[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1531688-en-US":3},{"detail":4,"match":297,"insight":298,"providers":299,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":6,"production_companies":20,"production_countries":24,"release_date":25,"revenue":7,"runtime":26,"softcore":5,"spoken_languages":27,"status":35,"tagline":36,"title":36,"video":5,"vote_average":7,"vote_count":7,"credits":37,"similar":78,"watch\u002Fproviders":293,"videos":295},false,null,0,[9],{"id":10,"name":11},99,"Documentary","",1531688,[15],"LB","ar","Hezbollah: Le Temps du Retour","Documentary tracing Hezbollah’s emergence in southern Lebanon after years of Israeli occupation, focusing on its social base, resistance activities, and the return of displaced villagers.",0.1108,[21],{"id":22,"logo_path":6,"name":23,"origin_country":12},130844,"ZAC Films",[],"1998-01-01",52,[28,31],{"english_name":29,"iso_639_1":16,"name":30},"Arabic","العربية",{"english_name":32,"iso_639_1":33,"name":34},"French","fr","Français","Released","Hezbollah: The Chronicle of a Return",{"cast":38,"crew":65},[39,46,53,59],{"adult":5,"gender":7,"id":40,"known_for_department":41,"name":42,"original_name":42,"popularity":43,"profile_path":6,"cast_id":44,"character":42,"credit_id":45,"order":7},2935668,"Acting","Hassan Nasrallah",0.0286,2,"68a25928abc556e487ed1b2f",{"adult":5,"gender":7,"id":47,"known_for_department":41,"name":48,"original_name":48,"popularity":49,"profile_path":6,"cast_id":50,"character":48,"credit_id":51,"order":52},5632542,"Abbas al-Musawi",0.0214,3,"68a259354c9a40c544632a27",1,{"adult":5,"gender":7,"id":54,"known_for_department":41,"name":55,"original_name":55,"popularity":56,"profile_path":6,"cast_id":57,"character":55,"credit_id":58,"order":44},5632544,"Imad Mughniyeh",0.0357,4,"68a25940e2315fbc8f18ce59",{"adult":5,"gender":7,"id":60,"known_for_department":41,"name":61,"original_name":61,"popularity":62,"profile_path":6,"cast_id":63,"character":61,"credit_id":64,"order":50},5632545,"Sayyed Mahdi Shamseddine",0.0071,5,"68a259493ee9ce5e836327af",[66,74],{"adult":5,"gender":44,"id":67,"known_for_department":68,"name":69,"original_name":69,"popularity":70,"profile_path":71,"credit_id":72,"department":68,"job":73},1779271,"Directing","Hady Zaccak",0.0536,"\u002FmmmWKe6HLplTICs2ScUse47v7Pc.jpg","68a25851fe8c5a14da02d5d7","Director",{"adult":5,"gender":44,"id":67,"known_for_department":68,"name":69,"original_name":69,"popularity":70,"profile_path":71,"credit_id":75,"department":76,"job":77},"68a25d2458e0157fce18cfda","Writing","Writer",{"page":52,"results":79,"total_pages":291,"total_results":292},[80,91,102,113,123,134,144,156,164,178,187,196,204,213,224,237,248,259,270,282],{"adult":5,"backdrop_path":81,"genre_ids":82,"id":83,"title":84,"original_language":85,"original_title":84,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":5,"video":5,"vote_average":90,"vote_count":52},"\u002FhQi1zRnikqVX1orG5mam2C6neEp.jpg",[10],994050,"World War C","nl","It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.",0.2768,"\u002F6ub1c2zDzR6MLyDRSRfqyzXBYQE.jpg","2021-08-09",6,{"adult":5,"backdrop_path":92,"genre_ids":93,"id":94,"title":95,"original_language":33,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":5,"video":5,"vote_average":101,"vote_count":52},"\u002F7CDSQRyryFW8M6liVjCzWxRSJRO.jpg",[10],1367935,"Manifesto of the 121","Le Manifeste des 121","On September 5, 1960, the trial of about twenty French activists from the \"Jeanson Network\" began, supporters in the metropolis of the action of the Algerian FLN independence activists. But after a few days, the situation was reversed and the trial transformed into a political arena, it was the government, the army, their policy, it was the entire Algerian war whose trial began. Accused, witnesses, lawyers, overflowing a stunned court, transformed the courtroom into a tribune of the opposition. The trial coincided with the publication of the \"Manifesto of the 121\" on the right to insubordination, signed among others by Jean Paul Sartre, Arthur Adamov, Simone de Beauvoir, André Breton, Marguerite Duras, Pierre Boulez, René Dumont, François Chatelet…",0.1894,"\u002FswmULgz1HYfEr66P08HVjxo9pBL.jpg","2011-01-01",10,{"adult":5,"backdrop_path":103,"genre_ids":104,"id":106,"title":107,"original_language":33,"original_title":108,"overview":109,"popularity":110,"poster_path":111,"release_date":112,"softcore":5,"video":5,"vote_average":101,"vote_count":52},"\u002Fu2NRtX0FJAjgQtus6F1DzaV5vPL.jpg",[10,105],36,988597,"Stay In Algeria","Rester en Algérie","Algeria, summer 1962, eight hundred thousand French people left their native land in a tragic exodus. But 200,000 of them decided to attempt the adventure of independent Algeria. Over the following decades, political developments would push many of these pieds-noirs into exile towards France. But some never left. Germaine, Adrien, Cécile, Guy, Jean-Paul, Marie-France, Denis and Félix, Algerians of European origin, are among them. Some have Algerian nationality, others do not. Some speak Arabic, others do not. They are the last witnesses to the little-known history of these Europeans who remained out of loyalty to an ideal, a taste for adventure and an unconditional love for a land where they were born, despite all the ups and downs that the free Algeria in full construction had to go through.",0.2046,"\u002FnwRTxMRDWRfe43GkKKRlYMyYG4Q.jpg","2012-11-26",{"adult":5,"backdrop_path":114,"genre_ids":115,"id":116,"title":117,"original_language":33,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":5,"video":5,"vote_average":101,"vote_count":52},"\u002Fy98zc24lFqPjWhzxcqOvJQHZirw.jpg",[10],620972,"Algeria, Year Zero","Algérie, année zéro","Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: \"For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema.\"",0.1852,"\u002FcFUGQ2pG8yWwhp0B8AD2eWC3mjg.jpg","1965-10-01",{"adult":5,"backdrop_path":124,"genre_ids":125,"id":127,"title":128,"original_language":16,"original_title":129,"overview":130,"popularity":131,"poster_path":132,"release_date":133,"softcore":5,"video":5,"vote_average":90,"vote_count":44},"\u002FlTtfjmpEnHYqAphGeYfGDd4NNgb.jpg",[10,126],10402,261007,"The Panafrican Festival in Algiers","Festival Panafricain d'Alger","Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.",0.364,"\u002F7XEfX46KiuqTbdlYcdxBWuUo8oC.jpg","1969-01-01",{"adult":5,"backdrop_path":6,"genre_ids":135,"id":137,"title":138,"original_language":139,"original_title":138,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,105,136],10752,615124,"Beyrouth, Le Dialogue Des Ruines","en","Architecture in Beirut was the second greatest victim of the civil war, with pages of ancient and modern history erased by the end of the conflict. This documentary interviews citizens calling for a reconstruction plan that would preserve Beirut’s spirit of culture and openness.",0.1699,"\u002FbBDwzboPlhMvf84gbsW4B4J82Yi.jpg","1993-01-01",{"adult":5,"backdrop_path":145,"genre_ids":146,"id":147,"title":148,"original_language":149,"original_title":148,"overview":150,"popularity":151,"poster_path":152,"release_date":153,"softcore":5,"video":5,"vote_average":154,"vote_count":155},"\u002F8oYuZgPK5mYUfVoz6P6Zn6kqau5.jpg",[10,105],795905,"The First 54 Years: An Abbreviated Manual for Military Occupation","he","An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.",0.5587,"\u002F11vdJPbNhjV1THDtd4llVv9wQh8.jpg","2021-04-25",6.9,8,{"adult":5,"backdrop_path":6,"genre_ids":157,"id":158,"title":159,"original_language":160,"original_title":159,"overview":161,"popularity":162,"poster_path":6,"release_date":163,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],262888,"Una identidad en absurdo Vol. 1","es","Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.",0.1676,"2011-04-05",{"adult":5,"backdrop_path":165,"genre_ids":166,"id":169,"title":170,"original_language":149,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":5,"video":5,"vote_average":176,"vote_count":177},"\u002FcMoiIk3tD6qshxccYRjjym7l5YV.jpg",[167,10,168,136],16,18,8885,"Waltz with Bashir","ואלס עם באשיר","An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.",1.6008,"\u002FzQaCv7lKwHsh0YSHkt1QNjIOZ1c.jpg","2008-06-12",7.7,1045,{"adult":5,"backdrop_path":6,"genre_ids":179,"id":180,"title":181,"original_language":16,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,136],614809,"Kidnapped","مخطوفون","“Al Makhtufun” won the 1998 Best Short Documentary Film Award at the Mediterranean Film Festival for highlighting the issue of abducted Lebanese. The film raises two major issues: The abductee’s physical absence and his spiritual presence among his family members, and the parents silently wishing his return. The documentary looks at documents kept by Wadad, a mother who decides to step outside her comfort zone and share her papers and forms when other parents would not.",0.1114,"\u002F2OJByYtS4otkeHrQ4NVdLVefhN8.jpg","1998-04-13",{"adult":5,"backdrop_path":188,"genre_ids":189,"id":190,"title":191,"original_language":33,"original_title":191,"overview":192,"popularity":193,"poster_path":194,"release_date":195,"softcore":5,"video":5,"vote_average":101,"vote_count":52},"\u002FcgvmGFUPSlUTdWM8d80uGRPfAuF.jpg",[10,136],1363900,"Destins: Général De Bollardière","The exceptional portrait of a pacifist general, the only senior officer to have spoken out against torture. This precious testimony still remains censored in France, since no national channel has to date decided to program this documentary. Son and brother of a soldier, General Pâris de Bollardière was destined for a career in arms. He was, for many years, one of the most brilliant representatives of this adventurer career in France, from Narvik to the Algerian War. After fighting in the French maquis, he reached Indochina, where he suddenly found himself in the aggressor's camps. His beliefs are strongly shaken. But it is in Algeria, where the French army practices torture and summary executions, that he takes the big turn. He expresses his contempt to Massu, and is relieved of his command.  Until his death in 1986, Jacques de Bollardière fought for world peace, from the Larzac plateaus to the Mururoa atolls.",0.3277,"\u002FmrCMyFqhssdAsyq651sv2syH4kv.jpg","1975-03-24",{"adult":5,"backdrop_path":197,"genre_ids":198,"id":199,"title":200,"original_language":33,"original_title":200,"overview":12,"popularity":201,"poster_path":202,"release_date":203,"softcore":5,"video":5,"vote_average":101,"vote_count":52},"\u002FnNyYmuuZ29ixvjaUh0ek1qxn2Hy.jpg",[10],1364336,"Un Combat Singulier",0.127,"\u002F404f036DmBmEb2qEQTq7mzxou69.jpg","2004-06-13",{"adult":5,"backdrop_path":205,"genre_ids":206,"id":207,"title":208,"original_language":139,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FHRFVaGIHYxncpLxOI8dEqtypjQ.jpg",[10],803220,"Wine and War","WINE and WAR is a documentary about one of the the oldest winemaking regions on earth and the resilience of the Lebanese entrepreneurial spirit seen through the lens of war and instability.",0.122,"\u002FtPHldbP296LdhEq0JLuGjujRj3Z.jpg","2025-08-30",{"adult":5,"backdrop_path":214,"genre_ids":215,"id":216,"title":217,"original_language":33,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":5,"video":5,"vote_average":222,"vote_count":223},"\u002FuFCdmlybdxWEN2O9nAf5JRZUbqe.jpg",[10],31291,"Afrique 50","The first French anti-colonialist film, derived from an assignment in which the director was to document educational activities by the French League of Schooling in West Africa. Vautier later filmed what he actually saw: “a lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples.” For his role in the film, Vautier was imprisoned for several months. The film was banned from public screening for more than 40 years.",0.2577,"\u002FbHV4HeZHmIoxNE0AQX7CNubHSAC.jpg","1950-12-31",6.8,28,{"adult":5,"backdrop_path":225,"genre_ids":226,"id":228,"title":229,"original_language":230,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":5,"video":5,"vote_average":236,"vote_count":44},"\u002F3vRje3qL07DXt8RObHbTHUfLMTe.jpg",[10,227],10770,1543910,"Albert Schweitzer - The Man Behind the Myth","de","Das Urwaldkrankenhaus - Mythos Albert Schweitzer","A famous figure of the 20th century, Albert Schweitzer was a tireless humanist and polymath who opened a hospital in the Gabonese jungle to bring healthcare to remote areas. But today the legacy of the winner of the Nobel Peace Prize in 1952 is being scrutinised. How important was his wife Hélène in his success? And was the virtuous man also racist?",0.3323,"\u002FgU4oC5czxtv6NC3erRVZaakfyWH.jpg","2025-09-04",7,{"adult":5,"backdrop_path":238,"genre_ids":239,"id":240,"title":241,"original_language":33,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":5,"video":5,"vote_average":247,"vote_count":63},"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg",[168,10],273852,"The Zerda or the Songs of Forgetting","La Zerda ou les chants de l'oubli","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",0.1406,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,{"adult":5,"backdrop_path":249,"genre_ids":250,"id":251,"title":252,"original_language":16,"original_title":253,"overview":254,"popularity":255,"poster_path":256,"release_date":257,"softcore":5,"video":5,"vote_average":258,"vote_count":44},"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg",[10,136],273112,"Algeria in Flames","Algérie en flammes","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",0.3144,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,{"adult":5,"backdrop_path":260,"genre_ids":261,"id":262,"title":263,"original_language":139,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":5,"video":5,"vote_average":268,"vote_count":269},"\u002Ft5dzF5wHcra6cBsqMC8n5KeR25R.jpg",[10,136],42449,"Hearts and Minds","Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the \"hearts and minds\" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.",0.8793,"\u002FyXnpP2RAZbG3DQufUGcOM5hU4cF.jpg","1974-12-20",7.654,94,{"adult":5,"backdrop_path":271,"genre_ids":272,"id":273,"title":274,"original_language":33,"original_title":275,"overview":276,"popularity":277,"poster_path":278,"release_date":279,"softcore":5,"video":5,"vote_average":280,"vote_count":281},"\u002FufP9pQxF0mJOlO9mu48Y5ap1PtB.jpg",[10],37418,"Sociology Is a Martial Art","La Sociologie Est Un Sport De Combat","\"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks.\" (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness.\" Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.",0.3674,"\u002Fpvi2TSmbf6ZmVFEkhMR4uw7eSuP.jpg","2001-05-02",6.763,19,{"adult":5,"backdrop_path":283,"genre_ids":284,"id":285,"title":286,"original_language":33,"original_title":286,"overview":287,"popularity":288,"poster_path":289,"release_date":290,"softcore":5,"video":5,"vote_average":101,"vote_count":52},"\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",[10,105],827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",0.1415,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14",11356,227102,{"results":294},{},{"results":296},[],45,"A documentary story that tends to land well.",[]]