[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1626457-en-US":3},{"detail":4,"match":267,"insight":268,"providers":269,"providerLink":32,"trailer":32},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":19,"imdb_id":32,"revenue":8,"runtime":8,"similar":33,"tagline":97,"homepage":97,"overview":97,"softcore":6,"popularity":254,"vote_count":8,"poster_path":255,"release_date":256,"vote_average":8,"backdrop_path":32,"origin_country":257,"original_title":7,"watch\u002Fproviders":259,"spoken_languages":261,"original_language":46,"production_companies":262,"production_countries":266,"belongs_to_collection":32},1626457,false,"MAL-LOGÉS - le mouvement à Paris",0,[10,13],{"id":11,"name":12},99,"Documentary",{"id":14,"name":15},36,"History","Released",{"results":18},[],{"cast":20,"crew":21},[],[22],{"id":23,"job":24,"name":25,"adult":6,"gender":26,"credit_id":27,"department":28,"popularity":29,"profile_path":30,"original_name":25,"known_for_department":31},5973833,"Director","Agence IM'Média",3,"697e2687576e95a402e4e85d","Directing",0.1782,"\u002FiaKfIb4MajxrWzrss3nMHzGgtvh.jpg","Crew",null,{"page":34,"results":35,"total_pages":252,"total_results":253},1,[36,47,60,70,83,94,102,111,124,135,147,160,169,177,189,196,206,217,230,242],{"id":37,"adult":6,"title":38,"video":6,"overview":39,"softcore":6,"genre_ids":40,"popularity":41,"vote_count":8,"poster_path":42,"release_date":43,"vote_average":8,"backdrop_path":44,"original_title":45,"original_language":46},643894,"France 1939: One Last Summer","Gustave Folcher, a French farmer, wrote in his 1939 diary that the summer had been long and hot. 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The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. 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