11",{"adult":5,"backdrop_path":181,"genre_ids":182,"id":183,"title":184,"original_language":134,"original_title":184,"overview":185,"popularity":186,"poster_path":187,"release_date":188,"softcore":5,"video":5,"vote_average":189,"vote_count":190},"\u002Fny0KP1MtuIHqR1ZJ9CicZ6F42po.jpg",[11],288973,"Drawing the Line: A Portrait of Keith Haring","Short documentary about artist Keith Haring, detailing his involvement in the New York City graffiti subculture, his opening of the Pop Shop, and the social commentary present in his paintings and drawings.",1.2787,"\u002FQX6UBplniYIPbCUwgG9ihySwi2.jpg","1989-11-01",8,3,{"adult":5,"backdrop_path":7,"genre_ids":192,"id":193,"title":194,"original_language":159,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":198,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[11],488394,"Du var min bästa vän","Emilia and Elise are best friends. They have been in the same class since the first grade, but when they start high school everything suddenly feels different.",0.4896,"\u002F1jonjX2XyGXmWG5D4nuBIZ46LtA.jpg","2015-01-01",{"adult":5,"backdrop_path":200,"genre_ids":201,"id":202,"title":203,"original_language":134,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":5,"video":5,"vote_average":27,"vote_count":27},"\u002FdNFadzOIxp1Hmf8SmtolpTuCkg2.jpg",[11],671848,"Raqs-e-Inquilab","The film interweaves the personal narratives of four Kashmiri artists, three of whom - Syed Mujtaba Rizvi, Hina Arif and Zeeshan Jaipuri - are children of the conflict, their impressionable adolescent years years landing right in the middle of the region's most violent period in the 90s. The fourth character, renowned painter and art teacher Masood Hussain, grew up in a time of relative peace before becoming witness to Kashmir's tragic transformation. While their individual traumas are unique, they are connected by their pursuit to process this splintered world through unfiltered artistic expression.",0.8502,"\u002FzKTagq3Uhhio7lZkrfht0EfiamJ.jpg","2019-09-29",{"adult":5,"backdrop_path":7,"genre_ids":209,"id":210,"title":211,"original_language":212,"original_title":211,"overview":13,"popularity":213,"poster_path":7,"release_date":214,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[11],1445279,"Spomíname na Edmunda Gwerka","sk",0.575,"1975-01-01",{"adult":5,"backdrop_path":7,"genre_ids":216,"id":217,"title":218,"original_language":134,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[11],301818,"When You Can't See the Film","Largely due to censorship, many films, especially documentaries and independent films, can't be released in China. But underground cinema clubs are making independent films accessible to Chinese audience despite the all the risks.",0.4585,"\u002F4UvuywsHMkmP44LgjsAi0OPR81I.jpg","2014-11-21",{"adult":5,"backdrop_path":224,"genre_ids":225,"id":228,"title":229,"original_language":230,"original_title":229,"overview":13,"popularity":231,"poster_path":232,"release_date":233,"softcore":5,"video":5,"vote_average":27,"vote_count":27},"\u002FpmekyYQQ6SapotqdNaSX6SGiGGG.jpg",[226,11,227],10402,12,1445213,"bu dünyanın sonu değil","tr",0.4566,"\u002Fdn80OyIJHyNIwU8yi0swvsDVb5V.jpg","2025-03-18",{"adult":5,"backdrop_path":7,"genre_ids":235,"id":237,"title":238,"original_language":134,"original_title":238,"overview":239,"popularity":240,"poster_path":7,"release_date":241,"softcore":5,"video":5,"vote_average":242,"vote_count":51},[236,11],35,302010,"3 Still Standing","Three stand-up comedians seek fame and fortune in the hottest comedy scene in the world: San Francisco in the 1980s.",1.1616,"2014-10-04",6,{"adult":5,"backdrop_path":244,"genre_ids":245,"id":247,"title":248,"original_language":134,"original_title":248,"overview":249,"popularity":250,"poster_path":251,"release_date":252,"softcore":5,"video":5,"vote_average":27,"vote_count":27},"\u002FhaypkT6dWp3aHjGgkN7mMuG9Y38.jpg",[11,246],18,678194,"Space in the Brain","Image analysis in slow motion. Distortion and reversed reality perspective.",0.6355,"\u002FaBCYotoelMGUubkReD5wCSnph7q.jpg","1969-01-01",{"adult":5,"backdrop_path":254,"genre_ids":255,"id":256,"title":257,"original_language":258,"original_title":257,"overview":259,"popularity":260,"poster_path":7,"release_date":13,"softcore":5,"video":5,"vote_average":27,"vote_count":27},"\u002F41t2QoNVvVtYXrLUtf28ExaPDWk.jpg",[11],1445744,"When Are You Coming Home?","zh","Unburdened from their roles as responsible wives and mothers, a gaggle of Chinese women in San Jose finally lets their inner children out to play.",1.0035,{"adult":5,"backdrop_path":7,"genre_ids":262,"id":263,"title":264,"original_language":134,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[11],1252390,"If Stone Could Speak","Stonecutters emigrated from northern Italy to Barre, Vermont, the \"Granite Capital of the World.\" Follow the artisans and their families from quarries, workshops and schools in Italy to granite carving sheds in New England, as they seek their own identities, choosing what to keep and what to cut away from their American and Italian legacies.",0.678,"\u002FogsR40ZTufSrJKNd0AGDBVRTqHD.jpg","2008-08-31",{"adult":5,"backdrop_path":7,"genre_ids":270,"id":271,"title":272,"original_language":134,"original_title":272,"overview":273,"popularity":274,"poster_path":275,"release_date":276,"softcore":5,"video":5,"vote_average":189,"vote_count":8},[227,11],1636239,"TRUTH in EXPOSURE","Watch as Aiden Aleman creates his newest art piece “TRUTH” in the middle of Zilker Park.",0.4701,"\u002F7JZoT6lfCALMHSeKngFxRnbtkgG.jpg","2026-01-21",{"adult":5,"backdrop_path":7,"genre_ids":278,"id":279,"title":280,"original_language":281,"original_title":282,"overview":283,"popularity":284,"poster_path":285,"release_date":286,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[11],303750,"Art Is Only Outside Human Society","de","Kunst ist nur ausserhalb der Menschengesellschaft","Vlado Kristl rejected the word anarchy. Nor did he like the word utopia, nor the term experimental film. As a matter of fact, he didn't like any words if they weren't freed from the conventional ways of thinking. Following the shooting of \"Kunst ist nur ausserhalb der Menschengesellschaft\" he was only pleased when hardly anything he expressed in his poems performed, thrown and hurled against any hostile and alien environment by Carola Regnier was understood. - Markus Nechleba",0.6762,"\u002FiGI5uNx0fxRtusuD9gEbBK5YwcG.jpg","2002-01-01",{"adult":5,"backdrop_path":7,"genre_ids":288,"id":289,"title":290,"original_language":281,"original_title":291,"overview":292,"popularity":293,"poster_path":7,"release_date":294,"softcore":5,"video":5,"vote_average":27,"vote_count":27},[11],303752,"Conference of the Homeless","Weltkongress der Obdachlosen","Delegations of the homeless from all over the world march in. This is a film in which there is nothing to see. - Vlado Kristl",0.5201,"2003-01-01",1001,20001,{"results":298},{},{"results":300},[],45,"A documentary story that tends to land well.",[]]