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When she arrives, she's immediately sidetracked by romance with her host, Habib. She turns the camera on herself as she falls in love with him. the atmosphere quickly diminishes when Habib's family steps in and kicks her out. Not to be deterred, on her second visite to Algeria to seek Habib's love, she begins her real journey to expose the underside of the country.",[11],0.1328,"\u002FgOmoapouHa3uMtEIfjBzq46sEd1.jpg","2002-01-01","\u002FspgoV39umQQSfjU7Tf6kj2pTD0q.jpg","en",{"id":107,"adult":6,"title":108,"video":6,"overview":109,"softcore":6,"genre_ids":110,"popularity":111,"vote_count":8,"poster_path":112,"release_date":113,"vote_average":8,"backdrop_path":114,"original_title":108,"original_language":105},1633138,"Larapinta: End to End","Four adventurers with disability test their limits as they set out on an expedition through some of Australia's harshest terrain.",[11],0.3525,"\u002FShz2Pyh1dmBo6fWsUlGZL2FFEq.jpg","2024-10-01",null,{"id":116,"adult":6,"title":117,"video":6,"overview":118,"softcore":6,"genre_ids":119,"popularity":120,"vote_count":31,"poster_path":121,"release_date":122,"vote_average":22,"backdrop_path":123,"original_title":117,"original_language":124},1245972,"A Propos D'Un Crime","In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”",[11],0.6314,"\u002FwOeyZkjXPz91ilsExxsA9NtmMNQ.jpg","1967-01-01","\u002FfN83NQVEs50i3nSVTzzCc1HBfGd.jpg","fr",{"id":126,"adult":6,"title":127,"video":6,"overview":128,"softcore":6,"genre_ids":129,"popularity":132,"vote_count":32,"poster_path":133,"release_date":134,"vote_average":135,"backdrop_path":136,"original_title":137,"original_language":124},283013,"Dawn of the Damned","This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.",[11,130,131],36,18,0.5139,"\u002FlofBqYj9p4eefPAQlzrQ5d9SgHk.jpg","1965-07-05",7.4,"\u002FuXPBBQlKDXVx8apISYh9KdrTEoa.jpg","L'Aube des Damnés",{"id":139,"adult":6,"title":140,"video":6,"overview":141,"softcore":6,"genre_ids":142,"popularity":143,"vote_count":8,"poster_path":114,"release_date":144,"vote_average":8,"backdrop_path":114,"original_title":140,"original_language":105},480166,"Seeing Sights in London","We look first at Westminster Abbey and the Towers of Parliament. And the sight-seeing only starts there as it continues to all the famous buildings of London.",[11],0.1739,"1919-04-05",{"id":146,"adult":6,"title":147,"video":6,"overview":148,"softcore":6,"genre_ids":149,"popularity":150,"vote_count":46,"poster_path":151,"release_date":152,"vote_average":67,"backdrop_path":153,"original_title":154,"original_language":124},665907,"The Lives of Albert Camus","Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature. Author of “L'Etranger”, one of the most widely read novels in the world, philosopher of the absurd and of revolt, resistant, journalist, playwright, Albert Camus had an extraordinary destiny. Child of the poor districts of Algiers, tuberculosis patient, orphan of father, son of an illiterate and deaf mother, he tore himself away from his condition thanks to his teacher. French from Algeria, he never ceased to fight for equality with the Arabs and the Kabyle, while fearing the Independence of the FLN. Founded on restored and colorized archives, and first-hand accounts, this documentary attempts to paint the portrait of Camus as he was.",[11,130],0.9219,"\u002F3vywMgtVzrVBfudOsaO4rEujF09.jpg","2020-01-22","\u002FknaYx8aJ33IQ8YdorZ4PSI9VXzy.jpg","Les Vies d'Albert Camus",{"id":156,"adult":6,"title":157,"video":6,"overview":158,"softcore":6,"genre_ids":159,"popularity":160,"vote_count":21,"poster_path":161,"release_date":162,"vote_average":75,"backdrop_path":163,"original_title":164,"original_language":124},883287,"The Law of Silence","The Law of Silence, a final-year documentary by Moïra Chappedelaine-Vautier at Femis, examines the 1963 Amnesty Law and the consequences it had on studies of the Algerian War. It brings together interviews conducted in 2002 with Henri Alleg, editor of the daily newspaper Alger Républicain from 1951 to 1955, and Pierre Vidal-Naquet, historian and essayist. It also features incredible statements from General Massu and lawyers unraveling the various legal defenses of people like Jean-Marie Le Pen. Not only does Moïra have her father, René Vautier, speak, but she also includes footage he himself filmed forty years earlier. A very interesting report, which notably reminds us that the Amnesty is not a pardon but the erasure of the sentence and also of the crime itself.",[11],0.3261,"\u002Fncw2ezVrMV7M5fuem6qaPn2jpRG.jpg","2003-10-10","\u002FlJaasocB2YfkoqlnypcmPD1NS1g.jpg","La Loi Du Silence",{"id":166,"adult":6,"title":167,"video":6,"overview":168,"softcore":6,"genre_ids":169,"popularity":171,"vote_count":31,"poster_path":172,"release_date":173,"vote_average":22,"backdrop_path":174,"original_title":175,"original_language":124},1471267,"The Call of the Hoggar, In the Heart of Atlantis","Documentary on the French Alpine expedition to Hoggar in Algeria, starring Roger Frison-Roche, Raymond Coche, Pierre Lewden, and François de Chasseloup-Laubat. The 1935 French Alpine Expedition to Hoggar was conceived and prepared by Lieutenant Raymond Coche, the ideal leader for an expedition that would combine alpine and Saharan terrain in Algeria. Among his goals, he set himself the task of leading a French rope team to the still-untouched summits of Atakor and Tefedest and planting the French flag there. His old friend, Pierre Lewden, an athlete and journalist, was soon on the team, and to complete their project and complete the trio, they called on Roger Frison-Roche, a guide from Chamonix and one of the best climbers of this generation. A few days before their departure from Paris, filmmaker Pierre Ichac joined them.",[11,170],12,0.2124,"\u002F8thH38RltfZ0FcjAduyQJ2qzth.jpg","1935-01-01","\u002FsRMwEkVDpi54Bf58jHQnweodjcV.jpg","L'Appel Du Hoggar, Au Cœur De L'Atlantide",{"id":177,"adult":6,"title":178,"video":6,"overview":179,"softcore":6,"genre_ids":180,"popularity":182,"vote_count":31,"poster_path":183,"release_date":184,"vote_average":22,"backdrop_path":185,"original_title":186,"original_language":187},1479026,"Kamel Messaoudi - His Life, His Work","On December 10, 1998, Kamel Messaoudi died in a traffic accident at the age of 37, at the height of his fame. In the early 1990s, when Algiers chaâbi was struggling to renew itself and attract young people, Kamel, born on January 30, 1961 in Algiers, into a modest family, achieved great success with his first album, notably featuring Echema’a (the candle) and other tracks where he did not hesitate to shake up the old repertoire, adding his own words, closer to the reality of an Algeria then bereaved by the violence of the dark decade of the 90s, and composing melodies supported by instruments such as the acoustic guitar or the piano.",[11,181],10402,0.133,"\u002FjuP3xmJe3g11DfJSx3XL2iqjqfE.jpg","2015-01-01","\u002FaoF8n7TBfF0JTIh3l7lxhA0dUn0.jpg","كمال مسعودي - حياته وأعماله","ar",{"id":189,"adult":6,"title":190,"video":6,"overview":191,"softcore":6,"genre_ids":192,"popularity":193,"vote_count":46,"poster_path":194,"release_date":195,"vote_average":196,"backdrop_path":197,"original_title":198,"original_language":124},698052,"Their Algeria","After 62 years of marriage, an elderly couple decides to get a divorce.",[11],0.5086,"\u002F570Zc53aTl1ArhybZVpETpb1N4D.jpg","2021-10-13",5.3,"\u002FbOgVzsIeG3kH8CFNqhkq3P4eF49.jpg","Leur Algérie",{"id":200,"adult":6,"title":201,"video":6,"overview":202,"softcore":6,"genre_ids":203,"popularity":205,"vote_count":8,"poster_path":206,"release_date":207,"vote_average":8,"backdrop_path":208,"original_title":201,"original_language":124},1286476,"Belmondo, l'Italie en héritage","",[11,204],10751,0.2465,"\u002FqQhLV3hfjnu06i0qtPFkwwelZDU.jpg","2024-05-03","\u002F4yUKvMB6vZgZJTU9u4q54y2QFRx.jpg",{"id":210,"adult":6,"title":211,"video":6,"overview":202,"softcore":6,"genre_ids":212,"popularity":213,"vote_count":31,"poster_path":214,"release_date":215,"vote_average":22,"backdrop_path":216,"original_title":211,"original_language":124},1692956,"OAS, Un passé très présent",[11,130],0.2514,"\u002FluDJkYK16qpSpwRsZC2JErwwyv2.jpg","2008-06-01","\u002F48OvytKRCimjq2uRd8T302QNYaZ.jpg",{"id":218,"adult":6,"title":219,"video":6,"overview":220,"softcore":6,"genre_ids":221,"popularity":222,"vote_count":223,"poster_path":224,"release_date":225,"vote_average":226,"backdrop_path":227,"original_title":219,"original_language":228},55624,"Fata Morgana","Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.",[11],0.9934,89,"\u002FpeGA1QPb0I255XtvoOcz5WG1jfy.jpg","1972-02-01",6.5,"\u002FfO489b4PPR5Ndm3xJZ1AboCoSb.jpg","de",{"id":230,"adult":6,"title":231,"video":6,"overview":232,"softcore":6,"genre_ids":233,"popularity":234,"vote_count":46,"poster_path":235,"release_date":236,"vote_average":237,"backdrop_path":238,"original_title":239,"original_language":187},327547,"Children of the Wind","Three short films about abandoned children, left to the omnipotence of silence, of the eye and of the hand but also of abysmal loneliness",[11],0.3511,"\u002F1FnwQgTMCMNG3CaNToqQWp3r1Tq.jpg","1980-08-28",8.3,"\u002F4pNIuTJp4Fl3b78qzrjd3uoDYeX.jpg","Aulad el rih - Les enfants du vent",{"id":241,"adult":6,"title":242,"video":6,"overview":202,"softcore":6,"genre_ids":243,"popularity":245,"vote_count":31,"poster_path":246,"release_date":247,"vote_average":22,"backdrop_path":248,"original_title":242,"original_language":124},1694349,"1954, La fin d'un monde",[11,130,244,131],10752,0.5956,"\u002F3yU6RutfLuk7ZIeKc0i5NHfuBJM.jpg","2014-11-30","\u002FwM0W21PmEXoqP8hu4Md5uuRPdFc.jpg",{"id":250,"adult":6,"title":251,"video":6,"overview":252,"softcore":6,"genre_ids":253,"popularity":254,"vote_count":39,"poster_path":255,"release_date":256,"vote_average":257,"backdrop_path":258,"original_title":259,"original_language":187},502653,"The Fence","The Fence is a cry! In the aftermath of the civil war which bloodied Algeria, Tariq Teguia interviews the young people of Bab El Oued who express their anger. In the fixed shots in which they testify, Tariq Teguia alternates wanderings in a car which extend those of Ferrailles d’anticipations. And it is the violence of confinement that dominates, coupled with the desire for something impossible elsewhere.",[11],0.1597,"\u002F3T60l8xmh8lqE9ZSHviw8PtkYJP.jpg","2003-10-03",7.9,"\u002Fc3q0sHptIxMJhCUMYeuFw6KA4Xp.jpg","Haçla",{"id":261,"adult":6,"title":262,"video":6,"overview":263,"softcore":6,"genre_ids":264,"popularity":265,"vote_count":31,"poster_path":266,"release_date":267,"vote_average":22,"backdrop_path":268,"original_title":269,"original_language":124},1697139,"Messali Hadj - A Life In Service To The Algerian People","The life and political activism of Messali Hadj (1898-1974), an Algerian internationalist politician who played a pioneering role in the process leading to Algerian independence, which he demanded as early as 1927. He was initially secretary of the North African Star (ENA), then in 1937 he founded the Algerian People's Party (PPA), in 1946 he founded the Movement for the Triumph of Democratic Liberties (MTLD), and finally in 1954, the Algerian National Movement (MNA). In 1937, the leadership of the North African Star (ENA) created its flag, green with a white star and crescent. Messali Hadj's wife, Emilie Busquant-Messali, simply sewed this ENA flag by machine; it would later become the flag of the PPA. In 1943, Messali Hadj, in conjunction with the party leadership, created the ENA-PPA flag, green and white with a red star and crescent, which would later become the current flag of the People's Democratic Republic of Algeria.",[11,130],1.0599,"\u002FcTCkiTuPNxiGD6QlAc0uGaNP76d.jpg","2006-01-01","\u002FAtUsJjAANPsmAc1hJrk4i7R9ixG.jpg","Messali Hadj - Une vie au service du peuple algérien",{"id":271,"adult":6,"title":272,"video":6,"overview":273,"softcore":6,"genre_ids":274,"popularity":275,"vote_count":21,"poster_path":276,"release_date":277,"vote_average":67,"backdrop_path":278,"original_title":279,"original_language":124},520998,"The Women","Documentary dialogue with young women in Algiers on their experience of independence shortly after their country's independence.",[11],0.1445,"\u002F7w2rGvVBbhQQqjGREGHDyw9U858.jpg","1966-04-27","\u002FhcIqSsvlJbL9EnDOdbvMcLpzycf.jpg","Elles",{"id":281,"adult":6,"title":282,"video":6,"overview":283,"softcore":6,"genre_ids":284,"popularity":285,"vote_count":31,"poster_path":286,"release_date":287,"vote_average":22,"backdrop_path":288,"original_title":289,"original_language":124},1495043,"Algiers, the Mecca of Revolutionaries (1962-1974)","From the early 1960s to the mid-1970s, independent Algeria provided significant support to anti-colonial movements and revolutionaries worldwide. Successive presidents, Ahmed Ben Bella and then Houari Boumédiène, made Algiers a haven for activists fighting against colonial and racial oppression. Algiers the White became Algiers the Red. The internationalist Che Guevara established his base of operations there for his guerrilla activities in Africa. The African-American leader Eldridge Cleaver made it the international headquarters of the Black Panther Party. During this period, Algiers was known as \"The Mecca of Revolutionaries.\"",[11],0.5776,"\u002F9kDzd9s0fluZlE4dfN36tva4ZoV.jpg","2016-01-01","\u002FjyMrZszXTKQfrGahAiLjyuT5LIc.jpg","Alger, la Mecque des Révolutionnaires (1962-1974)",{"id":291,"adult":6,"title":292,"video":6,"overview":293,"softcore":6,"genre_ids":294,"popularity":295,"vote_count":39,"poster_path":296,"release_date":297,"vote_average":226,"backdrop_path":298,"original_title":299,"original_language":124},333061,"A People on the March","Collectively directed by the members of the Centre audiovisuel d'Alger at Ben Aknoun, the film traces, in two parts, Algeria's recent history, from colonial repression to the birth of the National Liberation Army, and the country's postwar reconstruction, framed in sympathy with the socialist project of Ahmed Ben Bella's government. Released in 1964, the film was banned and sealed after Houari Boumediene's June 1965 coup, precisely because of its favorable treatment of Ben Bella.",[11,244,130],0.9456,"\u002FwwSt8lWQzMkwE664UO2gEkeRo0Q.jpg","1963-01-02","\u002F8cytbqQr3icALk2OmUPCC998HSV.jpg","Un Peuple en Marche",1001,20001,"It is with the architect Jean-Jacques Deluz, that we visit Algiers, \"his city\" since 1960 and that he left only two years during the worst moments of terrorism. From the Casbah, in the 19th century center, including the cities of Fernand Pouillon and Bab El Oued to arrive at the new city of Maelma which he built today. Tender look, but without concessions at the same time architectural promenade and meetings with actors of art and culture: Djamel Allam, the singer Kabyle, Djamel Amrani, the poet, friend of Jean Sennac, Mohamed Ben Gettaf, Dramaturge and director of the theater of Algiers, Souad Delmi-Bourras, young designer Boudjemàa Kareche, director of the Algerian cinema, Amine Kouider, conductor, who relaunches the opera in Algeria, the painter Malek Salah, and others. A look at Algeria and the Algerians, far from the clichés of certain media, the bias being to seek signs of hope rather than \"blood and tears\".",0.402,"\u002Ffw4Z0DCKcyUFJWWkQ2Sj0ll5nRQ.jpg","2003-01-01","\u002Fl9EskNiQwfiUfEvoTPlyHMtQGkP.jpg",[308],"FR",{"results":310},{},[312,315],{"name":313,"iso_639_1":187,"english_name":314},"العربية","Arabic",{"name":316,"iso_639_1":124,"english_name":317},"Français","French",[319,322,326],{"id":320,"name":321,"logo_path":114,"origin_country":308},113388,"On Line Productions",{"id":323,"name":324,"logo_path":325,"origin_country":308},310,"CNC","\u002F4Gp5A4YdjPBfsHT47ngHMaXWmb9.png",{"id":327,"name":328,"logo_path":114,"origin_country":308},72598,"Ministère des Affaires étrangères et du Développement International",[330],{"name":331,"iso_3166_1":308},"France",55,"A documentary story that tends to land well.",[]]