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The documentary explores the beauty of contrast through life testimonies that foster listening and dialogue, opening a space where people feel welcomed and can be reborn. A collective reflection on the incarnate love of the Gospel, the beauty of relationships, and the complexity of a Church that wants—or should want—to truly be a home for everyone.",0.5088,"\u002F5uFuZjzUaoDuEBiSkx1R63dLOUU.jpg","2025-12-12",{"adult":5,"backdrop_path":7,"genre_ids":260,"id":261,"title":262,"original_language":94,"original_title":262,"overview":263,"popularity":264,"poster_path":265,"release_date":266,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1598348,"Decolonising the Curatorial Process","Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. 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