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Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.",[11],0.3113,"\u002FjZ99b7E5uLlVoBNjSrDz5BshhYx.jpg","2021-04-15",8,"\u002Ffa7MgbFFtmCdM9foAFVI2FKA4Ja.jpg","Silencio radio",{"id":132,"adult":6,"title":133,"video":6,"overview":134,"softcore":6,"genre_ids":135,"popularity":136,"vote_count":48,"poster_path":137,"release_date":138,"vote_average":139,"backdrop_path":140,"original_title":141,"original_language":142},807607,"CORONA.FILM - Prologue","As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.",[11],0.2749,"\u002F40s66hU3rxR5tdcwamhfd5rH4jZ.jpg","2021-03-23",7.9,"\u002Fskl5DRgVNxPOrWfpvgo5uViAyFQ.jpg","CORONA.FILM - Prolog","de",{"id":144,"adult":6,"title":145,"video":6,"overview":146,"softcore":6,"genre_ids":147,"popularity":148,"vote_count":149,"poster_path":150,"release_date":151,"vote_average":152,"backdrop_path":52,"original_title":145,"original_language":96},456700,"The Making of 'Close Encounters of the Third Kind'","A documentary film on the making of 'Close Encounters of the Third Kind'",[11],0.7957,10,"\u002FpXkBbzpMDueYCXtBITP9yyJETNj.jpg","2001-05-08",7,{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":158,"vote_count":159,"poster_path":160,"release_date":161,"vote_average":162,"backdrop_path":163,"original_title":155,"original_language":96},15004,"His Name Was Jason: 30 Years of Friday the 13th","A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.",[11],1.1939,88,"\u002F1YyPmtz41mXO0A2ztsn3Ibe6ssF.jpg","2010-04-20",6.71,"\u002FfFgMO4cd0fGAjJvOIm2AyVJ7Iu8.jpg",{"id":165,"adult":6,"title":166,"video":6,"overview":167,"softcore":6,"genre_ids":168,"popularity":170,"vote_count":31,"poster_path":171,"release_date":172,"vote_average":152,"backdrop_path":173,"original_title":174,"original_language":107},1177858,"The First Look","In Spain, a poor country ruined by the recent Civil War (1936-39), and in the midst of Franco's dictatorship, a film school was created in Madrid in 1947, which became, almost unintentionally, a space of freedom and pure experimentation until its closure in 1976.",[11,169],36,0.2919,"\u002F8faaf02kzoXR0lh27M3DEVeKd4r.jpg","2024-04-07","\u002FpdIKQbKmHhzpZvLZpBqfQGui5UD.jpg","La primera mirada: historia de una escuela de cine",{"id":176,"adult":6,"title":177,"video":6,"overview":178,"softcore":6,"genre_ids":179,"popularity":180,"vote_count":8,"poster_path":181,"release_date":182,"vote_average":8,"backdrop_path":183,"original_title":184,"original_language":107},1178349,"Uncensored Women","The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.",[11,169],0.3313,"\u002FnIkDLoFvzA8boapSWwE43XRn3AY.jpg","2022-12-21","\u002FrN3A0kprkXVn8rdtLAiReX056Wy.jpg","Mujeres sin censura",{"id":186,"adult":6,"title":187,"video":6,"overview":188,"softcore":6,"genre_ids":189,"popularity":190,"vote_count":31,"poster_path":191,"release_date":192,"vote_average":48,"backdrop_path":193,"original_title":194,"original_language":107},257844,"Clawing! A Journey Through the Spanish Horror","In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.",[11],0.3923,"\u002FQfIQQCQddlnzqOVZBOwz7eyFZy.jpg","2014-06-20","\u002FqJtCQSY8w9acLF1lPiXj0rk6ZnD.jpg","¡Zarpazos! Un viaje por el spanish horror",{"id":196,"adult":6,"title":197,"video":6,"overview":198,"softcore":6,"genre_ids":199,"popularity":200,"vote_count":32,"poster_path":201,"release_date":202,"vote_average":203,"backdrop_path":52,"original_title":197,"original_language":96},262453,"Princess Diana: The Mourning After","In \"Diana: The Mourning After\" Christopher Hitchens sets out to examine the bogusness of \"a nation's grief\", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.",[11],0.1789,"\u002FvoaSFWLJt8jfRKMwcJF5s8J8tV3.jpg","1998-08-01",6.6,{"id":205,"adult":6,"title":206,"video":6,"overview":207,"softcore":6,"genre_ids":208,"popularity":209,"vote_count":21,"poster_path":210,"release_date":211,"vote_average":48,"backdrop_path":212,"original_title":206,"original_language":107},453545,"Històries de Bruguera","The history of Bruguera, the most important comic publisher in Spain between the 1940s and the 1980s. How the characters created by great writers and pencilers became Spanish archetypes and how their strips persist nowadays as a portrait of Spain and its people. The daily life of the creators and the founding family, the Brugueras. The world in which hundreds of vivid colorful paper beings lived and still live, in the memory of millions, in the smile of everyone.",[11],0.2025,"\u002FQvM4v4YbxlUIH3WKOsoD7hWRFH.jpg","2012-04-20","\u002FiFWZwjSM3KkruZUbVFoLoPbZvZI.jpg",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":22,"poster_path":219,"release_date":220,"vote_average":221,"backdrop_path":222,"original_title":223,"original_language":142},804578,"Book Hunters","When chaos reigns, while barbaric and fanatical rulers, both ecclesiastical and secular, systematically burn entire libraries, book hunters, secret heroes of history, travel the world saving and copying texts, threatened by the madness of censors, with the noble purpose of preventing the ultimate loss of human knowledge.",[11,169],0.2196,"\u002FhH5KdSro9RA61hGzxyFyeAuS28B.jpg","2017-09-22",8.667,"\u002F7WRvykiepjvWT7aj3QCvZMKeI4k.jpg","Die Bücherjäger",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":229,"vote_count":31,"poster_path":230,"release_date":231,"vote_average":152,"backdrop_path":232,"original_title":226,"original_language":119},1026109,"L'art du derrière, une folle histoire des fesses","\"Do you think I have a cute bottom?\" From Brigitte Bardot's cult line in \"Le Mépris\" (Contempt), to Mireille Darc's iconic lower back, bottoms have long been the subject of every fantasy. And have often been represented in art! A story of eroticism, but also of censure",[11],0.1886,"\u002F3O7CvkKv0YWJO3Yyw2DM89AKnjP.jpg","2022-09-12","\u002Fo4XoPw8scAizLUsegqjBwHmz4sj.jpg",{"id":234,"adult":6,"title":235,"video":6,"overview":236,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":21,"poster_path":239,"release_date":240,"vote_average":128,"backdrop_path":241,"original_title":235,"original_language":96},649905,"The Forbidden Reel","According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.",[11,169],0.1858,"\u002FnMshtG0NHhYc0wvELgE7XFnCLCS.jpg","2020-03-03","\u002FGLEW6kfwNvJyKLjPcD9IftZ7jA.jpg",{"id":243,"adult":6,"title":244,"video":6,"overview":245,"softcore":6,"genre_ids":246,"popularity":248,"vote_count":21,"poster_path":249,"release_date":250,"vote_average":149,"backdrop_path":52,"original_title":251,"original_language":142},319180,"Censored: Kuhle Wampe","A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears.  This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.",[11,247],18,0.1865,"\u002F7dIsNL4fMJH3hQYkkpeiv9zTxPQ.jpg","1975-05-02","Ein Feigenblatt für Kuhle Wampe",{"id":253,"adult":6,"title":254,"video":6,"overview":255,"softcore":6,"genre_ids":256,"popularity":257,"vote_count":8,"poster_path":258,"release_date":259,"vote_average":8,"backdrop_path":52,"original_title":254,"original_language":96},329326,"Diagram for Delinquents","In 1950, America was in a state of panic. Juvenile delinquency was destroying the very fabric of society. Ninety percent of all children were reading comic books. In 1954, psychiatrist Dr. Fredric Wertham wrote a scathing indictment of comics called Seduction of the Innocent. Its central premise: Comic books were the leading contributing factor to juvenile delinquency. That same year, Dr. Wertham testified at special hearings on comic books at the Senate Subcommittee to Investigate Juvenile Delinquency in the United States. Comics were on trial. Diagram for Delinquents captures the zeitgeist of late 1940s and early 1950s America and investigates how the funny books found themselves on the fire. Using expert and comic book insider interviews, never seen before historical photographs and films, and animation, DIAGRAM goes further than any previous comic book documentary to explore and understand the controversial figure at the center of this American tale: Fredric Wertham.",[11],0.2116,"\u002FA0ZDPor5kmSnBGVoV1fvWIxuBAn.jpg","2014-06-15",{"id":261,"adult":6,"title":262,"video":6,"overview":263,"softcore":6,"genre_ids":264,"popularity":265,"vote_count":266,"poster_path":267,"release_date":268,"vote_average":269,"backdrop_path":52,"original_title":270,"original_language":142},80236,"Freedom to Love","A sex education film dedicated to all forms of human sexuality.",[11,247],1.594,16,"\u002F9fIEWPghYIGuORjto07idgcmwb9.jpg","1969-08-29",5.156,"Freiheit für die Liebe",{"id":272,"adult":6,"title":273,"video":6,"overview":274,"softcore":6,"genre_ids":275,"popularity":277,"vote_count":8,"poster_path":52,"release_date":278,"vote_average":8,"backdrop_path":52,"original_title":273,"original_language":96},1427282,"Censored!","A documentary about the cultural effect of film censorship, focusing on the tumultuous times of the teens and early 1920s in America.",[11,276],10770,0.3036,"1999-12-31",{"id":280,"adult":6,"title":281,"video":6,"overview":282,"softcore":6,"genre_ids":283,"popularity":284,"vote_count":8,"poster_path":285,"release_date":286,"vote_average":8,"backdrop_path":52,"original_title":281,"original_language":96},873811,"This Is Not a Routine Expedition: Making of 'Land of the Lost'","A three part documentary detailing the making of the Will Ferrell Land of the Lost remake.",[11],0.1993,"\u002F4gLU1ChYaC06OsxtRnrSe7aYYt5.jpg","2009-10-13",11370,227389,"https:\u002F\u002Fvimeo.com\u002F1112923436","A short documentary exploring the theatrical release of Just Jaeckin's Emmanuelle (1974) in Ontario, Canada, at the time of a major shift in its provincial film censorship regime. What followed was a new era in the Ontario government's uneasy dance with film, a debate over art and morality — not only about sex on screen, but about who gets to decide what is too much, too far, or too French.",0.3013,"\u002FiYsHF2a6M9rsnFUaG32aOsr9QB9.jpg","2025-09-25",[295],"CA",{"results":297},{},[299],{"name":300,"iso_639_1":96,"english_name":300},"English",[],[303,306],{"name":304,"iso_3166_1":305},"United States of America","US",{"name":307,"iso_3166_1":295},"Canada",45,"A documentary story that tends to land well.",[]]