[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1607461-en-US":3},{"detail":4,"match":281,"insight":282,"providers":283,"providerLink":25,"trailer":25},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":25,"revenue":8,"runtime":8,"similar":70,"tagline":244,"homepage":244,"overview":244,"softcore":6,"popularity":260,"vote_count":8,"poster_path":25,"release_date":261,"vote_average":8,"backdrop_path":25,"origin_country":262,"original_title":7,"watch\u002Fproviders":264,"spoken_languages":266,"original_language":267,"production_companies":268,"production_countries":275,"belongs_to_collection":25},1607461,false,"A proposito dell'Angola",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":40},[18,27,34],{"id":19,"name":20,"adult":6,"order":8,"gender":8,"cast_id":21,"character":22,"credit_id":23,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},5909540,"João Borges",2,"himself","69556fcaab1bc5d69acbe2d6",0.1196,null,"Acting",{"id":28,"name":29,"adult":6,"order":30,"gender":8,"cast_id":31,"character":22,"credit_id":32,"popularity":33,"profile_path":25,"original_name":29,"known_for_department":26},5909541,"Américo Boavida",1,3,"69556ff0466cfd1c8a7c7edc",0.1501,{"id":35,"name":36,"adult":6,"order":21,"gender":8,"cast_id":37,"character":22,"credit_id":38,"popularity":39,"profile_path":25,"original_name":36,"known_for_department":26},3443324,"Agostinho Neto",4,"6955700399adc44330c38a07",0.1304,[41,49,56,63],{"id":42,"job":43,"name":44,"adult":6,"gender":8,"credit_id":45,"department":46,"popularity":47,"profile_path":25,"original_name":44,"known_for_department":48},3384875,"Director","Stefano De Stefani","69556f76e232373c0dc3884b","Directing",0.1948,"Writing",{"id":50,"job":51,"name":52,"adult":6,"gender":8,"credit_id":53,"department":54,"popularity":55,"profile_path":25,"original_name":52,"known_for_department":54},5909549,"Director of Photography","Augusta Conchiglia","695570acf4c70026b288ebad","Camera",0.0243,{"id":57,"job":58,"name":59,"adult":6,"gender":8,"credit_id":60,"department":61,"popularity":62,"profile_path":25,"original_name":59,"known_for_department":61},548636,"Music Supervisor","Teo Usuelli","695570c4b9d59305f2cbe39a","Sound",0.1889,{"id":64,"job":65,"name":66,"adult":6,"gender":8,"credit_id":67,"department":68,"popularity":69,"profile_path":25,"original_name":66,"known_for_department":68},1180679,"Editor","Alfredo Muschietti","6955715c0f0f0384097104a8","Editing",0.1046,{"page":30,"results":71,"total_pages":258,"total_results":259},[72,82,93,103,112,123,131,140,150,159,170,178,189,198,206,213,222,233,241,251],{"id":73,"adult":6,"title":74,"video":6,"overview":75,"softcore":6,"genre_ids":76,"popularity":77,"vote_count":8,"poster_path":78,"release_date":79,"vote_average":8,"backdrop_path":25,"original_title":80,"original_language":81},1029673,"Angola: Saudades from the One Who Loves You","The film sheds light on a country in which, after twenty-seven years of war and three ­years of official peace, there is an overwhelming discrepancy between poor and rich. A sensitive and respectful approach towards a traumatised society.",[11],0.2002,"\u002FLKVYBcWl1S5R9hsY4HE3Tmr021.jpg","2005-11-01","Angola, saudades de quem te ama","pt",{"id":83,"adult":6,"title":84,"video":6,"overview":85,"softcore":6,"genre_ids":86,"popularity":87,"vote_count":88,"poster_path":89,"release_date":90,"vote_average":91,"backdrop_path":92,"original_title":84,"original_language":81},480242,"Piripkura","The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil,  struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.",[11],1.6312,5,"\u002FelWge9owHyh5XQxCXM5PdrTjyW6.jpg","2018-03-01",8,"\u002Fh5qur9zYUMMHrONvXedReAcFhkU.jpg",{"id":94,"adult":6,"title":95,"video":6,"overview":96,"softcore":6,"genre_ids":97,"popularity":98,"vote_count":88,"poster_path":99,"release_date":100,"vote_average":101,"backdrop_path":25,"original_title":95,"original_language":102},483301,"Blood Diamonds","Blood Diamonds is a made-for-TV documentary series, originally broadcast on the History Channel, that looks into the trade of diamonds which fund rebellions and wars in many African nations. The program focuses primarily on two nations: Sierra Leone and Angola. Diamonds which are traded for this purpose are known as blood diamonds.",[11],0.257,"\u002F2UYx054erj1c3JMQhE4ldqtJas8.jpg","2006-12-23",6.8,"en",{"id":104,"adult":6,"title":105,"video":6,"overview":106,"softcore":6,"genre_ids":107,"popularity":108,"vote_count":8,"poster_path":109,"release_date":110,"vote_average":8,"backdrop_path":25,"original_title":105,"original_language":111},1562261,"Venezuela: los guerrilleros al poder","Documentary that tells the story of some Venezuelan guerrilleros who, following the so-called Pacification of the 1970s, held official positions in various Venezuelan state entities. Venezuelan political figures share their perspectives on this recent event in Venezuelan history.",[11],1.1326,"\u002FlI9n5RpgTfCX7OCqO8n7uam1Wuh.jpg","1997-01-01","es",{"id":113,"adult":6,"title":114,"video":6,"overview":115,"softcore":6,"genre_ids":116,"popularity":118,"vote_count":8,"poster_path":119,"release_date":120,"vote_average":8,"backdrop_path":121,"original_title":122,"original_language":81},1561224,"Tiger Bay","The history and myth of a ghost island off the SW African coast are told through a dystopian parable, in which a character undergoes brainwashing to escape the burden of memory in a world he no longer relates to.",[11,117],878,0.2952,"\u002FdtksVs3I3bYKs2hWOyf6qFUK5yG.jpg","2025-10-19","\u002Fbo3g7HZMyjirOh49ZuMX2CHxoHZ.jpg","Baía dos Tigres",{"id":124,"adult":6,"title":125,"video":6,"overview":126,"softcore":6,"genre_ids":127,"popularity":128,"vote_count":37,"poster_path":25,"release_date":129,"vote_average":101,"backdrop_path":25,"original_title":125,"original_language":130},298038,"Rostov-Luanda","Sissako visits a war-torn Angola after thirty years of war in search of a friend and thereby through interviews reflects on the lost utopias of a generation of Africans who experienced the liberation struggles. His camera is witness to the dislocation and despair of those he encounters living in Angola, however he also discovers the resilient spirit of Africa and optimism for its future in unexpected ways.",[11],1.0355,"1998-01-01","fr",{"id":132,"adult":6,"title":133,"video":6,"overview":134,"softcore":6,"genre_ids":135,"popularity":136,"vote_count":8,"poster_path":137,"release_date":138,"vote_average":8,"backdrop_path":25,"original_title":139,"original_language":81},1557821,"Langidila: diary of an exile without return","Deolinda Rodrigues Francisco de Almeida, whose war name was \"Langidila,\" was one of the great Heroines who sacrificed her entire life for Angola. History is quick to highlight her deeds.",[11],0.2888,"\u002FcEQyzzlYpYOqFBqk6JJ5rTPBcHm.jpg","2014-02-10","Langidila: diário de um exílio sem regresso",{"id":141,"adult":6,"title":142,"video":6,"overview":143,"softcore":6,"genre_ids":144,"popularity":145,"vote_count":21,"poster_path":146,"release_date":147,"vote_average":148,"backdrop_path":25,"original_title":149,"original_language":81},447209,"Tales of Luanda: Hope the Pitanga Cherries Grow","Angola: thirty years of independence, three years of peace. Capital, Luanda, a city built for 600 thousand people where four million now live. Ten characters guide us through different ways of living and interpreting the city. People from all of the country's provinces meet at this crossroads. They are the life of the city, transforming it by inventing ways to make money and reinventing themselves.",[11],0.3089,"\u002FgoF1CbwB5Kl4GfAWcTlTG94PV04.jpg","2007-03-14",6,"Oxalá Cresçam Pitangas",{"id":151,"adult":6,"title":152,"video":6,"overview":153,"softcore":6,"genre_ids":154,"popularity":157,"vote_count":8,"poster_path":25,"release_date":158,"vote_average":8,"backdrop_path":25,"original_title":152,"original_language":102},323116,"Escape from Luanda","In Luanda, one of the world's poorest and most dangerous places, three students from Angola's only music school work towards their end-of-year concert. The Music School is Angola's first and only school of its kind. It houses some 80 students, most of them desperately poor. Many face disapproval and outright rejection from their families who can't see a future in music. This film asks if, despite the ravages of 27 years of civil war, musical passion can overcome terrible hardships.",[155,11,156],10752,10402,0.1796,"2007-11-20",{"id":160,"adult":6,"title":161,"video":6,"overview":162,"softcore":6,"genre_ids":163,"popularity":164,"vote_count":30,"poster_path":165,"release_date":166,"vote_average":167,"backdrop_path":168,"original_title":169,"original_language":130},1249791,"Lost Mountain","On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.",[11],0.6853,"\u002FlPFaqNjenhz4830zFjjyesABk2T.jpg","2020-01-01",10,"\u002F3gBWxT8uPQrv5udfCREzAxN3R6P.jpg","Montagne Égarée",{"id":171,"adult":6,"title":172,"video":6,"overview":173,"softcore":6,"genre_ids":174,"popularity":175,"vote_count":8,"poster_path":176,"release_date":177,"vote_average":8,"backdrop_path":25,"original_title":172,"original_language":102},680021,"People of Angola","An anthropological film of the people of Angola.",[11],0.3143,"\u002F3zNoeL99zspAuSy4ti1gFEpNLmX.jpg","2020-01-22",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":30,"poster_path":184,"release_date":185,"vote_average":167,"backdrop_path":186,"original_title":187,"original_language":188},1239768,"Guns of Freedom","This docu-fiction recounts the difficulties overcome by an ALN ​​detachment whose perilous mission is to transport weapons and ammunition from Tunisia across the Algerian Sahara during the Algerian liberation war (1954-1962) against the French army of occupation.",[11,155],0.6175,"\u002FJpfVmJmywqCSM6tMYxxrB2Ko26.jpg","1961-01-01","\u002Fn6AeCDzfT0DXHVWTxBk89xY6ble.jpg","بناديق الحورية (Banâdiq El-Houria )","ar",{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":194,"vote_count":30,"poster_path":195,"release_date":196,"vote_average":167,"backdrop_path":197,"original_title":191,"original_language":130},1244597,"La Bataille d'Alger, l'empreinte","Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.",[11],0.2043,"\u002Fj9bWdGrKJIFgBEMZFKHoARH5rua.jpg","2018-01-01","\u002FrwBWhNv2pRay8lv41KDd8ao04Qm.jpg",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":8,"poster_path":204,"release_date":205,"vote_average":8,"backdrop_path":25,"original_title":200,"original_language":102},486431,"Afripedia - Angola","While the center of Angola's capital Luanda is now ranked as one of the most expensive places in the world, the majority of the city's population lives in abject poverty. But young people are rebelling and creating their own counterculture with their own music styles and acrobatic dances, using the \"ghetto\" as a trademark to define their style.",[11],0.4998,"\u002FikZPQowzBRPiSj0YawAbrAG5BRy.jpg","2017-11-12",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":8,"poster_path":25,"release_date":212,"vote_average":8,"backdrop_path":25,"original_title":208,"original_language":102},1624819,"NBC White Paper: Angola – Journey to a War","An investigative documentary on the Angolan conflict, filmed on location in Portuguese-controlled Africa by Robert M. Young and first broadcast in 1961.  (Note: Originally broadcast as an episode of NBC’s White Paper series (1961), but listed separately due to its independent documentary production, hazardous field filming, major journalistic impact, and sustained scholarly treatment as a standalone documentary work.)",[11],0.4692,"1961-09-19",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":219,"vote_count":30,"poster_path":220,"release_date":221,"vote_average":167,"backdrop_path":25,"original_title":215,"original_language":130},1608733,"Remembering History","Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.",[11,218,155],36,2.0387,"\u002F3WNsZj0cqbTecJYtRcgg0TdxcjO.jpg","2004-10-12",{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":31,"poster_path":228,"release_date":229,"vote_average":230,"backdrop_path":231,"original_title":232,"original_language":130},1241414,"The Words Women Spoke One Day","1962, at the end of the Algerian War, Algerian independence activists are released from Rennes prison. For one night, filmmaker Yann Le Masson films them. They tell him their vision for the future of Algeria and the place women must occupy in the new society to be built. Fifty years later, with the soundtrack missing, Raphaël Pillosio sets out to find these women. Two deaf people set about lip-reading the women filmed by Yann Le Masson, revealing snatches of sentences, words cut short by the camera's shifts. An investigative film in which the few activists still alive discover their old testimonies and tell us their silent story. The reconstruction of the lost soundtrack will remain in suspense; no happy ending will come to absorb the absence, to cancel the ferocious operation of time. An essay film about cinema that depicts their disappearance, and forever keeps them alive.",[11,218],0.1003,"\u002Fzr6oQmDNEgLr2iJddkqiNaRpnyH.jpg","2024-03-24",9,"\u002FrD6X9fKpw8akMIZMULCAHZQdtmr.jpg","Les Mots qu'elles eurent un jour",{"id":234,"adult":6,"title":235,"video":6,"overview":236,"softcore":6,"genre_ids":237,"popularity":238,"vote_count":8,"poster_path":25,"release_date":239,"vote_average":8,"backdrop_path":25,"original_title":240,"original_language":81},352541,"Letters to Angola","Brazil and Angola while on either side of the Atlantic Ocean have the same language, a common colonial past and many shared stories. In this film, correspondence is exchanged between these two places – some people are longtime friends, others have never met. Their stories intertwine and tell about migration, nostalgia, belonging, war, prejudice, exile and distance. The search for identity and flow of memory are driven by the line of affection that binds the seven pairs of speakers presented in this documentary, people whose life stories are traced between Brazil, Angola and Portugal.",[11],0.4754,"2012-03-01","Cartas para Angola",{"id":242,"adult":6,"title":243,"video":6,"overview":244,"softcore":6,"genre_ids":245,"popularity":247,"vote_count":30,"poster_path":248,"release_date":249,"vote_average":91,"backdrop_path":250,"original_title":243,"original_language":130},716165,"Ils ont libéré Paris !","",[11,218,155,246],10770,0.3099,"\u002FzgIUpFY8h7cfH1lz1aDh17Z0NWE.jpg","2014-06-14","\u002Ftn9BhzNB5Oap040kxAtEuqbOBj.jpg",{"id":252,"adult":6,"title":253,"video":6,"overview":244,"softcore":6,"genre_ids":254,"popularity":255,"vote_count":8,"poster_path":256,"release_date":257,"vote_average":8,"backdrop_path":25,"original_title":253,"original_language":81},1632398,"Racismo: Uma Descolonização Em Curso",[11],0.4227,"\u002F1993Wcm6G3amreDvVXHJufyrMlS.jpg","2025-11-11",11654,233069,0.3069,"1973-04-01",[263],"IT",{"results":265},{},[],"it",[269,272],{"id":270,"name":271,"logo_path":25,"origin_country":263},22423,"IDI Cinematografica",{"id":273,"name":274,"logo_path":25,"origin_country":244},284862,"Movimento Popular de Libertação de Angola - MPLA",[276,278],{"name":277,"iso_3166_1":263},"Italy",{"name":279,"iso_3166_1":280},"Angola","AO",45,"A documentary story that tends to land well.",[]]