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What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.",[11],0.6661,"\u002FoCLeiEOfpRzQEB14ZypZVHBCilf.jpg","\u002FokjsmLFkGk28rw6fhnbxVlnOFiN.jpg",{"id":114,"adult":6,"title":115,"video":6,"overview":116,"softcore":6,"genre_ids":117,"popularity":118,"vote_count":49,"poster_path":119,"release_date":120,"vote_average":71,"backdrop_path":26,"original_title":115,"original_language":104},821581,"My Beloved Country","A provocative look from within at Afrikaner extremists who, in 1991, clung to the belief that they were the chosen ‘super race’ of Africa. With the demise of white rule, many of these Boers lived in fear. 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Through its pages, a haunting reminder echoes:  “If the whole world forget, never forget.  If the whole world forgive, never forgive.  Gone, but never forgotten.”  As their paths unknowingly cross in shared spaces, both must confront whether to remain anchored in their histories or let go and move forward.  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