[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1503775-en-US":3},{"detail":4,"match":291,"insight":292,"providers":293,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":7,"origin_country":15,"original_language":17,"original_title":18,"overview":19,"popularity":20,"poster_path":21,"production_companies":22,"production_countries":27,"release_date":30,"revenue":8,"runtime":31,"softcore":5,"spoken_languages":32,"status":35,"tagline":36,"title":18,"video":5,"vote_average":8,"vote_count":8,"credits":37,"similar":83,"watch\u002Fproviders":287,"videos":289},false,"\u002FhV2eDdXzWSpWZk2V9x8RGrMfG1g.jpg",null,0,[10],{"id":11,"name":12},99,"Documentary","https:\u002F\u002Fcollection.nfb.ca\u002Ffilm\u002Fwomen-at-work",1503775,[16],"CA","en","Women at Work","An introduction to the employment picture in Canada in the late 1950s, designed to inform potential immigrants of job opportunities existing for women. The film reviews many fields of work in which women are engaged, ranging from the highly specialized to the unskilled, and shows much of it being performed by women who have come to Canada from many different lands. Placement services and information services established to help newly arrived immigrants are shown in operation. Viewed from a modern perspective, the greater part of the film accepts as normal the waste of women's talents in repetitive or service jobs while elevating this work to the status of a career. Currently distributed only in 13-minute abridged form.",0.7204,"\u002FyJ7LDk6q8O2EWn5zaydYijRbzuk.jpg",[23],{"id":24,"logo_path":25,"name":26,"origin_country":16},10473,"\u002FlMUDQZVtg8On4PAW5XFQPaQy6UK.png","ONF | NFB",[28],{"iso_3166_1":16,"name":29},"Canada","1958-01-01",22,[33],{"english_name":34,"iso_639_1":17,"name":34},"English","Released","",{"cast":38,"crew":39},[],[40,47,51,55,61,68,74,77],{"adult":5,"gender":8,"id":41,"known_for_department":42,"name":43,"original_name":43,"popularity":44,"profile_path":7,"credit_id":45,"department":42,"job":46},1471882,"Directing","Gordon Sparling",0.4269,"685c2083500a04e775afa6ec","Director",{"adult":5,"gender":8,"id":41,"known_for_department":42,"name":43,"original_name":43,"popularity":44,"profile_path":7,"credit_id":48,"department":49,"job":50},"685c2096307350a1cac9d149","Production","Producer",{"adult":5,"gender":8,"id":41,"known_for_department":42,"name":43,"original_name":43,"popularity":44,"profile_path":7,"credit_id":52,"department":53,"job":54},"685c20a9a856b1d57306f477","Editing","Editor",{"adult":5,"gender":8,"id":56,"known_for_department":49,"name":57,"original_name":57,"popularity":58,"profile_path":7,"credit_id":59,"department":49,"job":60},1813717,"Nicholas Balla",0.4021,"685c20bd32883f7ae294e4cc","Executive Producer",{"adult":5,"gender":8,"id":62,"known_for_department":42,"name":63,"original_name":63,"popularity":64,"profile_path":7,"credit_id":65,"department":66,"job":67},1782216,"Grant Crabtree",0.3127,"685c20cdfa843e5b63afa862","Camera","Director of Photography",{"adult":5,"gender":8,"id":69,"known_for_department":70,"name":71,"original_name":71,"popularity":72,"profile_path":7,"credit_id":73,"department":70,"job":70},1087078,"Sound","George Croll",0.4213,"685c20de59f8c6ab0ac9d201",{"adult":5,"gender":8,"id":69,"known_for_department":70,"name":71,"original_name":71,"popularity":72,"profile_path":7,"credit_id":75,"department":70,"job":76},"685c20f5fcced03c7291b457","Sound Re-Recording Assistant",{"adult":5,"gender":8,"id":78,"known_for_department":70,"name":79,"original_name":79,"popularity":80,"profile_path":7,"credit_id":81,"department":70,"job":82},957757,"Eldon Rathburn",0.4399,"685c2104f1b1ceec1d2ca970","Original Music Composer",{"page":84,"results":85,"total_pages":285,"total_results":286},1,[86,95,104,115,124,136,146,155,164,174,183,193,204,211,221,232,240,251,263,273],{"adult":5,"backdrop_path":7,"genre_ids":87,"id":88,"title":89,"original_language":90,"original_title":91,"overview":92,"popularity":93,"poster_path":94,"release_date":36,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1612945,"AVA","fa","آوا","Breaking a centuries-old taboo, Ava stands as the first woman in Iran to master the male-dominated craft of carpentry. 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A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.",2.2374,"\u002Fm9G7lWOfiqQM5LRH2XlaCvtrho5.jpg",{"adult":5,"backdrop_path":105,"genre_ids":106,"id":107,"title":108,"original_language":17,"original_title":108,"overview":109,"popularity":110,"poster_path":111,"release_date":112,"softcore":5,"video":5,"vote_average":113,"vote_count":114},"\u002FeQNlRh69W9HVw46znLOhyMe7dsN.jpg",[11],653610,"Disclosure","An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.",2.4499,"\u002F2MB2FPNxdSlykbH7ghBltoBYnTH.jpg","2020-06-19",7.8,151,{"adult":5,"backdrop_path":7,"genre_ids":116,"id":117,"title":118,"original_language":17,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":5,"video":5,"vote_average":123,"vote_count":84},[11],648904,"Rise of the Wahine","In the years following the Civil Rights movement and the passage of Title IX in 1972, Dr. Donnis Thompson (a headstrong African-American female coach), Patsy Mink (the first Asian-American U.S. congresswoman), and Beth McLachlin (the team captain of a rag-tag female volleyball team), battled discrimination from the halls of Washington D.C. to the dusty volleyball courts of the University of Hawaii, fighting for the rights of young women to play sports.",1.426,"\u002Fd4xsGduTeal2FtnBaBfClmU4XR0.jpg","2014-11-09",5,{"adult":5,"backdrop_path":125,"genre_ids":126,"id":127,"title":128,"original_language":129,"original_title":128,"overview":130,"popularity":131,"poster_path":132,"release_date":133,"softcore":5,"video":5,"vote_average":134,"vote_count":135},"\u002Fo4XoPw8scAizLUsegqjBwHmz4sj.jpg",[11],1026109,"L'art du derrière, une folle histoire des fesses","fr","\"Do you think I have a cute bottom?\" From Brigitte Bardot's cult line in \"Le Mépris\" (Contempt), to Mireille Darc's iconic lower back, bottoms have long been the subject of every fantasy. And have often been represented in art! A story of eroticism, but also of censure",0.8448,"\u002F3O7CvkKv0YWJO3Yyw2DM89AKnjP.jpg","2022-09-12",7,3,{"adult":5,"backdrop_path":137,"genre_ids":138,"id":140,"title":141,"original_language":17,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":5,"video":5,"vote_average":113,"vote_count":135},"\u002F15DEjXzd73QRZeTUavrfaAPoH50.jpg",[11,139],10402,822079,"The Conductor","Leonard Bernstein’s protégée Marin Alsop reveals how she smashed the glass ceiling to become an internationally renowned conductor.",1.2589,"\u002FnfiZKppLmuE7zxloWZ7G0wIyw62.jpg","2022-01-28",{"adult":5,"backdrop_path":7,"genre_ids":147,"id":148,"title":149,"original_language":17,"original_title":149,"overview":150,"popularity":151,"poster_path":152,"release_date":153,"softcore":5,"video":5,"vote_average":154,"vote_count":84},[11],826506,"Mary Two-Axe Earley: I Am Indian Again","After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.",1.5679,"\u002F8neQAY1zlLLtKxC3LmKClThQGhU.jpg","2021-05-06",8,{"adult":5,"backdrop_path":7,"genre_ids":156,"id":157,"title":158,"original_language":159,"original_title":160,"overview":161,"popularity":162,"poster_path":7,"release_date":163,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],839236,"Billions Around Us","cs","Miliardy kolem nás","A film about occupational diseases. It shows what risks one faces in various professions and presents ways to avoid them. It is necessary to create a healthy work environment, to check the health of workers, to use protective equipment, and to build awareness of basic hygiene rules.",0.729,"1948-01-01",{"adult":5,"backdrop_path":165,"genre_ids":166,"id":167,"title":168,"original_language":17,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":5,"video":5,"vote_average":173,"vote_count":135},"\u002F3bdBVNhJ7GMJyoMDqUs2UOxuKpm.jpg",[11],839512,"The Ants and the Grasshopper","Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.",0.9098,"\u002FbwIo7GVX7codr2IQU7RpZMMvGrz.jpg","2021-05-26",7.3,{"adult":5,"backdrop_path":175,"genre_ids":176,"id":177,"title":178,"original_language":17,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":5,"video":5,"vote_average":123,"vote_count":135},"\u002FogXMjMiHke5bRwnYjzASuTeFurE.jpg",[11],459345,"Play Your Gender","Juno Award-winning musician Kinnie Starr is on a quest to find out why only 5% of music producers are women even though many of the most bankable pop stars are female. What does it take for a woman to make it in music?",1.3079,"\u002FWVWWIAjHoWbuTf3hTkJGqciZ2q.jpg","2017-07-09",{"adult":5,"backdrop_path":184,"genre_ids":185,"id":186,"title":187,"original_language":188,"original_title":187,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FrmUmpvJpnER57U5AhlsyPpDnAX1.jpg",[11],843919,"Men In Sync","sv","A short documentary exploring the gender inequality that male artistic swimmers are facing in the Olympics, including intimate interviews with Spanish mixed duet Pau Ribes and Emma Garcia, and legendary American male artistic swimmer Bill May.",0.997,"\u002FhE8g9FcL8h7Y9Jf8LGKIh1ye6UU.jpg","2022-04-28",{"adult":5,"backdrop_path":7,"genre_ids":194,"id":195,"title":196,"original_language":197,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":5,"video":5,"vote_average":203,"vote_count":135},[11],668513,"Money for Bread","de","Ekmek Parasi – Geld fürs Brot","Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.",0.7708,"\u002Fw3nxHrQi3IXSsw5HmKNJPaiSyeV.jpg","1994-01-01",6.7,{"adult":5,"backdrop_path":7,"genre_ids":205,"id":206,"title":207,"original_language":17,"original_title":207,"overview":208,"popularity":209,"poster_path":7,"release_date":210,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],486057,"Daughters' Destiny","Nepalese women are telling their stories arranged marriages. In the jungle of western Nepal lives Fofo, who is married off at the age of 10 to a man of 20. When Thuli becomes a widow after 10 childbirths she is mocked at by both neighbours and relatives. Savitri did not even know the name of the groom she was marrying and she was not even allowed to see him during the wedding ceremony. Nepalese law does not allow child marriage but the law does not reach girls who have never been to school and are living in areas with no roads. This film shows some of the reasons behind the 40 % guerrilla women in the Nepalese Maoist army.",0.5107,"2007-11-09",{"adult":5,"backdrop_path":212,"genre_ids":213,"id":214,"title":215,"original_language":216,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":36,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002FuUgaHnMtDrlEZVLl8Vf0M7uKQnB.jpg",[11],1407879,"Orgasm chronicles according to women","es","Crónicas del orgasmo según mujeres","The documentary deals with the experiences around orgasm of Paraguayan women of different ages and provides the vision of a sexologist who comments on these experiences. In the conversation that is generated from this social dynamic, taboos, myths and common situations in relationships are discussed.",0.7664,"\u002FqpBa39N2olp6TFCeZfmwVhvKiaM.jpg",{"adult":5,"backdrop_path":7,"genre_ids":222,"id":223,"title":224,"original_language":225,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":5,"video":5,"vote_average":231,"vote_count":154},[11],451799,"Working Women","pl","Kobiety pracujące","Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.",1.7984,"\u002FzuVFryYs941ztUf6QJgrQkInMQt.jpg","1978-01-01",5.1,{"adult":5,"backdrop_path":7,"genre_ids":233,"id":234,"title":235,"original_language":17,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1022426,"Like a Prayer","Produced by the activist video collective ACT UP\u002FNY called DIVA TV (Damned Interfering Activist Television), this tape analyzes the collaborative demonstration \"Stop the Church\" by WHAM! (Women's Health Action and Mobilization) and ACT UP\u002FNY on December 10, 1990, against Cardinal John O'Connor and the Roman Catholic Church's murderous stand on abortion rights, safer sex, and homosexuality.",0.9545,"\u002FdonNNLs4YuJcKlQ2Snr4jzarjiy.jpg","1990-01-01",{"adult":5,"backdrop_path":241,"genre_ids":242,"id":243,"title":244,"original_language":17,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":5,"video":5,"vote_average":249,"vote_count":250},"\u002FsC5FzA4DfQr6ML3rSKL3E3v5as8.jpg",[11],1214499,"Black Box Diaries","Journalist Shiori Ito embarks on a courageous investigation of her own sexual assault in an improbable attempt to prosecute her high-profile offender. Her quest becomes a landmark case in Japan, exposing the country's outdated judicial and societal systems.",2.1443,"\u002FwX95ps6Haijvt7evwSwqx1gs88e.jpg","2024-10-24",7.6,98,{"adult":5,"backdrop_path":252,"genre_ids":253,"id":255,"title":256,"original_language":216,"original_title":257,"overview":258,"popularity":259,"poster_path":260,"release_date":261,"softcore":5,"video":262,"vote_average":8,"vote_count":8},"\u002F7MJNAzpMCdWTkf3u5VKY9lYCfCI.jpg",[11,254],36,1220021,"For My Right To Choose And Be Chosen","Por Mi Derecho A Elegir Y Ser Elegida","Panamanian women tell their struggle to overcome inequality and discrimination in the political and public sphere and for the right to universal suffrage which they obtained in 1946.",0.4633,"\u002FyHVobGgN4suHIayT8kmx9gQLPu9.jpg","2021-01-18",true,{"adult":5,"backdrop_path":264,"genre_ids":265,"id":266,"title":267,"original_language":17,"original_title":267,"overview":268,"popularity":269,"poster_path":270,"release_date":271,"softcore":5,"video":5,"vote_average":272,"vote_count":135},"\u002FjTWFVzH0iNjQvg4Wq2grwBuoz35.jpg",[11],465238,"Birthright: A War Story","Women are being jailed, physically violated and at risk of dying as a radical movement tightens its grip across America.",1.2957,"\u002Fm9fMdAqC86WjEf5Rkb2o8N3o1IL.jpg","2017-07-14",5.7,{"adult":5,"backdrop_path":274,"genre_ids":275,"id":276,"title":277,"original_language":278,"original_title":279,"overview":280,"popularity":281,"poster_path":282,"release_date":283,"softcore":5,"video":5,"vote_average":284,"vote_count":135},"\u002FxnHQ6BfrApFbDT27e8ftNSGYgmR.jpg",[11],273384,"Father, Son and Holy War","hi","पितृ, पुत्र और धर्मयुद्ध","Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.",0.7774,"\u002FfJQvynlgDSzToSDJFZl9Bo9eIb2.jpg","1994-01-02",7.7,1001,20001,{"results":288},{},{"results":290},[],45,"A documentary story that tends to land well.",[]]