[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1619531-en-US":3},{"detail":4,"match":267,"insight":268,"providers":269,"providerLink":39,"trailer":39},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":19,"imdb_id":39,"revenue":8,"runtime":40,"similar":41,"tagline":163,"homepage":250,"overview":251,"softcore":6,"popularity":252,"vote_count":42,"poster_path":253,"release_date":254,"vote_average":40,"backdrop_path":39,"origin_country":255,"original_title":7,"watch\u002Fproviders":257,"spoken_languages":259,"original_language":122,"production_companies":263,"production_countries":264,"belongs_to_collection":39},1619531,false,"Desideri Di Sabbia",0,[10,13],{"id":11,"name":12},99,"Documentary",{"id":14,"name":15},12,"Adventure","Released",{"results":18},[],{"cast":20,"crew":31},[21],{"id":22,"name":23,"adult":6,"order":8,"gender":24,"cast_id":25,"character":26,"credit_id":27,"popularity":28,"profile_path":29,"original_name":23,"known_for_department":30},5948306,"Pierluca Rossi",2,3,"Self","696e839da170300061f12956",0.25,"\u002FiIOPeCTXyGmLLCIOubi7iEEjnCr.jpg","Directing",[32,35],{"id":22,"job":33,"name":23,"adult":6,"gender":24,"credit_id":34,"department":30,"popularity":28,"profile_path":29,"original_name":23,"known_for_department":30},"Director","696e8234e3900670eeaab25e",{"id":22,"job":36,"name":23,"adult":6,"gender":24,"credit_id":37,"department":38,"popularity":28,"profile_path":29,"original_name":23,"known_for_department":30},"Writer","696e823ee446c582d168a3c1","Writing",null,10,{"page":42,"results":43,"total_pages":248,"total_results":249},1,[44,55,66,78,88,100,113,123,132,140,151,160,169,178,186,196,207,216,226,236],{"id":45,"adult":6,"title":46,"video":6,"overview":47,"softcore":6,"genre_ids":48,"popularity":49,"vote_count":8,"poster_path":50,"release_date":51,"vote_average":8,"backdrop_path":52,"original_title":53,"original_language":54},822831,"Zahra's Tongue","The Kabyle people define themselves first and foremost through the spoken word. Every gesture, every moment of their daily lives can give rise to a language of verse, metaphors, and proverbs. After all, isn't it said that in the mountain foothills they call home, verbal dueling was a common pastime? It is a reality difficult to visualize when one looks at the immigrant society where these men and women—often illiterate—are relegated solely to the roles of manual laborers and housewives; one can hardly imagine the eloquent orators they become when they return to their native tongue.",[11],0.6943,"\u002FmtBg805q0O9lJNF30teVKtpgPNn.jpg","2011-04-26","\u002F6JB8ELhrc95a6PRnrCSeAQ2q29D.jpg","La Langue de Zahra","fr",{"id":56,"adult":6,"title":57,"video":6,"overview":58,"softcore":6,"genre_ids":59,"popularity":61,"vote_count":42,"poster_path":62,"release_date":63,"vote_average":40,"backdrop_path":64,"original_title":65,"original_language":54},1209496,"Algeria 1954, The Revolt Of A Colonized","This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.",[11,60],36,0.7938,"\u002FefoQlCXQpq0uc2y3fJP0G61R0YK.jpg","1974-01-01","\u002F5jDgsDQxye1l04Y7cuhH8yUc1az.jpg","Algérie 1954, La Révolte D'un Colonisé",{"id":67,"adult":6,"title":68,"video":6,"overview":69,"softcore":6,"genre_ids":70,"popularity":72,"vote_count":24,"poster_path":73,"release_date":74,"vote_average":75,"backdrop_path":76,"original_title":68,"original_language":77},633297,"A Son of the Sahara","As a boy, Raoul is reared by an Arab tribe in Algerian Sahara. Years later, as a refined Europeanized gentleman, he falls in love with Barbara, an officer's daughter, who rejects him when she discovers his background. Affecting a raid, he captures her and then secretly buys her at a slave auction. When she is rescued by French troops, however, his ancestry is established and they find happiness together.",[14,71],18,1.0841,"\u002Fye85ySy7r1UhjpiAhJRBJVr396e.jpg","1924-04-13",7.5,"\u002FtkCqS2vjnUZzXEUBeiLpled0PgK.jpg","en",{"id":79,"adult":6,"title":80,"video":6,"overview":81,"softcore":6,"genre_ids":82,"popularity":83,"vote_count":42,"poster_path":84,"release_date":85,"vote_average":40,"backdrop_path":86,"original_title":87,"original_language":54},1414080,"Salt and Rock","After reading the book \"Guide to Hoggar Climbing,\" guide Pierre Agresti and his wife Isabelle Agresti set off into the Hoggar massif in the Algerian Sahara and tackled the west face of Garet El Djenoun. After a first attempt in 1967, they successfully reached the summit in 1970 and, with an old camera, made a film that remained unused for 25 years. In 1996, they decided to bring the past back to life through the ascent and encounters with the Tuaregs in the rock salt mines of Amadror. The film was shown in competition at the Trento Film Festival in 1997.",[11,14],0.9833,"\u002FgL2Ytnp1IpkjicI6FcXiNVXyWbh.jpg","1996-01-01","\u002FfmIxSL9AJLedeuPc3y2DkgIn2YE.jpg","Le Sel Et La Roche",{"id":89,"adult":6,"title":90,"video":6,"overview":91,"softcore":6,"genre_ids":92,"popularity":94,"vote_count":24,"poster_path":95,"release_date":96,"vote_average":97,"backdrop_path":98,"original_title":99,"original_language":54},1212784,"1983, The Marchers for Equality","In the 1980s, young people of North African descent born in France and a priest from the Lyon suburbs organized the \"March of the Beurs.\" Launched on October 15, 1983, by seventeen people from the La Cayolle neighborhood in Marseille following a racist crime, the march concluded two months later—on December 3—on the streets of Paris, with 100,000 participants. This movement demanded equal rights. Was their cry heard?",[11,93],10770,1.3349,"\u002Fg8tEM6yVDxmyQEYitTz1ryE5Uey.jpg","2023-12-03",9.5,"\u002FagNWXvCnXxJIcS1c9f0BZlDUzUs.jpg","1983, Les marcheurs de l'égalité",{"id":101,"adult":6,"title":102,"video":6,"overview":103,"softcore":6,"genre_ids":104,"popularity":106,"vote_count":24,"poster_path":107,"release_date":108,"vote_average":109,"backdrop_path":110,"original_title":111,"original_language":112},273112,"Algeria in Flames","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",[11,105],10752,0.8091,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg","Algérie en flammes","ar",{"id":114,"adult":6,"title":115,"video":6,"overview":116,"softcore":6,"genre_ids":117,"popularity":118,"vote_count":42,"poster_path":119,"release_date":120,"vote_average":40,"backdrop_path":121,"original_title":115,"original_language":122},1415644,"Hoggar '64","Filmed chronicle by mountain filmmaker Mario Fantin, of the 1964-1965 expedition of the Italian mountaineer Guido Monzino to the summits of Hoggar in the Algerian Sahara with the ascents of Garet el Djenoun, Tizouyag Nord, Saouinan and Iharen. The mountain ranges of the Hoggar desert turn out to be more complex and interesting than most mountaineers suspected at the time.",[11,14],1.6597,"\u002Fsn1pAXxWz05yCHQ8OYIKkqiDL5G.jpg","1965-01-01","\u002FwR6h5fXOKXs1NsAB4foqr9VN17Q.jpg","it",{"id":124,"adult":6,"title":125,"video":6,"overview":126,"softcore":6,"genre_ids":127,"popularity":128,"vote_count":42,"poster_path":129,"release_date":130,"vote_average":40,"backdrop_path":131,"original_title":125,"original_language":54},1021584,"Twïza, L'Aventure Algérienne","In Tamazight culture, \"Twïza\" symbolizes a gathering for sharing and mutual support. This is precisely what Thibault Dion's film explores – January 2019 – as five French climbers land at Constantine airport. While they initially thought they would simply be opening climbing routes in eastern Algeria, this group of climbers from Grenoble discovers much more. Their initial apprehension about exploring this isolated region, coupled with the warm welcome, good humor, and rich culture, transforms their journey into an unexpected human adventure. Fabulous landscapes, thrilling experiences, unforgettable moments, smiles – beyond borders, in the land of friendship and hospitality... Algeria.",[11],0.5378,"\u002FAk6ExFAiYAghf5EsGZGrZLqjnUu.jpg","2019-06-21","\u002FhqqmZdCE590l0VZznPpNDAbEDZe.jpg",{"id":133,"adult":6,"title":134,"video":6,"overview":135,"softcore":6,"genre_ids":136,"popularity":137,"vote_count":8,"poster_path":138,"release_date":139,"vote_average":8,"backdrop_path":39,"original_title":134,"original_language":77},453531,"Vote off","Fayçal Hammoum recounts the 2014 presidential election through non-voting inhabitants of Algiers who, like him, are in their thirties. Be it Bilel, a grocer by default exposed to his customers’ political babbling, or the more politically-charged comments of Younes, a militant FM radio journalist opposed to President Bouteflika’s fourth term, the variety of conversational scenes in no way changes the determination not to vote for an old man who has been invisible for almost two years. The rappers Omar and Brahim are as bereft of hope and voter’s cards as the Tellek webradio DJ, since “the match is fixed”. Moving away from his focus on this subject to film their daily life, the filmmaker draws the portrait of a generation who, as Bilal says with poignant simplicity, “just wants to live",[11],0.8915,"\u002Fm2DoXNoLdFCsBEroKjllPyhd5fM.jpg","2017-03-24",{"id":141,"adult":6,"title":142,"video":6,"overview":143,"softcore":6,"genre_ids":144,"popularity":145,"vote_count":24,"poster_path":146,"release_date":147,"vote_average":148,"backdrop_path":149,"original_title":150,"original_language":112},1217365,"True Chronicles of the Blida Joinville Psychiatric Hospital in the Last Century, when Dr Frantz Fanon Was Head of the Fifth Ward between 1953 and 1956","1953, colonized Algeria.  Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.",[60,71,11],1.0086,"\u002F6Kp1WdRURYKWwDNxUkX1BA3GH1Y.jpg","2025-07-23",6,"\u002FengsqGg1S7YFSXnIAl4j0sdzeQJ.jpg","Chroniques fidèles survenues au siècle dernier à l’hôpital psychiatrique Blida-Joinville, au temps où le Docteur Frantz Fanon était chef de la cinquième division entre 1953 et 1956",{"id":152,"adult":6,"title":153,"video":6,"overview":154,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":42,"poster_path":157,"release_date":158,"vote_average":40,"backdrop_path":159,"original_title":153,"original_language":54},1415248,"Sahara Vertical","Following in the footsteps of Frison Roche, 7 climbers explore the main Hoggar massifs in Algeria. Their main objective is the ascent of the Garet El Djenoun summit via the north ridge, a long climb symbolic of a certain difficulty and a significant commitment, due to its location in the desert. They also attempt the Diedre Agresti, a daring route from the 70s, opened in around ten days on artificial, and unequipped; it is a path that has never been repeated; the objective is to do it free and almost only on wedges, with difficulties up to 7b\u002Fc in a sometimes very delicate rock... Excerpts from the film shot in 1970 by Henri Agresti on this same route, allow us to compare the technical and material means of the time to those of today. They also discover the beauty of the Algerian desert, its silence, its rock paintings, the customs of the Tuaregs, etc... a fascinating journey.",[11,14],1.7971,"\u002Fp85H6IDldPOLzgJT0x7hEN1dr5w.jpg","2006-01-01","\u002Fl5Wh1a41n4ftztyfdosJRqL3Qqi.jpg",{"id":161,"adult":6,"title":162,"video":6,"overview":163,"softcore":6,"genre_ids":164,"popularity":165,"vote_count":42,"poster_path":166,"release_date":167,"vote_average":40,"backdrop_path":168,"original_title":162,"original_language":54},1606473,"Les Maisons De La Mer","",[11],0.7873,"\u002FrTC6XF5xricM6qMmw2qlj2FArTd.jpg","2017-11-01","\u002FsHKMQ9ryKfBeAUqFE0gypj23JP6.jpg",{"id":170,"adult":6,"title":171,"video":6,"overview":172,"softcore":6,"genre_ids":173,"popularity":174,"vote_count":42,"poster_path":175,"release_date":176,"vote_average":40,"backdrop_path":177,"original_title":171,"original_language":54},1606186,"Tissalatine - Le Rappel Du Hoggar","In the heart of the Hoggar Mountains, Algerian and French climbers meet on the legendary walls of the central Sahara. More than just an ascent, Tissalatine tells the story of an encounter with oneself, with the land, and with history. The film also retraces Thomas Dulac's return, ten years later, to a site he helped to open up. Driven by the profound voice of singer Djam and the vision of director Hamza Mendil, Tissalatine unveils a living, vibrant Sahara, far removed from clichés, in a sweeping epic of adventure, brotherhood, and spiritual elevation.",[14,11],1.1266,"\u002Fp4g2II5sE5bPud3fKtPBfLWHRdF.jpg","2025-12-20","\u002FrYDDAcN1S2n9TBzUhgGozRKEeKV.jpg",{"id":179,"adult":6,"title":180,"video":6,"overview":181,"softcore":6,"genre_ids":182,"popularity":183,"vote_count":42,"poster_path":184,"release_date":185,"vote_average":40,"backdrop_path":39,"original_title":180,"original_language":54},1608733,"Remembering History","Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.",[11,60,105],2.0061,"\u002F3WNsZj0cqbTecJYtRcgg0TdxcjO.jpg","2004-10-12",{"id":187,"adult":6,"title":188,"video":6,"overview":189,"softcore":6,"genre_ids":190,"popularity":191,"vote_count":42,"poster_path":192,"release_date":193,"vote_average":194,"backdrop_path":195,"original_title":188,"original_language":77},277624,"Algeria: Drink, Smoke and Love","Agnieszka Lukasiak travels to Algeria to capture it's conflict on camera. When she arrives, she's immediately sidetracked by romance with her host, Habib. She turns the camera on herself as she falls in love with him. the atmosphere quickly diminishes when Habib's family steps in and kicks her out. Not to be deterred, on her second visite to Algeria to seek Habib's love, she begins her real journey to expose the underside of the country.",[11],0.4822,"\u002FgOmoapouHa3uMtEIfjBzq46sEd1.jpg","2002-01-01",8,"\u002FspgoV39umQQSfjU7Tf6kj2pTD0q.jpg",{"id":197,"adult":6,"title":198,"video":6,"overview":199,"softcore":6,"genre_ids":200,"popularity":202,"vote_count":42,"poster_path":203,"release_date":204,"vote_average":40,"backdrop_path":205,"original_title":206,"original_language":54},1033814,"The Desert Rocker","The Desert Rocker is an intimate, witty and profound portrait of the extraordinary Hasna El Becharia, a pioneer Gnawa artist.  The first musician to break through the social barrier of this culture, she empowers and inspires women of all ages by reclaiming a musical tradition reserved for men for centuries . A singularly talented artist, she leads women to redefine their roles and challenge cultural norms , one musical performance at a time.",[11,201],10402,0.6915,"\u002FxNT9JYbXghZ9jwawohXSnhLljkH.jpg","2022-11-13","\u002F1Wr2yB2cikAmMAvO7qlQCMTXdhJ.jpg","La Rockeuse du Désert",{"id":208,"adult":6,"title":209,"video":6,"overview":210,"softcore":6,"genre_ids":211,"popularity":212,"vote_count":42,"poster_path":213,"release_date":214,"vote_average":40,"backdrop_path":215,"original_title":209,"original_language":54},827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",[11,60],0.8676,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14","\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",{"id":217,"adult":6,"title":218,"video":6,"overview":219,"softcore":6,"genre_ids":220,"popularity":221,"vote_count":42,"poster_path":222,"release_date":223,"vote_average":40,"backdrop_path":224,"original_title":225,"original_language":54},1220211,"Zinet, Algiers, Happiness","Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.",[11],0.8199,"\u002FfbXpJslcaldUuyXa0NDlhSZzoN7.jpg","2023-12-15","\u002FuVuQf1UA9IengxLyOYavR4qnAlK.jpg","زينات، الجزائر، السعادة",{"id":227,"adult":6,"title":228,"video":6,"overview":229,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":42,"poster_path":232,"release_date":233,"vote_average":40,"backdrop_path":234,"original_title":235,"original_language":112},644369,"How Much I Love You","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",[11],0.7249,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05","\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg","Combien Je Vous Aime",{"id":237,"adult":6,"title":238,"video":6,"overview":239,"softcore":6,"genre_ids":240,"popularity":241,"vote_count":242,"poster_path":243,"release_date":244,"vote_average":245,"backdrop_path":246,"original_title":247,"original_language":54},273852,"The Zerda or the Songs of Forgetting","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",[71,11],0.6616,5,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg","La Zerda ou les chants de l'oubli",1001,20001,"https:\u002F\u002Ftrentofestival.it\u002Fen\u002Farchives\u002F1992\u002Fdesideri-di-sabbia\u002F","This documentary film by Pierluca Rossi recounts a journey to the southern Algerian Sahara, near Amguid, a small Tuareg village renowned for its unusual nearby crater. In the Tefedest massif, with its mythical summit, Garet el Djenoun, on the slopes of a vast sand dune rising to over 400 meters, one can practice an unusual sport: sandboarding, a new technique to try. Surprising speeds can be reached, and participants can familiarize themselves with the equipment of this new sport, perhaps paving the way for new practices.",0.4617,"\u002Fw3Q0TtJ4M7N0isASWYZ691GvgRm.jpg","1992-01-01",[256],"IT",{"results":258},{},[260],{"name":261,"iso_639_1":122,"english_name":262},"Italiano","Italian",[],[265],{"name":266,"iso_3166_1":256},"Italy",55,"A documentary story that tends to land well.",[]]