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The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: \"He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. 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God rhythm",0.6018,"2004-05-17",{"adult":5,"backdrop_path":251,"genre_ids":252,"id":253,"title":254,"original_language":18,"original_title":254,"overview":255,"popularity":256,"poster_path":257,"release_date":258,"softcore":5,"video":5,"vote_average":259,"vote_count":42},"\u002FvTvjXqll3aCeuRQKlbdir1Jjk1q.jpg",[11],270311,"Joe Zawinul & WDR Big Band - Leverkusener Jazztage","Zawinul is onstage with the WDR Big Band from Germany and a special international rhythm section. The music is a tribute to the pioneering 1970s fusion collective Weather Report, originally with Wayne Shorter on sax, Zawinul on keys, and later Jaco Pastorius on bass (among other personnel). Zawinul and the WDR play \"Brown Street\" and \"Carnavalito.\" Arranger Vince Mendoza re-imagines this colorful, small-group music for Europe's longest-lived jazz orchestra. 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