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Primary instincts of the nomads, such as having a deep respect for natural surroundings, were forcefully replaced by socialist dogma and, later, capitalist machinations. This work presents the roads taken and not taken by the Mongolian nomads up until now. (Zulaa Urchuud)",0.5424,"\u002Fkrt4gRspeVLZix6sbHs0GQwpLrP.jpg","2021-08-24",{"adult":5,"backdrop_path":7,"genre_ids":225,"id":226,"title":227,"original_language":42,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":5,"video":5,"vote_average":8,"vote_count":8},[11],1336684,"Arena","In a world where freedom is constantly under threat, democratic societies are always on the lookout to ensure that the hard-won conquests of the historically recent past are not rolled back, but rather evolve towards individual and collective freedoms of expression and coexistence. 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Over the course of this unforgettable group portrait, Subhi (from Syria), Junior (from Congo), and Mari and Cheyenne (from Angola) experience roadblocks and triumphs as they reflect on their respective histories and try to create a home for themselves in an environment that is not always welcoming. 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Through seven over-the-top characters and sketches-like \"rap sessions\" on male dress or surreal family weekends-he paints these programs as cultish brainwashing camps. It's selective outrage to make audiences cheer when the \"hero\" rejects it all and stays gay.  Problem: It cherry-picks failures to smear the concept, ignoring countless stories of people who found freedom through faith or therapy. Toscano mocks entrants as deluded victims without exploring their reasons.  This isn't artful satire like The Producers. It's activism with laughs to shame and silence. 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