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The year 2021 marks an important milestone in the history of Dvořák's opera Rusalka, which premiered in 1901, 120 years ago. At the same time, the non-profit organization Liteň Castle and the Jarmila Novotná Festival are celebrating ten years of activity. Its mission is to popularize the name of the legendary diva, actress, patriot, and important personality Jarmila Novotná and to care for the cultural monuments on the grounds of Liteň Castle—and on the occasion of both anniversaries, it did so with an extraordinary performance of the opera Rusalka in the picturesque surroundings and magical summer atmosphere of Liteň Castle.",[11],1.0767,"2021-09-28","cs",{"id":151,"adult":6,"title":152,"video":6,"overview":153,"softcore":6,"genre_ids":154,"popularity":157,"vote_count":8,"poster_path":158,"release_date":26,"vote_average":8,"backdrop_path":29,"original_title":152,"original_language":159},1413113,"Cry to Heaven","Set in 18th-century Venice, the paths of two unlikely collaborators: a Venetian noble and a castrated singer from Calabria, both tries to succeed in the world of the opera.",[155,11,156],18,53,2.0514,"\u002Fps5wvCVpdNZv53YYTwh40tFYnQe.jpg","en",{"id":161,"adult":6,"title":162,"video":6,"overview":163,"softcore":6,"genre_ids":164,"popularity":166,"vote_count":167,"poster_path":168,"release_date":169,"vote_average":170,"backdrop_path":171,"original_title":172,"original_language":173},39404,"The Robber Hotzenplotz","Somewhere in the Bavarian province the robber Hotzenplotz is up to mischief. 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It also has some flaws: strangely variable volume level of the recorded sound sometimes coming on so loud as to make one reach for the volume control, and the uneven performance of the Violetta, Eva Mei who, for all her merits, gives a dramatically effective performance marred by occasional difficulties with vocal production. Still, overall I felt this was a moving production, one that I would recommend, although perhaps not as an only DVD of one of Verdi's most popular operas.",[11],0.1886,"\u002Feq2Bsh2DWh2ujN6kWybB0jJUzIv.jpg","2005-02-04","\u002Fy9htcVSHnBdW9yzEFQPlebSeUDF.jpg",{"id":272,"adult":6,"title":273,"video":6,"overview":274,"softcore":6,"genre_ids":275,"popularity":276,"vote_count":34,"poster_path":277,"release_date":26,"vote_average":278,"backdrop_path":279,"original_title":273,"original_language":159},1381566,"Alcina","Like Handel’s Orlando (1732) and Ariodante (1734), Alcina derives from the narrative material in Ariosto’s Orlando furioso. The story of the sorceress Alcina, an initially hedonistic, manipulative woman who later finds herself a victim of love, fits into the genre of the ‘magical opera’ with numerous magical elements, but Handel achieved considerable emotional authenticity in his characterisations. This makes Alcina one of the most deeply felt and multifaceted operas. ‘You may despise what you like ; but you cannot contradict Handel,’ said the Irish playwright George Bernard Shaw. As in Tamerlano, Pierre Audi based this production on the stage at the baroque theatre at Drottningholm, for which he originally developed the directing concept. His set is thus based on the principles of perspective, with wings in the form of painted panels. 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It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.",[14,165,11],1.3477,"1971-12-01",7,{"id":289,"adult":6,"title":290,"video":6,"overview":291,"softcore":6,"genre_ids":292,"popularity":293,"vote_count":294,"poster_path":295,"release_date":296,"vote_average":297,"backdrop_path":298,"original_title":299,"original_language":149},8703,"Three Wishes for Cinderella","Popelka, a resourceful and independent young girl, is a servant in her stepmother's house and confides in her closest friend the owl. 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