[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1683342-en-US":3},{"detail":4,"match":267,"insight":268,"providers":269,"providerLink":26,"trailer":26},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":26,"revenue":8,"runtime":27,"similar":28,"tagline":113,"homepage":113,"overview":247,"softcore":6,"popularity":248,"vote_count":8,"poster_path":249,"release_date":250,"vote_average":8,"backdrop_path":26,"origin_country":251,"original_title":253,"watch\u002Fproviders":254,"spoken_languages":256,"original_language":258,"production_companies":263,"production_countries":264,"belongs_to_collection":26},1683342,false,"Yankees go home!",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},6172813,"Director","Plataforma Anti-imperialista Paraguay","69efd6330c047f4236e69dd1","Directing",0.2552,null,16,{"page":29,"results":30,"total_pages":245,"total_results":246},1,[31,40,52,63,76,87,98,110,120,128,140,153,165,174,182,193,203,212,222,234],{"id":32,"adult":6,"title":33,"video":6,"overview":34,"softcore":6,"genre_ids":35,"popularity":36,"vote_count":8,"poster_path":37,"release_date":38,"vote_average":8,"backdrop_path":26,"original_title":33,"original_language":39},826567,"Dying for Drugs","Every year many new drugs come to market which offer hope to the sick and dying. This documentary film investigates just how far drug companies are prepared to go to get their drugs approved, what they will do to make sure they get the prices they want, and what happens when profits are put before people.",[11],0.7577,"\u002F3xakKthVBO8WmhNq6wCzkfaimu7.jpg","2003-01-01","en",{"id":41,"adult":6,"title":42,"video":6,"overview":43,"softcore":6,"genre_ids":44,"popularity":47,"vote_count":8,"poster_path":48,"release_date":49,"vote_average":8,"backdrop_path":26,"original_title":50,"original_language":51},1609977,"Pilar won't die","In 1983, the inhabitants of the city of Pilar struggle against nature in an attempt to survive an imminent rise of the river, and amid the desperation, hope emerges.",[11,45,46],36,18,0.7104,"\u002Fs9C7NpqUOAgzJgOHOeUpYtPeuRa.jpg","2025-12-27","Pilar no muere","es",{"id":53,"adult":6,"title":54,"video":6,"overview":55,"softcore":6,"genre_ids":56,"popularity":57,"vote_count":8,"poster_path":58,"release_date":59,"vote_average":8,"backdrop_path":60,"original_title":61,"original_language":62},1616181,"Around Paradise","In Caazapá, the “city of magic and legends”, two Paraguayan students are searching for happiness, gold and a magic bird. Their European dropout neighbours are hoping for freedom, healing and salvation from Armageddon. Everything has its price.",[11],1.0741,"\u002FlTvLqNEb5wXsIt5zeaX9MkutTk4.jpg","2026-12-03","\u002Fbk6klqWHsQmiSb0BlnSjPdMtXel.jpg","Im Umkreis des Paradieses","de",{"id":64,"adult":6,"title":65,"video":6,"overview":66,"softcore":6,"genre_ids":67,"popularity":68,"vote_count":69,"poster_path":70,"release_date":71,"vote_average":72,"backdrop_path":73,"original_title":74,"original_language":75},271931,"To the End of the World in a Trabant","The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.",[11],0.9489,3,"\u002Fo9L1ZTwHy4gY6uAS2Y050PRZJ5r.jpg","2014-03-13",6.3,"\u002F3TorcKlRcpan9lOfbQF9TENr4VX.jpg","Trabantem až na konec světa","cs",{"id":77,"adult":6,"title":78,"video":6,"overview":79,"softcore":6,"genre_ids":80,"popularity":82,"vote_count":29,"poster_path":83,"release_date":84,"vote_average":85,"backdrop_path":26,"original_title":78,"original_language":86},1608733,"Remembering History","Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.",[11,45,81],10752,1.8377,"\u002F3WNsZj0cqbTecJYtRcgg0TdxcjO.jpg","2004-10-12",10,"fr",{"id":88,"adult":6,"title":89,"video":6,"overview":90,"softcore":6,"genre_ids":91,"popularity":92,"vote_count":29,"poster_path":93,"release_date":94,"vote_average":85,"backdrop_path":95,"original_title":96,"original_language":97},644369,"How Much I Love You","Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.",[11],0.6348,"\u002FhVS69fnRMUrcp0Zrr1rsP16bvxc.jpg","1985-05-05","\u002FtcUdvCChXJApLTcc7sgEyFCYt7M.jpg","Combien Je Vous Aime","ar",{"id":99,"adult":6,"title":100,"video":6,"overview":101,"softcore":6,"genre_ids":102,"popularity":103,"vote_count":104,"poster_path":105,"release_date":106,"vote_average":107,"backdrop_path":108,"original_title":109,"original_language":97},273112,"Algeria in Flames","These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.",[11,81],0.959,2,"\u002Fvo4od9ntoAQMbpdunrXoSojYbsJ.jpg","1958-01-02",8.5,"\u002FwNl3mPa5aTBEvxQYxWUDWdbGGci.jpg","Algérie en flammes",{"id":111,"adult":6,"title":112,"video":6,"overview":113,"softcore":6,"genre_ids":114,"popularity":116,"vote_count":29,"poster_path":117,"release_date":118,"vote_average":85,"backdrop_path":119,"original_title":112,"original_language":86},1039309,"Avoir 16 ans et toutes ses Andes","",[11,115],12,0.8818,"\u002FnCH1irynMLRDpRlfZPIhfAKwSyh.jpg","1991-01-01","\u002FhtwOHCZtnzuN3bHgQhPaa8s43Hp.jpg",{"id":121,"adult":6,"title":122,"video":6,"overview":123,"softcore":6,"genre_ids":124,"popularity":125,"vote_count":8,"poster_path":26,"release_date":113,"vote_average":8,"backdrop_path":26,"original_title":126,"original_language":127},842438,"Sankofa","A short documentary that emerge at the center of round table debate, participating in it there's three students from the Superior School of Arts and Design, Caldas da Rainha - Portugal. This conversation go along with a video essay about Afrofuturism and Pop Culture. Also, during the debate, an interview with another student gives some real example of how afrofuturism can be applied when it comes to in taking control of the colonial narratives into a black person perspective.",[11],0.5011,"Sankofa - Não é errado voltar para o que se esqueceu","pt",{"id":129,"adult":6,"title":130,"video":6,"overview":131,"softcore":6,"genre_ids":132,"popularity":133,"vote_count":134,"poster_path":135,"release_date":136,"vote_average":137,"backdrop_path":138,"original_title":139,"original_language":86},467742,"CHoosing at Twenty","Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.",[11],1.0711,4,"\u002FoG9JP76zG7QWEY2OaV8Kgj5WtZx.jpg","2017-08-24",6.8,"\u002FzaMncrBrFhZuEsMVHYMk6JakXTA.jpg","Choisir à vingt ans",{"id":141,"adult":6,"title":142,"video":6,"overview":143,"softcore":6,"genre_ids":144,"popularity":145,"vote_count":146,"poster_path":147,"release_date":148,"vote_average":149,"backdrop_path":150,"original_title":151,"original_language":152},12456,"The Five Obstructions","In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.",[11],1.904,183,"\u002FxMcCmIdos88yd44xqCXj4NUWph3.jpg","2003-11-07",6.9,"\u002FcP31o6Ta11t4PFo7PYvtCOTJJhs.jpg","De fem benspænd","da",{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":158,"vote_count":159,"poster_path":160,"release_date":161,"vote_average":162,"backdrop_path":163,"original_title":164,"original_language":86},283013,"Dawn of the Damned","This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.",[11,45,46],1.2236,7,"\u002FlofBqYj9p4eefPAQlzrQ5d9SgHk.jpg","1965-07-05",7.4,"\u002FuXPBBQlKDXVx8apISYh9KdrTEoa.jpg","L'Aube des Damnés",{"id":166,"adult":6,"title":167,"video":6,"overview":168,"softcore":6,"genre_ids":169,"popularity":170,"vote_count":29,"poster_path":171,"release_date":172,"vote_average":85,"backdrop_path":173,"original_title":167,"original_language":86},827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",[11,45],0.9412,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14","\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":29,"poster_path":180,"release_date":181,"vote_average":104,"backdrop_path":26,"original_title":176,"original_language":39},452122,"Q'eros: The Shape of Survival","Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.",[11],1.0047,"\u002FjlCxSV7jYU0xvsM1S6HwEOpiZwC.jpg","1979-03-14",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":188,"vote_count":189,"poster_path":190,"release_date":191,"vote_average":137,"backdrop_path":192,"original_title":184,"original_language":39},3396,"The Yes Men","A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.",[187,11],35,1.03,106,"\u002FlbwXEMe4fz6hj3ySwgstRJx38Wz.jpg","2003-09-07","\u002F6sIRxzsPNWfM8zID4C1kySYaqcw.jpg",{"id":194,"adult":6,"title":195,"video":6,"overview":196,"softcore":6,"genre_ids":197,"popularity":198,"vote_count":29,"poster_path":199,"release_date":200,"vote_average":85,"backdrop_path":201,"original_title":202,"original_language":86},1597647,"Jean-Jacques de Félice, The Passion For Justice","From the rights of minors before the juvenile court, young offenders from the neighborhoods of eastern Paris, or children of Algerian origin from the shantytowns of Nanterre, to the defense of colonized Kanaks and Polynesians; from the fight for conscientious objector status to the denunciation of torture and the death penalty, lawyer Jean-Jacques de Félice has been involved in every struggle. His pacifism knows no bounds: with organizations like Cimade, LDH, and the Louis-Lecoin Committee, he assists draft dodgers in numerous countries. These include Portuguese conscientious objectors refusing to fight in the wars in Angola and Mozambique, American deserters opposed to the Vietnam War, and Israeli objectors refusing to serve in the Occupied Territories. It is no surprise that, as early as 1971, he was one of the very first lawyers representing the farmers of the Larzac plateau.",[11],1.3205,"\u002F1fbsqR5tqnd77JWbOtrciJQB28o.jpg","2018-10-27","\u002FyqY3EcDebZUrtgbvhehaeatRUdW.jpg","Jean-Jacques de Félice, La Passion De La Justice",{"id":204,"adult":6,"title":205,"video":6,"overview":206,"softcore":6,"genre_ids":207,"popularity":208,"vote_count":29,"poster_path":209,"release_date":210,"vote_average":85,"backdrop_path":211,"original_title":205,"original_language":86},1598091,"Écoutez May Picqueray","\"Well, I believe in anarchy! And I believe it will come true one day.\" That's what \"May the Rebel,\" a union activist, anti-militarist, and anarchist, always ready to denounce oppression and defend victims, affirms at 85. Born in Brittany, she earned her living at age 10 delivering butter. In Paris, at 20, she became involved with the Anarchist Union. Sébastien Faure became her mentor. She used a grenade to trigger the Sacco-Vanzetti affair. A union delegate in Moscow in 1922, she sang \"Hymn to Anarchy\" before Trotsky. Children during the Spanish Civil War, Jews during the Second World War, conscientious objectors alongside Louis Lecoin during the Algerian War, and later, through her newspaper Le Réfractaire, the Larzac, Plogoff, and Creys-Malville protests—all these were battlegrounds for May Picqueray. To the very end, she remained true to her commitment to defending peace and individual liberties.",[11],0.7367,"\u002FeWEQrLoY6cyUpkv6qxL4VLZ1Od.jpg","1984-01-01","\u002F95lKeZh78HZipyEmb6Y3wZpMqjy.jpg",{"id":213,"adult":6,"title":214,"video":6,"overview":215,"softcore":6,"genre_ids":216,"popularity":217,"vote_count":218,"poster_path":219,"release_date":220,"vote_average":162,"backdrop_path":221,"original_title":214,"original_language":62},11214,"We Feed the World","A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.",[11],1.622,44,"\u002FbuVa28Mh962tUKetAwnbpadkKMm.jpg","2005-09-10","\u002Fmr2WQjdfuIpNf1bmwNFTzPy8sc1.jpg",{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":228,"poster_path":229,"release_date":230,"vote_average":231,"backdrop_path":232,"original_title":233,"original_language":86},273852,"The Zerda or the Songs of Forgetting","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.",[46,11],0.663,5,"\u002FqSganVOBZRTxBMylm4ahR1JxVhW.jpg","1983-02-27",8.1,"\u002FrS4si2yd3olgcOPFhDSdZLYRMEJ.jpg","La Zerda ou les chants de l'oubli",{"id":235,"adult":6,"title":236,"video":6,"overview":237,"softcore":6,"genre_ids":238,"popularity":239,"vote_count":240,"poster_path":241,"release_date":242,"vote_average":243,"backdrop_path":244,"original_title":236,"original_language":39},653733,"Be Water","In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.",[11],2.0949,60,"\u002FyUDtBBQEpmYptyk6wbYR54Sa2OD.jpg","2020-01-25",6.825,"\u002Fogtf9Xub7mweKlznWvFVNddmFmF.jpg",1001,20001,"The campaign ¡Yanquis Tapeho! (in Guarani, \"Yankees go away,\" echoing the classic phrase \"Yankees go home!\") is a campaign of repudiation against the presence of US military troops in Paraguay and Latin America, launched by the Anti-Imperialist Platform Paraguay. This material is the first short video of this campaign. It includes information about the presence of troops in Paraguay, as well as images of the actions carried out by students, organized youth, and other popular sectors during the direct action of repudiation in front of the National Parliament (September 15, 2005) and the massive march through the center of the capital demanding the immediate withdrawal of US military personnel from Paraguay and Latin America (September 17, 2005).",0.4659,"\u002FkszE6o02kNo08PssEb2K4pN7eBN.jpg","2005-10-01",[252],"PY","Yanquis Tapeho",{"results":255},{},[257,260],{"name":113,"iso_639_1":258,"english_name":259},"gn","Guarani",{"name":261,"iso_639_1":51,"english_name":262},"Español","Spanish",[],[265],{"name":266,"iso_3166_1":252},"Paraguay",45,"A documentary story that tends to land well.",[]]