[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-157109-en-US":3},{"detail":4,"match":263,"insight":264,"providers":265,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":15,"origin_country":16,"original_language":18,"original_title":19,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":24,"release_date":25,"revenue":8,"runtime":26,"softcore":5,"spoken_languages":27,"status":28,"tagline":13,"title":19,"video":5,"vote_average":29,"vote_count":30,"credits":31,"similar":63,"watch\u002Fproviders":259,"videos":261},false,"\u002F2jvmfWuPdQtdMeUiyEBfQov0OQw.jpg",null,0,[10],{"id":11,"name":12},16,"Animation","",157109,"tt0065751",[17],"US","en","The Further Adventures of Uncle Sam","Uncle Sam has been living peacefully in the American southwest, running a gas station. But when terrorists kidnap the Statue of Liberty, Uncle Sam teams up with an eagle to go rescue her.  Preserved by the Academy Film Archive in 2007.",0.9659,"\u002F7cR1M3tdKwjmNvaVy6A3Z96ztks.jpg",[],[],"1971-12-31",13,[],"Released",5.5,12,{"cast":32,"crew":33},[],[34,41,47,56],{"adult":5,"gender":8,"id":35,"known_for_department":36,"name":37,"original_name":37,"popularity":38,"profile_path":7,"credit_id":39,"department":36,"job":40},1138324,"Directing","Robert Mitchell",0.4502,"52fe4bb59251416c910e32db","Director",{"adult":5,"gender":8,"id":42,"known_for_department":43,"name":44,"original_name":44,"popularity":45,"profile_path":7,"credit_id":46,"department":36,"job":40},935753,"Visual Effects","Dale Case",0.6326,"52fe4bb59251416c910e32d5",{"adult":5,"gender":48,"id":49,"known_for_department":50,"name":51,"original_name":51,"popularity":52,"profile_path":7,"credit_id":53,"department":54,"job":55},2,1190247,"Sound","Sam Horta",0.5611,"6648cbc2e68b7c68cb78c065","Editing","Editor",{"adult":5,"gender":8,"id":57,"known_for_department":58,"name":59,"original_name":59,"popularity":60,"profile_path":7,"credit_id":61,"department":58,"job":62},3186800,"Camera","Wally Bulloch",0.3966,"6648cbdd8ee7f81e2d926917","Camera Operator",{"page":64,"results":65,"total_pages":257,"total_results":258},1,[66,75,84,97,107,115,123,132,142,153,164,174,181,191,200,211,222,232,240,248],{"adult":5,"backdrop_path":7,"genre_ids":67,"id":69,"title":70,"original_language":18,"original_title":70,"overview":71,"popularity":72,"poster_path":7,"release_date":73,"softcore":5,"video":5,"vote_average":74,"vote_count":64},[11,68],10752,657665,"How to Bridge a Gorge","An instructional video that teaches, through stop-motion animation, how to build a bridge over a gorge that can hold heavy military equipment.  Preserved by the Academy Film Archive in 2004.",0.8888,"1942-01-02",10,{"adult":5,"backdrop_path":7,"genre_ids":76,"id":77,"title":78,"original_language":18,"original_title":78,"overview":79,"popularity":80,"poster_path":81,"release_date":82,"softcore":5,"video":5,"vote_average":83,"vote_count":64},[11],664791,"Logos","Jane Conger Belson Shimane's first film, Logos, premiered in 1957 and was screened at festivals in North America, Europe, and Latin America. The animated film featured an electronic score by Henry Jacobs.  Preserved by the Academy Film Archive in 2001.",0.4678,"\u002Fug53HeoolrcGHrTf6t0ZPVduIEw.jpg","1957-07-07",5,{"adult":5,"backdrop_path":85,"genre_ids":86,"id":89,"title":90,"original_language":18,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":5,"video":5,"vote_average":95,"vote_count":96},"\u002Fju8NwbN3O2JK0fcOOcGNaWAROaj.jpg",[11,87,88],35,10402,41313,"The Tune","Del is a song writer for the obnoxious Mr. Mega, and in love with Didi, Mega's secretary. His quest to write a hit tune brings him to the wacky world of Flooby Nooby, where he just might learn to write songs from the heart.",1.0515,"\u002F4pheWWXiVMQ4zK6O9mm4YnSwZ6S.jpg","1992-09-04",6.6,33,{"adult":5,"backdrop_path":7,"genre_ids":98,"id":99,"title":100,"original_language":18,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":5,"video":5,"vote_average":105,"vote_count":106},[11],296405,"Odds & Ends","Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation.  Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.",0.5059,"\u002FzJooimlwur24hZVUFMLbTXDFZ6K.jpg","1959-01-01",7.3,3,{"adult":5,"backdrop_path":7,"genre_ids":108,"id":109,"title":110,"original_language":18,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":5,"video":5,"vote_average":48,"vote_count":64},[11],486153,"Ace of Light","\"Light animation and original poetry in this initiatic journey by Dennis Pies, who is now known as Sky-David.\" - Daily Psychedelic.  Preserved by the Academy Film Archive in 2013.",0.4432,"\u002Fk8D8Ah7vBP5Hz4nit09rwQbudDQ.jpg","1984-01-01",{"adult":5,"backdrop_path":7,"genre_ids":116,"id":117,"title":118,"original_language":18,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":5,"video":5,"vote_average":83,"vote_count":64},[11],269427,"Mountain Music","Mountain Music illustrates what happens when technology gets too advanced too soon.  Preserved by the Academy Film Archive in 2012.",1.3836,"\u002FvUoKm2ko6cxs1SsgISlIGdJyqph.jpg","1976-01-01",{"adult":5,"backdrop_path":7,"genre_ids":124,"id":126,"title":127,"original_language":18,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11,125],36,831082,"Legacy: A Very Short History of Natural Resources","Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”.  Preserved by the Academy Film Archive in 2012.",0.6662,"\u002FmNMNLb51Vj1PhwzHE8y0cXDnWxz.jpg","1979-12-17",{"adult":5,"backdrop_path":133,"genre_ids":134,"id":135,"title":136,"original_language":18,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":5,"video":5,"vote_average":141,"vote_count":48},"\u002FuOSYvfkymq4W3XvPqPFDVMz8gjk.jpg",[11],467958,"Babobilicons","Krumins’ fantasy sets the world of flora and fauna on its ear. At one moment grotesque greenish mushrooms grow, wither and reverse their life-cycle, at another, strange crustacean-like animals speed around on a bed of feathers, next a room is inundated with giant ladybugs…  Preserved by the Academy Film Archive in 2009.",0.6848,"\u002F2It2TGERksKnla8y3a2D36AYG1A.jpg","1982-10-01",7.5,{"adult":5,"backdrop_path":143,"genre_ids":144,"id":146,"title":147,"original_language":18,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":5,"video":5,"vote_average":152,"vote_count":64},"\u002FvS6rtjbvYsMYJWyFeTef2orbW13.jpg",[145,11],99,283593,"Pasadena Freeway Stills","Possibly the most lucid, vivid, and awesome demonstration of the building up of still images to create moving ones, Pasadena Freeway Stills simply, gracefully and powerfully shows us the process by which we are fooled by the movies. By doing so, Gary Beydler mines a very rich vein of associations and metaphor, without the slightest ostentation.  Constructed as a thrilling arc of realization and, in a quite moving way, disappointment, the film is a beautiful articulation of our emotional entanglement with moving images, while simultaneously creating a form in which the illusion of cinema is brought into incredible relief as the film we're watching gradually catches up to the film Gary is holding up to the camera with his hands, one frame at a time. (Mark Toscano)  Preserved by the Academy Film Archive in 2008.",0.5158,"\u002Fyrbg6gyKIwJEraL8hrVNsQ83SBt.jpg","1974-01-01",6,{"adult":5,"backdrop_path":7,"genre_ids":154,"id":155,"title":156,"original_language":157,"original_title":156,"overview":158,"popularity":159,"poster_path":160,"release_date":161,"softcore":5,"video":5,"vote_average":162,"vote_count":163},[11],283688,"Five Film Exercises: Film 4","xx","The entire film is divided into four consecutive chosen approaches—the fourth  section devoted to a reiteration and extension of the original material.  Preserved by the Academy Film Archive in 1999.",0.7504,"\u002FfqYkvEGo1m2bObPEVrQln0qv3cS.jpg","1944-05-15",4.6,8,{"adult":5,"backdrop_path":165,"genre_ids":166,"id":167,"title":168,"original_language":18,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":5,"video":5,"vote_average":173,"vote_count":163},"\u002FmYGvIV4D8QJBWrLryzMLxHgP0ul.jpg",[11,87],284569,"The Cow Who Wanted To Be a Hamburger","A children's fable about the power of advertising, the meaning of life and ultimately the test of a mother's love.  Preserved by the Academy Film Archive in 2016.",0.8913,"\u002Fsvsimwb0q4XQVTrzcyWQDk9ilk8.jpg","2010-03-12",5.4,{"adult":5,"backdrop_path":7,"genre_ids":175,"id":176,"title":177,"original_language":18,"original_title":177,"overview":178,"popularity":179,"poster_path":7,"release_date":180,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1247138,"Keep Cool","An animation (long before there were such things) for Oscar Brown Jr’s track “But I Was Cool”, from his 1961 debut album Sin & Soul.  Preserved by the Academy Film Archive in 2012.",1.3578,"1971-01-01",{"adult":5,"backdrop_path":182,"genre_ids":183,"id":184,"title":185,"original_language":18,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":5,"video":5,"vote_average":190,"vote_count":152},"\u002F5RRxTaqdDKAmTJewqNTaeOTGlQH.jpg",[145,11],489179,"No No Nooky T.V.","NO NO NOOKY TV posits sexuality to be a social construct in a \"sex-text\" of satiric graphic representation of \"dirty pictures.\" Made on an Amiga Computer and shot in 16mm film, NO NO NOOKY TV confronts the feminist controversy around sexuality with electronic language, pixels and interface. Even the monitor is eroticized in this film\u002Fvideo hybrid that points fun at romance, sexuality, and love in our post-industrial age.  Preserved by the Academy Film Archive in 2017.",0.8269,"\u002FdaKbDINQjn0zNZETozps3TeyDaB.jpg","1987-01-01",6.8,{"adult":5,"backdrop_path":7,"genre_ids":192,"id":193,"title":194,"original_language":18,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":198,"softcore":5,"video":5,"vote_average":199,"vote_count":48},[11],489583,"Frannie's Christmas","As Christmas approaches, Frannie Stein learns from her snide friend Gloria Oestriger that there is no Santa Claus. Frannie's disbelieving, but her father confirms the horrible truth. Frannie enlists the help of her younger brother, Kenny, and they go to a graveyard to dig up some parts, which they assemble in the Stein basement. Soon, they've finished their creation and are ready for revenge on Gloria. Who says there's no Santa?  Preserved by the Academy Film Archive in 2012.",0.7822,"\u002FlWEKpoTx8mWM9VNhwtuKX4IRMSF.jpg","1993-03-26",9,{"adult":5,"backdrop_path":7,"genre_ids":201,"id":203,"title":204,"original_language":18,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":5,"video":5,"vote_average":209,"vote_count":210},[11,202],14,48277,"Closed Mondays","An intoxicated man trespasses into an art gallery after hours.",1.8488,"\u002FfLM2rmY79bAVcAW5w5IFuQPos0p.jpg","1974-10-01",6.2,32,{"adult":5,"backdrop_path":212,"genre_ids":213,"id":214,"title":215,"original_language":18,"original_title":215,"overview":216,"popularity":217,"poster_path":218,"release_date":219,"softcore":5,"video":5,"vote_average":220,"vote_count":221},"\u002Fl4oimiBENa3DqdJxeROCB4uuTIa.jpg",[11,87],48331,"Guard Dog","Why do dogs bark at such innocent creatures as pigeons and squirrels... what are they afraid of? This film answers that eternal question.",1.2416,"\u002F2ARywfgu1vc2ocu2cksMrHh5yhS.jpg","2004-10-14",6.3,29,{"adult":5,"backdrop_path":223,"genre_ids":224,"id":225,"title":226,"original_language":18,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":5,"video":5,"vote_average":190,"vote_count":231},"\u002FvY9txCwbk7KtdmHtJjhn1CcuiUS.jpg",[11],48589,"Wat's Pig","In a Medieval castle, a marauder tries to kidnap the twin infant sons of the lord. He makes off with only one, whom he drops about a mile away. A pig rescues this baby, so one brother grows up high on the hog, the other down with the swine; one is lazy, his lost brother is industrious. Years later, when a neighboring prince declares war, the brother in the castle is too soft to fight. Through happenstance, the twins are united just before the final battle. Will the upper-class brother let his humble sibling lead the troops to certain defeat and death?  Preserved by the Academy Film Archive.",1.1782,"\u002FzTg7yHiTmiA4aPkKdrd6jeIEJSP.jpg","1996-04-10",19,{"adult":5,"backdrop_path":7,"genre_ids":233,"id":234,"title":235,"original_language":18,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":5,"video":5,"vote_average":152,"vote_count":64},[11],637564,"Mutoscope Reels","An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film.  Preserved by the Academy Film Archive in 2000.",0.8686,"\u002FAjbc58eqSavlmoQvYpnkoc8Ko5B.jpg","1945-01-01",{"adult":5,"backdrop_path":7,"genre_ids":241,"id":242,"title":243,"original_language":18,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],455183,"Kitsch in Synch","The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.",0.9056,"\u002FxtJEqvajspa6KSnYkjWUcYttzes.jpg","1975-01-01",{"adult":5,"backdrop_path":7,"genre_ids":249,"id":250,"title":251,"original_language":157,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":5,"video":5,"vote_average":220,"vote_count":199},[11],279051,"Andrey Svislotskiy","Андрей Свислоцкий","This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants.",0.9385,"\u002FyBQcEwPHBCRCx60WGUPPvheLC8e.jpg","1991-01-01",1001,20001,{"results":260},{},{"id":14,"results":262},[],45,"A animation story that tends to land well.",[]]