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Yet, up until now he's been unable to break through and make a living as a performer. This is mostly because Darryl is driven to speak the truth, as he sees it, even when it conflicts with his ambitions. All his life, Darryl has been caught between his desire for success and his need to challenge authority - both on and off stage. At times, Darryl deliberately alienates his audience with his improvised routines and then tries to win them back. Such theatrics give pause to the people who could help Darryl to become more of a commercial success. 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Alongside film professionals and researchers, this documentary deciphers a trend that speaks volumes about the evolution of the industry and our societies.",[11],0.5957,"\u002FzlGenSXq6fDOMX9LP1WNow3snnf.jpg","2025-04-08","\u002FgOrvCdAjyrmtOIkutNuQJ3IfjpR.jpg","de",{"id":446,"adult":6,"title":447,"video":6,"overview":448,"softcore":6,"genre_ids":449,"popularity":450,"vote_count":8,"poster_path":451,"release_date":452,"vote_average":8,"backdrop_path":250,"original_title":447,"original_language":325},1449609,"Place Clichy sans complexe","Documentary on the 18-month renovation of the large Pathé Wepler cinema on the Place de Clichy in Paris. This 1,600-seat cinema is a landmark in the heart of a working-class district of Paris. The cinema becomes a twelve-screen multiplex.",[11],0.2536,"\u002F3vMM5CPA2jBPsn2XDyhDpupPXSq.jpg","1996-05-11",{"id":454,"adult":6,"title":455,"video":6,"overview":456,"softcore":6,"genre_ids":457,"popularity":459,"vote_count":56,"poster_path":460,"release_date":461,"vote_average":93,"backdrop_path":462,"original_title":463,"original_language":325},724404,"1940: Taking over French Cinema","Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.",[11,166,458],10770,0.2743,"\u002Fg9KYeCxDDV8HSAO26KhKNjQEIs3.jpg","2019-05-19","\u002F3x533L7CnbGC3QiCZWAurdZvBmx.jpg","1940, main basse sur le cinéma français",{"id":465,"adult":6,"title":466,"video":6,"overview":467,"softcore":6,"genre_ids":468,"popularity":469,"vote_count":107,"poster_path":470,"release_date":471,"vote_average":472,"backdrop_path":473,"original_title":466,"original_language":298},926908,"Theaters of War","If you’ve seen Top Gun or Transformers, you may have wondered: Does all of that military machinery on screen come with strings attached? Does the military actually get a crack at the script? With the release of a vast new trove of internal government documents, the answers have come into sharp focus: the US military has exercised editorial control over thousands of films and television programs. As these activities gain new public scrutiny, new questions arise: How have they managed to fly under the radar for so long? And where do we go from here?",[11],0.4156,"\u002FxIex6W2xCmBwd3y4bXBfydRUJhb.jpg","2022-02-14",7.5,"\u002FtDDowN6AnCfDIo6KgsVrXfUQS75.jpg",11653,233060,"Brazilian documentary film directed by Salvyano Cavalcanti de Paiva that showcases the evolution of Brazilian artists in the American film industry between the late 1920s and 1950s. Using archive footage, it highlights the contributions of figures like Carmen Miranda.",1.4617,"\u002FwCR5SYuQOfrLFEATj0i64PuAhUB.jpg","1970-01-01","\u002Fp5HVT7TczE83yUc6qLtDKBxzhiV.jpg",[482],"BR",{"results":484},{},[486],{"name":487,"iso_639_1":488,"english_name":489},"Português","pt","Portuguese",[491,494],{"id":492,"name":493,"logo_path":250,"origin_country":332},273343,"INCE - Instituto Nacional de Cinema Educativo",{"id":495,"name":496,"logo_path":250,"origin_country":482},191326,"DFE - Departamento do Filme Educativo",[498],{"name":499,"iso_3166_1":482},"Brazil",45,"A documentary story that tends to land well.",[]]