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In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years.  The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. 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Active as a jazz drummer, composer, poet and visual artist, Johansson has spent decades challenging artistic conventions and genre boundaries.  Born in 1943, he moved to Berlin in the late 1960s and became involved in the city’s experimental scene, including the Zodiak Free Arts Lab. During the 1970s and 1980s he played an important role in the West Berlin free jazz movement around the FMP\u002FSÅJ label, collaborating with musicians such as Alexander von Schlippenbach and Rüdiger Carl.  Influenced by Fluxus and modernist traditions, Johansson developed a distinctive approach based on noise, reduction and the use of everyday materials, anticipating the Echtzeitmusik scene that emerged in Berlin after 1990. 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The Whistler",0.8872,"\u002FzUgPATuKxSGs5W8Awt9z2sB6wXq.jpg","1977-11-21",8.5,{"adult":5,"backdrop_path":312,"genre_ids":313,"id":315,"title":316,"original_language":266,"original_title":316,"overview":317,"popularity":318,"poster_path":319,"release_date":320,"softcore":5,"video":5,"vote_average":321,"vote_count":322},"\u002F7d1NO9R1Py41N5LTefhlmOSas3L.jpg",[179,314,10],53,37004,"Fuga","Could a brilliant composer's music actually be killing his loved ones? Eliseo can't help but believe it when his younger sister dies tragically and then his pianist Georgina suddenly dies on the piano. 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