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Told through the voices of the original students, community leaders, and historians, The Walkout weaves together personal testimony, historical footage, and present-day reflections to honor the legacy of resistance born in San Antonio’s Westside. This film doesn’t just revisit the past; it also draws a direct line to today’s struggles over school funding and equity in Texas.",[11],0.1732,"\u002Ftta3rmemdKFYiVSWcgpoPfvxuNP.jpg","2025-08-02","en",{"id":88,"adult":6,"title":89,"video":6,"overview":90,"softcore":6,"genre_ids":91,"popularity":92,"vote_count":93,"poster_path":94,"release_date":95,"vote_average":96,"backdrop_path":26,"original_title":89,"original_language":86},259781,"Un racisme à peine voilé","October 2003, Alma and Lila Levy are excluded from the Lycée Henri Wallon in Aubervilliers solely because they were wearing a headscarf. What follows is a deafening political and media debate, justifying in most cases the exclusion of girls wearing head-scarves to school.  February 2004, a law was eventually passed by the National Assembly. \"A thinly veiled racism\" is about this controversy since the affair of Creil in 1989 (where two schoolgirls were excluded for the same reasons) and attempts to \"reveal\" that maybe what hides behind is the desire to exclude these girls. This film gives them a voice as well as others - teachers, community activists, feminists, researchers - gathered around the group \"A School for You-All\" fighting for the repeal of this law they consider sexist and racist ...  This movie was censured in Septembre 2004 in France.",[11],0.2415,2,"\u002FA2oMbPdmYyOLHYgigotATTe6T6n.jpg","2004-01-01",5.2,{"id":98,"adult":6,"title":99,"video":6,"overview":100,"softcore":6,"genre_ids":101,"popularity":103,"vote_count":44,"poster_path":104,"release_date":105,"vote_average":106,"backdrop_path":107,"original_title":108,"original_language":53},1359804,"A Day in the Life of French Cinema","Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. 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It all happens at the Dandelion School, Beijing’s first middle school specifically established for the children of migrant workers. Every year when new pupils arrive, Ms. Yuan Xiaoyan, who has worked in the school choir for eight years, would choose a group of music-loving first-years with solid musical foundations to join the choir. A new group of children join the choir while those who have advanced to the second year have to discuss with their families their future choices. For choir members, their music career in middle school will eventually stop due to the pressure of high school entrance examinations and the inevitable parting. 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