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Each year, some 700 Palestinian children undergo military detention in a system where ill-treatment is widespread and institutionalized.  For these young detainees, few rights are guaranteed, even on paper. After release, the experience of detention continues to shape and mark former child prisoners’ path forward.",[11,272,587],10752,0.336,"\u002FhotrxIetuDfyZMbLi5Vc929UNaf.jpg","2019-04-24","en",{"id":593,"adult":6,"title":594,"video":6,"overview":595,"softcore":6,"genre_ids":596,"popularity":597,"vote_count":8,"poster_path":598,"release_date":599,"vote_average":8,"backdrop_path":600,"original_title":594,"original_language":601},646312,"Los prohibidos","Documentary film that follows Silvana Castro, a woman who works at the National Congress Library in Argentina where the books that were forbidden during the military dictatorship are kept. After the exhibition of the books is suspended, she'll try to open it again.",[11],0.9252,"\u002FhCVFwhn5f4fEz2rDNPCFjOLOo0m.jpg","2019-11-08","\u002FttftYcXOEnZs8Me5WQitEWVjeIA.jpg","es",{"id":603,"adult":6,"title":604,"video":6,"overview":605,"softcore":6,"genre_ids":606,"popularity":607,"vote_count":70,"poster_path":608,"release_date":609,"vote_average":610,"backdrop_path":611,"original_title":612,"original_language":613},295519,"Forbidden Films","Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called \"Vorbehaltsfilme\", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.",[11,587,272],0.6449,"\u002F222oQXMu8G7kDqW6gVPv8OksuA7.jpg","2014-03-06",6.5,"\u002FpbV8eqyoqEBKvt5VkAmE2iliskV.jpg","Verbotene Filme","de",{"id":615,"adult":6,"title":616,"video":6,"overview":617,"softcore":6,"genre_ids":618,"popularity":619,"vote_count":8,"poster_path":620,"release_date":621,"vote_average":8,"backdrop_path":34,"original_title":616,"original_language":613},677541,"Das Haus der guten Geister","A documentary about the Staatsoper Stuttgart (Stuttgart State Opera) in Germany.",[11],1.0244,"\u002F8Fox3sPg46LBvSAovQid0etzn4m.jpg","2020-04-20",{"id":623,"adult":6,"title":624,"video":6,"overview":625,"softcore":6,"genre_ids":626,"popularity":627,"vote_count":8,"poster_path":628,"release_date":629,"vote_average":8,"backdrop_path":630,"original_title":624,"original_language":591},1459252,"News Without A Newsroom","As local newsrooms vanish, \"News Without a Newsroom\" explores journalism's uncertain future in the digital age. 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Using the media watchdog group, Project Censored, as their road map, two fathers from California decided to make a documentary film that will help to end the reign of Junk Food News that Corporate Media continues to feed the American people.",[11,272,587],0.7594,"2013-04-12",{"id":649,"adult":6,"title":650,"video":6,"overview":651,"softcore":6,"genre_ids":652,"popularity":653,"vote_count":8,"poster_path":654,"release_date":655,"vote_average":8,"backdrop_path":34,"original_title":650,"original_language":591},329326,"Diagram for Delinquents","In 1950, America was in a state of panic. Juvenile delinquency was destroying the very fabric of society. Ninety percent of all children were reading comic books. In 1954, psychiatrist Dr. Fredric Wertham wrote a scathing indictment of comics called Seduction of the Innocent. Its central premise: Comic books were the leading contributing factor to juvenile delinquency. That same year, Dr. Wertham testified at special hearings on comic books at the Senate Subcommittee to Investigate Juvenile Delinquency in the United States. Comics were on trial. Diagram for Delinquents captures the zeitgeist of late 1940s and early 1950s America and investigates how the funny books found themselves on the fire. Using expert and comic book insider interviews, never seen before historical photographs and films, and animation, DIAGRAM goes further than any previous comic book documentary to explore and understand the controversial figure at the center of this American tale: Fredric Wertham.",[11],0.5043,"\u002FA0ZDPor5kmSnBGVoV1fvWIxuBAn.jpg","2014-06-15",{"id":657,"adult":6,"title":658,"video":6,"overview":659,"softcore":6,"genre_ids":660,"popularity":661,"vote_count":8,"poster_path":34,"release_date":662,"vote_average":8,"backdrop_path":34,"original_title":658,"original_language":663},519248,"Impressões do Brasil","\"Impressões\" rescues the history of the Brazilian press since 1808, when the \"Correio Brasiliense\" clandestinely reached Rio de Janeiro after being edited in London by Hipólito José da Costa, and spans until 1986. It's the first documentary to depict the history of the Brazilian journalistic press.",[11,636],0.7806,"1987-04-19","pt",{"id":665,"adult":6,"title":666,"video":6,"overview":667,"softcore":6,"genre_ids":668,"popularity":669,"vote_count":53,"poster_path":670,"release_date":671,"vote_average":672,"backdrop_path":34,"original_title":673,"original_language":674},362021,"Censored without Censorship","Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.",[11],1.0741,"\u002F3xG7XuRSUkZckkq29QlflvfyZj.jpg","2007-03-02",7.2,"Zabranjeni bez zabrane","sr",{"id":676,"adult":6,"title":677,"video":6,"overview":678,"softcore":6,"genre_ids":679,"popularity":680,"vote_count":77,"poster_path":681,"release_date":682,"vote_average":683,"backdrop_path":684,"original_title":677,"original_language":591},99397,"The Sheik and I","When an American filmmaker is commissioned to make a film for a Middle East Biennial on the theme of 'art as a subversive act,' his film is banned for blasphemy, he is asked to destroy every copy, and threatened with arrest.",[11,265],0.8728,"\u002FzWyYbCfkrF7mKzHbxdkhoGRsjmV.jpg","2012-12-07",5.6,"\u002FmrTIvSE6GS3iJAT7MleH5EU0ASS.jpg",{"id":686,"adult":6,"title":687,"video":6,"overview":688,"softcore":6,"genre_ids":689,"popularity":690,"vote_count":8,"poster_path":691,"release_date":692,"vote_average":8,"backdrop_path":34,"original_title":687,"original_language":591},1142247,"Night Flight with Frank Zappa, Porn Wars","Frank Zappa stopped by the Night Flight studios in 1985 to talk about music videos, censorship, the PMRC and what it's like to play in his band.",[11],0.5256,"\u002FeHKslX61MRpDhNcVpWtEWzwD1LD.jpg","1985-09-19",{"id":694,"adult":6,"title":695,"video":6,"overview":696,"softcore":6,"genre_ids":697,"popularity":698,"vote_count":71,"poster_path":699,"release_date":700,"vote_average":701,"backdrop_path":702,"original_title":695,"original_language":591},112822,"Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood","A look at the forces that shaped Pre-Code Hollywood and brought about the strict enforcement of the Hays Code in 1934.",[11,272],1.1134,"\u002F9UGM3CzSaQ2uAICCW7LBCUhZ2Am.jpg","2008-03-03",6.1,"\u002Fd6YmguysBCpfGpo6DX7XSWsHprN.jpg",{"id":704,"adult":6,"title":705,"video":6,"overview":706,"softcore":6,"genre_ids":707,"popularity":708,"vote_count":8,"poster_path":709,"release_date":710,"vote_average":8,"backdrop_path":34,"original_title":705,"original_language":591},523184,"[CENSORED]","An essay film by filmmaker and archivist Sari Braithwaite, [Censored] offers an overview of film censorship in Australia, told through an ever-changing collage of images compiled from the footage that was cut from films released domestically between 1958 and 1971.",[11],0.7724,"\u002FjoW7MYfY3uXKsG4KcBAg8aiVCcK.jpg","2018-06-11",{"id":712,"adult":6,"title":713,"video":6,"overview":714,"softcore":6,"genre_ids":715,"popularity":716,"vote_count":335,"poster_path":717,"release_date":718,"vote_average":719,"backdrop_path":720,"original_title":713,"original_language":591},73779,"The Secret Life of Brian","A documentary about the making of the controversial Life of Brian and the surrounding accusations of blasphemy.",[11],1.6518,"\u002FoQdLMqaYQL64UzIZy5Av2yH2F6h.jpg","2007-01-01",7.8,"\u002F2tlfSJo0nEE0dMo2qIoAaAeSPOc.jpg",{"id":722,"adult":6,"title":723,"video":6,"overview":724,"softcore":6,"genre_ids":725,"popularity":726,"vote_count":8,"poster_path":727,"release_date":728,"vote_average":8,"backdrop_path":729,"original_title":730,"original_language":731},1489201,"Cinema Againts Power","There was an undeclared war for nearly half a century in Bulgaria between the then government and the majority of democratic-minded filmmakers during the Communist regime. Paradoxically, most of the banned or censored out movies were made by members of the Communist Party, believers in their party's ideas and justice. The Communist Party aesthetics against the freedom to tell truth.",[11],0.548,"\u002F7I5vjfx3Gebg363gx8jUjn4WvMM.jpg","2017-05-12","\u002F90xR6ZtObAYXi7rJpIssZN9AsHK.jpg","Киното срещу властта","bg",{"id":733,"adult":6,"title":734,"video":6,"overview":735,"softcore":6,"genre_ids":736,"popularity":737,"vote_count":21,"poster_path":738,"release_date":739,"vote_average":53,"backdrop_path":34,"original_title":740,"original_language":613},1488572,"Under Pressure: How Free Are Europe's Media?","How free and independent is the press in Europe? In recent years, multiple crises and the rise of authoritarianism have put pressure on journalists. We take a look at these countries, where aggression towards the media seems to be undermining the very idea of democracy.",[11,636],0.5879,"\u002Ff4icLDY9QKfIpHrNKCw37G6zM5m.jpg","2025-05-28","Unter Druck - Wie frei sind Europas Medien?",{"id":742,"adult":6,"title":743,"video":6,"overview":744,"softcore":6,"genre_ids":745,"popularity":747,"vote_count":8,"poster_path":748,"release_date":749,"vote_average":8,"backdrop_path":34,"original_title":743,"original_language":591},343325,"More Dangerous Songs: And the Banned Played On","More Dangerous Songs: And the Banned Played On features previously banned songs by the BBC including \"Lola\" by the Kinks, \"Jackie\" by Scott Walker and \"(We Don't Need this) Fascist Groove Thang\" by Heaven 17.",[746,11],10402,0.7499,"\u002Fxv3LIzdZr7GitXAZsanV645AFyl.jpg","2014-07-11",{"id":751,"adult":6,"title":752,"video":6,"overview":753,"softcore":6,"genre_ids":754,"popularity":755,"vote_count":61,"poster_path":756,"release_date":757,"vote_average":758,"backdrop_path":759,"original_title":752,"original_language":591},1304681,"Exorcismo: The Transgressive Legacy of Clasificada “S”","Spain, 1975. Franco's death opens the door to the possibility of uncensored cinema. After two years of relaxed censorship, it is abolished in 1977, and the “S” rating is created to protect viewers from films that may “offend their sensibilities.”",[11,272],1.021,"\u002F2xeTx0tIpR11YhnIBLqkBtTyE7G.jpg","2024-10-03",6.8,"\u002FjIMjnNUFfq1BIwzbtIiFa1OMzZ6.jpg",{"id":761,"adult":6,"title":762,"video":6,"overview":763,"softcore":6,"genre_ids":764,"popularity":765,"vote_count":8,"poster_path":766,"release_date":767,"vote_average":8,"backdrop_path":34,"original_title":762,"original_language":591},1727140,"Violence Solves Everything","A study of death scenes and endings, under the Hays code era of Hollywood (1934-1968) and beyond.",[11],0.2329,"\u002Fcfthu5sfgTEK8lvCAr6QbHI1Iby.jpg","2026-06-13",1001,20001,"","Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.",1.0862,"\u002Fv9170H0IQzP08TQNzc29bCNRZYp.jpg","2007-05-23",4.3,"\u002Fwm9gtla7woXpAtimBLUodv7ANuA.jpg",[778],"US",{"results":780},{},[782],{"name":783,"iso_639_1":591,"english_name":783},"English",[785,788],{"id":786,"name":787,"logo_path":34,"origin_country":778},8936,"A&F Productions",{"id":789,"name":790,"logo_path":791,"origin_country":778},1431,"Playboy Enterprises","\u002Fv3YaGAqdqfEoB1CRIVBWXW7so1O.png",[793],{"name":794,"iso_3166_1":778},"United States of America","A documentary story that tends to land well.",[]]