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His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993.  Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.",[11],0.8642,"\u002FhbkFUBza3fgbpHVv9GIQs31yfkD.jpg","2017-02-26","\u002FxOoP9CZB7zURnfNPM0Iep2H3lnR.jpg",{"id":122,"adult":6,"title":123,"video":6,"overview":124,"softcore":6,"genre_ids":125,"popularity":126,"vote_count":40,"poster_path":127,"release_date":128,"vote_average":129,"backdrop_path":26,"original_title":130,"original_language":131},455027,"Dance of Outlaws","A film about a woman who doesn’t exist. Moroccan Hind was raped and consequently denied an official identity – she has no other choice but to work as a prostitute and traditional wedding dancer, but despite the odds of her situation, refuses to give up her dream of dignity, motherhood and love.  This is a story of modern day outlaws, children of prostitutes, abandoned child brides and those who have had to escape to the fringes of patriarchal Moroccan society. Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. 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Between Damascus, Sweida and Ein Al Arab, the film tries to gather details of stories of absent women and other women who would present their own testimonies about themselves and about love, life, death and sometimes about the revolution.  Difficult months go by, friends disappear unwillingly in jails, and friends leave forcefully… and a longing to freedom, dignity and justice for which Syrians have conferred a lot of blood.  Nidal moves around with his camera in attempt to record Syrians' daily journals subjected to pain, oppression, blood and hope. 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