[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1561793-en-US":3},{"detail":4,"match":243,"insight":244,"providers":245,"providerLink":6,"trailer":6},{"adult":5,"backdrop_path":6,"belongs_to_collection":6,"budget":7,"genres":8,"homepage":12,"id":13,"imdb_id":6,"origin_country":14,"original_language":16,"original_title":17,"overview":18,"popularity":19,"poster_path":6,"production_companies":20,"production_countries":21,"release_date":24,"revenue":7,"runtime":25,"softcore":5,"spoken_languages":26,"status":27,"tagline":28,"title":29,"video":5,"vote_average":7,"vote_count":7,"credits":30,"similar":40,"watch\u002Fproviders":239,"videos":241},false,null,0,[9],{"id":10,"name":11},99,"Documentary","https:\u002F\u002Fwww.homemovies.it\u002F",1561793,[15],"IT","it","[Lavagna – La Spiaggia – Mosca Cieca – Le Grazie]","A brief amateur silent film (1'54\", DCP from 9.5mm reversal, 16 fps) without intertitles, sourced from Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna. It forms part of a larger group of 27 amateur 9.5mm films attributed to Nena Lavello, who was 16 years old at the time of filming. Shot during the spring and summer of 1925, the collection documents a range of domestic and travel scenes, including visits to Sicily, Campania, and northern Italy. This particular film captures moments of leisure and companionship on the beach at Lavagna, reflecting the filmmaker’s early engagement with light, composition, and movement. As noted by Michele Manzolin in the 2025 Pordenone Silent Film Festival catalogue, the footage serves as a visual record of youthful play and friendship, offering insight into the personal and expressive potential of early amateur filmmaking.",0.2018,[],[22],{"iso_3166_1":15,"name":23},"Italy","1925-01-01",2,[],"Released","A silent amateur film from 1925 depicting scenes of play and companionship on the beach at Lavagna. Shot by Nena Lavello at age 16, it offers a visual record of everyday leisure and social interaction in early 20th-century Italy.","[Lavagna – The Beach – Blind Man’s Buff – Le Grazie]",{"cast":31,"crew":32},[],[33],{"adult":5,"gender":7,"id":34,"known_for_department":35,"name":36,"original_name":36,"popularity":37,"profile_path":6,"credit_id":38,"department":35,"job":39},5743420,"Directing","Nena Lavello",0.0782,"68ece964a3fbafc29d5ee92f","Director",{"page":41,"results":42,"total_pages":237,"total_results":238},1,[43,51,60,67,75,87,97,112,120,129,138,148,160,168,180,191,200,210,218,228],{"adult":5,"backdrop_path":6,"genre_ids":44,"id":45,"title":46,"original_language":16,"original_title":47,"overview":48,"popularity":49,"poster_path":6,"release_date":50,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1560787,"1. In the Port of Genoa, Sailing Ship","1°. Nel porto di Genova, Veliero","1°. Nel porto di Genova, Veliero (\"1. In the Port of Genoa, Sailing Ship\") is a 1928 silent amateur film by Guglielmo Baldassini, preserved as a 2K DCP from a 9.5mm reversal print without intertitles. Held by Fondazione Home Movies in Bologna, the film shows a sailing ship entering Genoa’s port, likely shot from a small boat. Baldassini, a Milanese painter and etcher, used the Pathé Baby format to capture landscapes and seascapes, often as references for his artwork. His archive includes 95 reels filmed between 1926 and the early 1930s, focusing on family, Milan, coastal scenes, and mountains. He developed his films at home, experimenting with tinting, toning, and exposure correction. Many reels show emulsion decay due to aging and chemical treatments. Notes by Michele Manzolini and Mirco Santi appear in the 44th Pordenone Silent Film Festival catalogue.",0.1618,"1928-01-01",{"adult":5,"backdrop_path":6,"genre_ids":52,"id":53,"title":54,"original_language":55,"original_title":54,"overview":56,"popularity":57,"poster_path":58,"release_date":59,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],623632,"Double Exposed","en","Filmmaker Julie Buck explores her grandfather’s collection of Super 8 footage; the revelations behind the captured moments of joy reveal dark truths.",0.1697,"\u002F3Gv9CFT2XOcDV5csrn3nYwmW4Br.jpg","2018-05-01",{"adult":5,"backdrop_path":6,"genre_ids":61,"id":62,"title":63,"original_language":16,"original_title":64,"overview":65,"popularity":66,"poster_path":6,"release_date":24,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1561800,"[Lavagna – Tug-of-War]","[Lavagna – Tiro alla Corda]","A silent amateur film with a runtime of 1 minute and 28 seconds (DCP from 9.5mm reversal, 16 fps), presented without intertitles. Preserved by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna, the film documents a game of tug-of-war on the beach at Lavagna during the summer of 1925. A group of young participants, dressed in bathing suits, engage in the activity while a dog observes from the sidelines. The footage is notable for its stable tripod-based composition and the use of horizontal camera movement to follow the action. At age 16, Lavello demonstrates early technical proficiency and an interest in capturing spontaneous social interaction. As noted by Michele Manzolini in the 2025 Pordenone Silent Film Festival catalogue, the film contributes to a broader visual record of leisure and informal play within early amateur cinema.",0.0578,{"adult":5,"backdrop_path":6,"genre_ids":68,"id":69,"title":70,"original_language":16,"original_title":71,"overview":72,"popularity":73,"poster_path":6,"release_date":74,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1561809,"[Cruise from Genoa to Naples]","[Crociera da Genova a Napoli]","A silent amateur 9.5mm reversal film presented without intertitles. Preserved by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna, the film documents a short cruise aboard the ocean liner Rex, departing Genoa on 17 April 1934 and arriving in Naples the following morning. Organised by Genoa’s Company Recreation Club, the voyage served as a preparatory run before the Rex’s transatlantic crossings. The footage includes scenes of the ship and its passengers, with Ludovico Maria Chierici and his son Enrico alternating use of the 9.5mm camera. As Paolo Simoni notes in the 2025 Pordenone Silent Film Festival catalogue, the Rex—a symbol of Fascist Italy and maritime ambition—was later immortalised in Fellini’s Amarcord, despite never having sailed the Adriatic.",0.168,"1934-01-01",{"adult":5,"backdrop_path":76,"genre_ids":77,"id":79,"title":80,"original_language":81,"original_title":80,"overview":82,"popularity":83,"poster_path":84,"release_date":85,"softcore":5,"video":5,"vote_average":86,"vote_count":41},"\u002F7vCksrXyMn6IXUv4TpHN7Q4H8ic.jpg",[10,78],10402,1029943,"Memory","pt","Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.",0.4809,"\u002FpCBy8Y1PB0IqugVOENAoFCQ2Z8H.jpg","2007-01-01",4,{"adult":5,"backdrop_path":88,"genre_ids":89,"id":90,"title":91,"original_language":92,"original_title":91,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F1HHlboKsu1mElO1S2TkJqNctZFY.jpg",[10],823106,"Reflejos","es","Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.",0.4614,"\u002Fc8IO6Wjd1iCax1cJwFV4G7VXOvL.jpg","2021-04-27",{"adult":5,"backdrop_path":98,"genre_ids":99,"id":102,"title":103,"original_language":104,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":5,"video":5,"vote_average":110,"vote_count":111},"\u002FrkaBnJXfZLtDnPFxpeQtrgsgOHz.jpg",[10,100,101],36,10770,824329,"Erna, Helmut and the Nazis","de","Eine Familie unterm Hakenkreuz","Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.",0.4401,"\u002FirD7VF6Tdo4MBzqX7eAVJe4SMDy.jpg","2021-04-29",7.3,3,{"adult":5,"backdrop_path":6,"genre_ids":113,"id":114,"title":115,"original_language":55,"original_title":115,"overview":116,"popularity":117,"poster_path":118,"release_date":119,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1390729,"Stone Street","Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.",0.4966,"\u002FiHuWKmZJeOBhJTGlLwkvBvfpbZM.jpg","2012-03-01",{"adult":5,"backdrop_path":121,"genre_ids":122,"id":123,"title":124,"original_language":92,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F6TjCyA8x2m5ZfpVCrSbqgJC3uup.jpg",[10],1577143,"Tantos Domingos","A staged birthday celebration and a visit to the director’s father’s home. From the interplay of memory and imagination, the film explores how family archives shape fictions of the past.",1.0772,"\u002FlVyPILI3B1WPGZC4vCSpGjcUvNz.jpg","2023-09-11",{"adult":5,"backdrop_path":6,"genre_ids":130,"id":131,"title":132,"original_language":104,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":5,"video":137,"vote_average":7,"vote_count":7},[10],487371,"The Home Movies of Eva Braun","Notable for providing a bucolic, personal view of high-ranking Nazis. Eva Braun was the longtime romantic companion to Adolf Hitler, as well as a photographer and amateur filmmaker. Her 8mm Agfacolor-stock home movies, recorded at her leisure, were seized by the US Army in 1945. They were subsequently assembled into 8 reels, from 28 reels of original camera negatives. The US National Archives received this 8-reel film in 1947, and in 2012 began the digital restoration process.",0.1891,"\u002FiRtvQzRHiS3A9Xq5UqQCWxsQxhA.jpg","1983-01-01",true,{"adult":5,"backdrop_path":139,"genre_ids":140,"id":141,"title":142,"original_language":55,"original_title":142,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":5,"video":5,"vote_average":147,"vote_count":25},"\u002F1RUjERoWCqaENyrcw9wj0gHzvIk.jpg",[10],506959,"Home Movie","Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.",0.1396,"\u002FpVXhZ9ze8NXdPy6CHKybiUR6sby.jpg","1974-09-22",5.5,{"adult":5,"backdrop_path":149,"genre_ids":150,"id":152,"title":153,"original_language":55,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":157,"softcore":5,"video":5,"vote_average":158,"vote_count":159},"\u002FcfhHdRwZsCGsg1kXQPQW2zkmFhz.jpg",[10,100,151],10752,57124,"Swastika","Comprised of footage shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.",0.4916,"\u002FahBZyN4ZM5IeqZdvtWVKHR0quXh.jpg","1974-01-17",6.8,14,{"adult":5,"backdrop_path":6,"genre_ids":161,"id":163,"title":164,"original_language":55,"original_title":164,"overview":165,"popularity":166,"poster_path":6,"release_date":167,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10,162],35,686464,"The Babysitter","When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.",0.2108,"2020-03-25",{"adult":5,"backdrop_path":169,"genre_ids":170,"id":171,"title":172,"original_language":173,"original_title":174,"overview":175,"popularity":176,"poster_path":177,"release_date":178,"softcore":5,"video":5,"vote_average":179,"vote_count":41},"\u002FwCxZ0KBez5zmPxxLOBa1kQdspBB.jpg",[10],1247067,"Levent is Moving Away","tr","levent'in taşınma filmi","On their last night at his house, Levent and his friends embark on a journey of smokes, treats and nostalgia.",0.1505,"\u002Fqe9GCarTMl9Vn0nFrGSmLA3v29f.jpg","2024-01-23",10,{"adult":5,"backdrop_path":181,"genre_ids":182,"id":184,"title":185,"original_language":55,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":5,"video":5,"vote_average":190,"vote_count":41},"\u002FySij4Ojh5qPSbJlLowxGsemTFhq.jpg",[10,162,183],10751,1104381,"FLOAT!","With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.",1.208,"\u002FfdelCcwItweTEYTX0sGEaW8JVmp.jpg","2023-01-11",7,{"adult":5,"backdrop_path":192,"genre_ids":193,"id":194,"title":195,"original_language":55,"original_title":195,"overview":196,"popularity":197,"poster_path":198,"release_date":199,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F7Q2NBPXyK0hKnE7o58sPhQ0eTQ5.jpg",[10],1329909,"Remake","The death of his son causes McElwee, an autobiographical filmmaker, to look back on his life’s work. He eventually turns to his archive of home movies. To what extent did his camera affect their relationship when Adrian was alive? To what extent does it define that relationship now that he is gone? Meanwhile, an effort to adapt McElwee’s first feature, Sherman’s March, into a work of fiction lurches along, giving the filmmaker another perspective from which to meditate on movie making and mortality.",0.648,"\u002FzcN0Sv43IKkp5jrr0kNgqSkkpOk.jpg","2026-06-18",{"adult":5,"backdrop_path":6,"genre_ids":201,"id":202,"title":203,"original_language":204,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1471119,"Cocotte Coulombe, Filmmaker","fr","Cocotte Coulombe, cinéaste","After discovering more than 100 Super 8 reels in his great-aunt's basement, a young filmmaker reflects on the value of these movies and his family's legacy.",0.4815,"\u002FAsec74UOQjMer0ppcP8cVLENFUZ.jpg","2025-04-26",{"adult":5,"backdrop_path":6,"genre_ids":211,"id":212,"title":213,"original_language":16,"original_title":213,"overview":214,"popularity":215,"poster_path":216,"release_date":217,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1309052,"Radio Perla del Tirreno","Mimmo Villari is 29 years old in 1975, lives in Calabria, has a dusty guitar in the attic and the sacred fire of music that once burned his stomach is now turning into embers. In that period the first experiences of pirate radio arose in Italy. Mimmo is thrilled by the rumors about it and wastes no time: he builds himself an FM transmitter and thus sets up Radio Perla del Tirreno, the first pirate radio station in Bagnara Calabra. The voices of the radio reflect on politics, philosophy, civic education, creating a discourse that is the portrait of a society and an era.",0.4422,"\u002F9sMoQp9xbLmVPdvchE3wWQjF6OJ.jpg","2024-07-05",{"adult":5,"backdrop_path":219,"genre_ids":220,"id":222,"title":223,"original_language":55,"original_title":223,"overview":224,"popularity":225,"poster_path":226,"release_date":227,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FdknqgkeNq5UkEF6YerdPRIix8mq.jpg",[10,221,183],16,568958,"Liam","Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.",0.2326,"\u002F2WhWXwe4VRECICQNbDDtQKPsQp3.jpg","2018-04-07",{"adult":5,"backdrop_path":229,"genre_ids":230,"id":231,"title":232,"original_language":55,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FumcZPmcAQ0vFzg5gRVv3fax0Jy4.jpg",[10],941830,"Joan Crawford's Home Movies","The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children.  Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.",0.7543,"\u002Fe2MBdq8AlBBnUp574mi17oN2F0Y.jpg","1942-01-01",11634,232677,{"results":240},{},{"results":242},[],45,"A documentary story that tends to land well.",[]]