[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1568744-en-US":3},{"detail":4,"match":302,"insight":303,"providers":304,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":64,"revenue":21,"runtime":65,"similar":66,"tagline":23,"homepage":23,"overview":282,"softcore":6,"popularity":283,"vote_count":21,"poster_path":284,"release_date":285,"vote_average":21,"backdrop_path":26,"origin_country":286,"original_title":288,"watch\u002Fproviders":289,"spoken_languages":291,"original_language":161,"production_companies":295,"production_countries":299,"belongs_to_collection":26},1568744,false,"Room 206",15000,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":28},[18],{"id":19,"name":20,"adult":6,"order":21,"gender":21,"cast_id":22,"character":23,"credit_id":24,"popularity":25,"profile_path":26,"original_name":20,"known_for_department":27},5772442,"Clair Faravarjoo",0,2,"","68fd0b8ee68bf5b5aed9fa44",0.1265,null,"Acting",[29,36,43,50,57],{"id":30,"job":31,"name":32,"adult":6,"gender":21,"credit_id":33,"department":34,"popularity":35,"profile_path":26,"original_name":32,"known_for_department":34},5772440,"Director","Laurie Bisceglia","68fd0b82bcbe08f958fb6a0e","Directing",0.0768,{"id":37,"job":38,"name":39,"adult":6,"gender":21,"credit_id":40,"department":41,"popularity":42,"profile_path":26,"original_name":39,"known_for_department":41},3889243,"Producer","Arnaud Patry-Delangle","6977555cc44c69d171b68485","Production",0.0516,{"id":44,"job":45,"name":46,"adult":6,"gender":21,"credit_id":47,"department":48,"popularity":49,"profile_path":26,"original_name":46,"known_for_department":48},5963435,"Compositor","David Enfrein","697755dc9511ad0892a37784","Crew",0.126,{"id":51,"job":52,"name":53,"adult":6,"gender":21,"credit_id":54,"department":55,"popularity":56,"profile_path":26,"original_name":53,"known_for_department":55},2556085,"Sound Editor","Antonin Dalmasso","69775601f976e43fbdab9fcc","Sound",0.2219,{"id":58,"job":59,"name":60,"adult":6,"gender":22,"credit_id":61,"department":62,"popularity":63,"profile_path":26,"original_name":60,"known_for_department":62},2369943,"Colorist","Jérémie Pouchard","6977569782a21627b1aba2cf","Editing",0.1595,"tt38754755",17,{"page":67,"results":68,"total_pages":280,"total_results":281},1,[69,79,92,102,111,123,134,143,152,162,173,184,196,207,217,226,237,248,258,270],{"id":70,"adult":6,"title":71,"video":6,"overview":72,"softcore":6,"genre_ids":73,"popularity":74,"vote_count":21,"poster_path":75,"release_date":76,"vote_average":21,"backdrop_path":77,"original_title":71,"original_language":78},1199665,"All makt til ingen","A documentary about political activism, rebellion, squatting, and the do-it-yourself attitude among young people on the eve of the 70s. 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Through a dramatic and vibrant combination of verite documentation, student video diaries and rare in-studio scenes of artists recording tracks, \"Follow My Voice\" offers a powerful and poignant look at this unlikely intersection of youth, gender and rock. 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How do victims deal with these unsolicited and unprovoked assaults? And what are we doing about this in Britain in 2017?",[11],0.153,4,"\u002FNNYECPlGEJA3CJNXIgs5pZXtSM.jpg","2017-08-01",1.5,"\u002Fw3pUHvVdH8SjcbtrdMYJDVgqIQo.jpg",{"id":135,"adult":6,"title":136,"video":6,"overview":137,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":22,"poster_path":140,"release_date":141,"vote_average":67,"backdrop_path":142,"original_title":136,"original_language":91},837126,"No Goodbyes","Love in a concentration camp. 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In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.",[11],1.1108,14,"\u002FgflZpevVfSDnRdtLTFz8A7Hgbp.jpg","2019-10-11",5.143,"\u002FvX1k5BeGY90BxRonbm8qqBazEhe.jpg","Playback: Ensayo de una despedida",{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":201,"vote_count":202,"poster_path":203,"release_date":204,"vote_average":205,"backdrop_path":206,"original_title":198,"original_language":91},32728,"Before Stonewall","New York City's Stonewall Inn is regarded by many as the site of gay and lesbian liberation since it was at this bar that drag queens fought back against police June 27-28, 1969. 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Available in a censored and uncensored version.",[11,108],0.1679,"\u002FvkkTii6quTHuFtf5yF17m0DacI5.jpg","2014-09-08",6,"\u002FugPloRUCmcwvzMpgxLaS69jbpQq.jpg",{"id":218,"adult":6,"title":219,"video":6,"overview":220,"softcore":6,"genre_ids":221,"popularity":222,"vote_count":21,"poster_path":223,"release_date":224,"vote_average":21,"backdrop_path":225,"original_title":219,"original_language":161},822722,"Les portes d'Arcadie","In Les Portes d’Arcadie, we are at the heart of a reception center for asylum seekers. The director gives a voice to people persecuted because of their sexual orientation, in their country of origin. Already gone, but not yet in a new home, these displaced people are looking for themselves as much as they are looking for the words to describe what they have known and left behind. What awaits them? It is not certain. But at least they can hope to finally be (re) recognized for themselves. 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They don't want to be seen there. They have to find a discreet place to talk. Like many other gay couples in Tunisia, Amir and Ramzi are living a nightmare since the Tunisian Revolution. With them, the director will discover the daily life of the Tunisian homosexual couples, even in the discrete parties organized in hotels of the country.",[11],0.1613,"\u002FUCgGtyTvcZtZmxKFwAai4it9t9.jpg","2021-08-01",9.5,"\u002F41DGEzFyXmH7ffDP6NBlg7fsUBS.jpg","Coupables d'aimer : le calvaire des gays en Tunisie",{"id":249,"adult":6,"title":250,"video":6,"overview":251,"softcore":6,"genre_ids":252,"popularity":253,"vote_count":215,"poster_path":254,"release_date":255,"vote_average":256,"backdrop_path":257,"original_title":250,"original_language":110},456188,"#BKKY","Jojo, a 17-year-old girl from Bangkok, is about to graduate from high school. After her friend Q reveals a secret to her, the two girls grow close and spend all their time together. 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Using a range of experimental techniques and borrowed footage from Delany's home movies, Taylor captures his subject's thoughts on racism, violence, and his struggles with sexual identity.",[11],0.3379,"\u002FnROZ99cLVaGQzw0LrIB1ClbvJHl.jpg","2007-04-26",8,"\u002FgMxyw0ZtM5z5JpEH8c5plmfvi6P.jpg",11953,239042,"\"Happy, happy, who cares.\" After undergoing the major surgery that is torsoplasty, he will no longer worry about what the world might think. Reclaiming his body, completely, is the only thing that matters. This documentary film follows Clair through his emotions: apprehension, euphoria, melancholy, gratitude—not at seeing his body change, but at recognizing himself. Finally. 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