[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1627210-en-US":3},{"detail":4,"match":337,"insight":338,"providers":339,"providerLink":7,"trailer":7},{"adult":5,"backdrop_path":6,"belongs_to_collection":7,"budget":8,"genres":9,"homepage":13,"id":14,"imdb_id":15,"origin_country":16,"original_language":18,"original_title":19,"overview":20,"popularity":21,"poster_path":22,"production_companies":23,"production_countries":47,"release_date":50,"revenue":8,"runtime":51,"softcore":5,"spoken_languages":52,"status":60,"tagline":39,"title":61,"video":5,"vote_average":62,"vote_count":63,"credits":64,"similar":132,"watch\u002Fproviders":333,"videos":335},false,"\u002FaALJemVlriG8mm9pe1T2Jdg0H5t.jpg",null,0,[10],{"id":11,"name":12},99,"Documentary","https:\u002F\u002Fdaniel-kupferstein.com\u002Fautres-films\u002F8-documentaires\u002F5-17-octobre-1961-dissimulation-d-un-massacre",1627210,"tt43564328",[17],"FR","fr","17 octobre 1961, dissimulation d’un massacre","On October 17 and 18, 1961, during a non-violent demonstration against the imposed curfew, dozens of Algerians were murdered in Paris by police officers acting on orders from their superiors. For forty years, this crime has been concealed; yet these events, the deadliest on French soil since the Second World War, resemble, in some respects, the darkest hours of the collaboration. Why has this history been hidden? Under what conditions, and in the name of what reasons, did officials of a democratic state conceal the scale and gravity of such events?",1.1025,"\u002Fmu5T8cA0bKTW74MnJBamNJAcaJW.jpg",[24,28,32,36,40,43],{"id":25,"logo_path":26,"name":27,"origin_country":17},20442,"\u002FbJdNEHt2r5D3hVolSLN9UP1azi0.png","Morgane Production",{"id":29,"logo_path":30,"name":31,"origin_country":17},116072,"\u002FnYlhTsWSUH2g8l9386EyEjEYFwy.png","Histoire TV",{"id":33,"logo_path":34,"name":35,"origin_country":17},310,"\u002F4Gp5A4YdjPBfsHT47ngHMaXWmb9.png","CNC",{"id":37,"logo_path":7,"name":38,"origin_country":39},38876,"Fonds d'Action Sociale","",{"id":41,"logo_path":7,"name":42,"origin_country":39},193317,"Forum des Images",{"id":44,"logo_path":45,"name":46,"origin_country":17},311,"\u002FTNGvZ8zOklntjPP3EcsHtrR8Rc.png","PROCIREP",[48],{"iso_3166_1":17,"name":49},"France","2001-01-01",55,[53,57],{"english_name":54,"iso_639_1":55,"name":56},"Arabic","ar","العربية",{"english_name":58,"iso_639_1":18,"name":59},"French","Français","Released","October 17, 1961, Cover-up Of a Massacre",10,1,{"cast":65,"crew":83},[66,76],{"adult":5,"gender":67,"id":68,"known_for_department":69,"name":70,"original_name":70,"popularity":71,"profile_path":72,"cast_id":73,"character":74,"credit_id":75,"order":8},2,3265738,"Acting","Pierre Vidal-Naquet",0.3843,"\u002FdTrJzzXmQoK6bqkI0i7ScD3iO0s.jpg",5,"Self","6a2c1d56c759cab4f0c3a3cb",{"adult":5,"gender":67,"id":77,"known_for_department":69,"name":78,"original_name":78,"popularity":79,"profile_path":80,"cast_id":81,"character":74,"credit_id":82,"order":63},5978695,"Jean-Luc Einaudi",0.7078,"\u002F4iJrM739tFoC4obMAkwHRu46C4k.jpg",6,"6a2c1d6088c8bafe84b8784f",[84,93,96,102,107,114,119,125],{"adult":5,"gender":67,"id":85,"known_for_department":86,"name":87,"original_name":87,"popularity":88,"profile_path":89,"credit_id":90,"department":91,"job":92},2660754,"Directing","Daniel Kupferstein",0.3952,"\u002FhucmPZmkpZcm91NfQdBxKzZAhCe.jpg","697fb0a76e5d5b35ab1bd6a5","Writing","Writer",{"adult":5,"gender":67,"id":85,"known_for_department":86,"name":87,"original_name":87,"popularity":88,"profile_path":89,"credit_id":94,"department":86,"job":95},"697fb0b1aad51b40d475f998","Director",{"adult":5,"gender":8,"id":97,"known_for_department":98,"name":99,"original_name":99,"popularity":100,"profile_path":7,"credit_id":101,"department":98,"job":98},5979161,"Sound","Dominique Lemarchand",0.5202,"697fb0c4297999c93675fa04",{"adult":5,"gender":67,"id":103,"known_for_department":98,"name":104,"original_name":104,"popularity":105,"profile_path":7,"credit_id":106,"department":98,"job":98},2224665,"Jean-Luc Cesco",0.3942,"697fb0d8297999c93675fa09",{"adult":5,"gender":8,"id":108,"known_for_department":109,"name":110,"original_name":110,"popularity":111,"profile_path":7,"credit_id":112,"department":109,"job":113},6285401,"Crew","Mathieu Parret",0.4404,"6a2ed8fb1dd5c4c5b226cbfd","Cinematography",{"adult":5,"gender":8,"id":115,"known_for_department":109,"name":116,"original_name":116,"popularity":117,"profile_path":7,"credit_id":118,"department":109,"job":113},6285402,"David Lemarchand",0.485,"6a2ed9085bf4a0a83026cbfd",{"adult":5,"gender":63,"id":120,"known_for_department":109,"name":121,"original_name":122,"popularity":123,"profile_path":7,"credit_id":124,"department":109,"job":113},2604651,"Anne Musterlier","Anne Mustelier",0.4338,"6a2ed91e617a0015c04ac4e2",{"adult":5,"gender":8,"id":126,"known_for_department":127,"name":128,"original_name":128,"popularity":129,"profile_path":7,"credit_id":130,"department":127,"job":131},6285408,"Editing","Patrick Zima",0.4623,"6a2ed96dabaddb307edbef08","Editor",{"page":63,"results":133,"total_pages":331,"total_results":332},[134,143,153,164,174,181,188,200,209,218,228,235,246,257,271,283,292,302,312,323],{"adult":5,"backdrop_path":7,"genre_ids":135,"id":136,"title":137,"original_language":138,"original_title":137,"overview":139,"popularity":140,"poster_path":141,"release_date":142,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],818566,"Opium, la argentina beatnik","es","During the 1960s there was a group of writers in Buenos Aires who, influenced by the North American Beatnik movement, called themselves Opium. Anarchists, rebels with a cause, populated Buenos Aires nights in bars like El Moderno, promoting a different movement for a different time. This film addresses not only Opium, but the sixties itself, and its collateral protagonists.",1.1404,"\u002F6y77R1Sckat7MQjluZZTTqgvWzh.jpg","2016-01-01",{"adult":5,"backdrop_path":7,"genre_ids":144,"id":145,"title":146,"original_language":147,"original_title":146,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":5,"video":5,"vote_average":152,"vote_count":63},[11],445885,"Home Feeling: Struggle for a Community","en","This feature documentary takes us to the heart of the Jane-Finch \"Corridor\" in the early 1980s. Covering six square blocks in Toronto's North York, the area readily evokes images of vandalism, high-density subsidized housing, racial tension, despair and crime. By focusing on the lives of several of the residents, many of them black or members of other visible minorities, the film provides a powerful view of a community that, contrary to its popular image, is working towards a more positive future.",1.1561,"\u002F9C2Lb3FTKtTnzuBA6xNwL7u8jno.jpg","1983-07-13",7,{"adult":5,"backdrop_path":154,"genre_ids":155,"id":156,"title":157,"original_language":18,"original_title":157,"overview":158,"popularity":159,"poster_path":160,"release_date":161,"softcore":5,"video":5,"vote_average":162,"vote_count":163},"\u002F1OI7E64uZcRGl5XsLYHi3ofZAKe.jpg",[11],1583423,"Le temps des femmes ?","Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.",2.9108,"\u002F751mQ7rb3IqobL9GXUKQGSJqNdp.jpg","2025-11-18",8,4,{"adult":5,"backdrop_path":165,"genre_ids":166,"id":167,"title":168,"original_language":169,"original_title":168,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F94ib09BENvophCejOkpNi3gEiGW.jpg",[11],1592374,"Da Terra","pt","Emília Pedro e Fernanda Jorge revisit childhood memories to identify over 70 land parcels inherited from their father. As physical traces fade, memory and oral tradition become the only way to 'see' what is no longer visible.",1.7219,"\u002F5uQ2AqPUowGe5NZC1bXIhs2zrax.jpg","2025-03-01",{"adult":5,"backdrop_path":7,"genre_ids":175,"id":176,"title":177,"original_language":147,"original_title":177,"overview":178,"popularity":179,"poster_path":7,"release_date":180,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1024817,"81.92","\"A l likeness is a gift... it avoids... or confuses time if your prefer.\" said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.",1.1002,"2018-01-01",{"adult":5,"backdrop_path":7,"genre_ids":182,"id":183,"title":184,"original_language":147,"original_title":184,"overview":185,"popularity":186,"poster_path":7,"release_date":187,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],831700,"Glad You’re Here","Engaging themes of love and betrayal, hope, belonging and place, Glad You’re Here documents my nineteen--year journey through building a family life, seeing it suffer the damage of mental illness, grief and separation, and then rebuilding with empathy. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.",0.486,"2019-11-09",{"adult":5,"backdrop_path":189,"genre_ids":190,"id":192,"title":193,"original_language":55,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":198,"softcore":5,"video":5,"vote_average":199,"vote_count":67},"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg",[11,191],10752,273112,"Algeria in Flames","Algérie en flammes","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",1.0395,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,{"adult":5,"backdrop_path":201,"genre_ids":202,"id":203,"title":204,"original_language":147,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002Fr9ZgWCFAjScFd5x1pnfGcQDF4iY.jpg",[11],1593174,"When the Water Stops Flowing","Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.",0.8807,"\u002FhYKHkswTffxcO0G8BueUEqxOClL.jpg","2026-01-03",{"adult":5,"backdrop_path":7,"genre_ids":210,"id":211,"title":212,"original_language":169,"original_title":213,"overview":214,"popularity":215,"poster_path":216,"release_date":217,"softcore":5,"video":5,"vote_average":152,"vote_count":67},[11],457085,"The Case of the Wrong Man","O Caso do Homem Errado","The documentary tells the story of Júlio César, a young Afro-Brazilian who was executed by the Police in the 1980s in Porto Alegre. The crime became notorious when the press published photos of Julius being put alive in the police car and arriving 37 minutes later shot and dead at the hospital.",1.1655,"\u002Fc6aLLz4Ibwu8CA3StX42CXUSd7d.jpg","2017-05-11",{"adult":5,"backdrop_path":7,"genre_ids":219,"id":220,"title":221,"original_language":18,"original_title":222,"overview":223,"popularity":224,"poster_path":225,"release_date":226,"softcore":5,"video":5,"vote_average":227,"vote_count":63},[11],457110,"I Remember Nothing","Je ne me souviens de rien","January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.",1.2662,"\u002FuiRQRj1LIhuX7zV7wftbFaSHTrY.jpg","2017-03-28",3.5,{"adult":5,"backdrop_path":7,"genre_ids":229,"id":230,"title":231,"original_language":138,"original_title":231,"overview":39,"popularity":232,"poster_path":233,"release_date":234,"softcore":5,"video":5,"vote_average":81,"vote_count":63},[11],450551,"De Madrid a la Luna",1.3157,"\u002Fr5KcBlEHUEqcJmx5Oeq6Z4YcSbE.jpg","2006-10-24",{"adult":5,"backdrop_path":236,"genre_ids":237,"id":239,"title":240,"original_language":18,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":5,"video":5,"vote_average":62,"vote_count":63},"\u002F5jDgsDQxye1l04Y7cuhH8yUc1az.jpg",[11,238],36,1209496,"Algeria 1954, The Revolt Of A Colonized","Algérie 1954, La Révolte D'un Colonisé","This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.",0.6485,"\u002FefoQlCXQpq0uc2y3fJP0G61R0YK.jpg","1974-01-01",{"adult":5,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":147,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":5,"video":5,"vote_average":255,"vote_count":256},"\u002Flj79NEheTtAqHXjNvWaIPjd7ERe.jpg",[238,11],450875,"LA 92","Twenty-five years after the verdict in the Rodney King trial sparked several days of protests, violence and looting in Los Angeles, LA 92 immerses viewers in that tumultuous period through stunning and rarely seen archival footage.",1.8463,"\u002FoT7OmkAoVnYDa8XbGipCEj6PVmN.jpg","2017-04-28",7.748,148,{"adult":5,"backdrop_path":258,"genre_ids":259,"id":261,"title":262,"original_language":263,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":5,"video":5,"vote_average":269,"vote_count":270},"\u002FpI43CNIH3XW4u5HtwJ35cu3cbBB.jpg",[11,260],10770,633650,"The Price of Protest","de","Ein amerikanischer Held","United States, September 1st, 2016. American football player Colin Kaepernick kneels during the national anthem, protesting police brutality against black people. Part of the population regards the gesture as an unacceptable affront to the flag. Later, he loses his place on his team. Today, however, he is considered by many as a true hero.",1.5536,"\u002FeajDFN88gJBmDqkXncLoMvKPm2y.jpg","2019-08-18",7.6,11,{"adult":5,"backdrop_path":7,"genre_ids":272,"id":275,"title":276,"original_language":147,"original_title":277,"overview":278,"popularity":279,"poster_path":280,"release_date":281,"softcore":5,"video":5,"vote_average":282,"vote_count":62},[11,273,274],27,878,5675,"Hollywood Rated 'R'","Les deniers du culte","A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-\"Deep Throat\" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.",1.558,"\u002Fum5yLI2iDqyt5hDtlospXCl3z3h.jpg","1997-06-19",5.3,{"adult":5,"backdrop_path":7,"genre_ids":284,"id":285,"title":286,"original_language":287,"original_title":288,"overview":289,"popularity":290,"poster_path":7,"release_date":291,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1209907,"The Actors of Cannes","sq","Aktorët e Kanës","\"The Actors of Cannes\" is a documentary film project that showcases a painful part of Kosovo’s history – the spring 1990 school poising of 8400 students by the Serbian government. The mass poisoning of Albanian Kosovars targeted students, teachers, citizens, even young children in preschools.",0.5836,"2023-01-01",{"adult":5,"backdrop_path":7,"genre_ids":293,"id":294,"title":295,"original_language":138,"original_title":296,"overview":297,"popularity":298,"poster_path":299,"release_date":300,"softcore":5,"video":5,"vote_average":301,"vote_count":162},[11],267959,"Old Thieves: The Legend of Artegio","Los Ladrones Viejos: Las Leyendas del Artegio","Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the city’s streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.",0.7181,"\u002FAuxmgcevML7goL0i6fyD4IHo0p3.jpg","2007-03-15",6.7,{"adult":5,"backdrop_path":303,"genre_ids":304,"id":305,"title":306,"original_language":147,"original_title":306,"overview":307,"popularity":308,"poster_path":309,"release_date":310,"softcore":5,"video":5,"vote_average":311,"vote_count":163},"\u002Fqec2zxARv4R7MF6I8zD7mzUcU1T.jpg",[260,11],452017,"L.A. Burning: The Riots 25 Years Later","Documentary film exploring the lives of the people at the flashpoint of the LA riots, 25 years after the uprising made national headlines and highlighted the racial divide in America.",1.7351,"\u002Fn361KdY19L5VXiL9NzvhE4vJ8Hs.jpg","2017-04-18",7.5,{"adult":5,"backdrop_path":313,"genre_ids":314,"id":315,"title":316,"original_language":147,"original_title":316,"overview":317,"popularity":318,"poster_path":319,"release_date":320,"softcore":5,"video":5,"vote_average":321,"vote_count":322},"\u002FjIrlyDQEqJGMRI29Ji4i6BVMCPB.jpg",[11,238],451974,"Let It Fall: Los Angeles 1982-1992","An in-depth look at the culture of Los Angeles in the ten years leading up to the 1992 uprising that erupted after the verdict of police officers cleared of beating Rodney King.",1.5253,"\u002FsfMHsRoO64j6yfZCPosfQWi5y5y.jpg","2017-04-21",7.619,21,{"adult":5,"backdrop_path":324,"genre_ids":325,"id":326,"title":327,"original_language":138,"original_title":327,"overview":39,"popularity":328,"poster_path":329,"release_date":330,"softcore":5,"video":5,"vote_average":8,"vote_count":8},"\u002F1xLQKy1YmdNHbssRCFxYCDLNMfY.jpg",[11],1581395,"Las casas de mi abuelo",1.2532,"\u002Ft784vDg8MvIaGi2UH08tGx1YByt.jpg","2025-11-15",1001,20001,{"results":334},{},{"id":14,"results":336},[],54,"A documentary story that tends to land well.",[]]