[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1698230-en-US":3},{"detail":4,"match":265,"insight":266,"providers":267,"providerLink":31,"trailer":31},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":19,"imdb_id":31,"revenue":8,"runtime":32,"similar":33,"tagline":85,"homepage":85,"overview":248,"softcore":6,"popularity":249,"vote_count":8,"poster_path":250,"release_date":251,"vote_average":8,"backdrop_path":31,"origin_country":252,"original_title":254,"watch\u002Fproviders":255,"spoken_languages":257,"original_language":218,"production_companies":258,"production_countries":262,"belongs_to_collection":31},1698230,false,"At The Summer Palace",0,[10,13],{"id":11,"name":12},99,"Documentary",{"id":14,"name":15},36,"History","Released",{"results":18},[],{"cast":20,"crew":21},[],[22],{"id":23,"job":24,"name":25,"adult":6,"gender":26,"credit_id":27,"department":28,"popularity":29,"profile_path":30,"original_name":25,"known_for_department":28},1179844,"Director","Yang Fudong",2,"6a0bdb028d7c8748e04acee8","Directing",0.4573,"\u002FmQpTNmXXJ6LdVTJqGCEZX8kCMlE.jpg",null,40,{"page":34,"results":35,"total_pages":246,"total_results":247},1,[36,46,58,71,82,92,103,114,125,135,145,156,167,178,189,199,208,219,227,236],{"id":37,"adult":6,"title":38,"video":6,"overview":39,"softcore":6,"genre_ids":40,"popularity":41,"vote_count":8,"poster_path":42,"release_date":43,"vote_average":8,"backdrop_path":31,"original_title":44,"original_language":45},672533,"Objects of War","‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his \u002F her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject.  ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. 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Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity.  The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. 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The reaction was universal: her sponsors abandoned her, she was disowned by her parents and banned from competing. This film follows Janae as she attempts to find her place in society. Initially wanting to strip off the muscle and become a much smaller looking woman, she found herself unable to lose the muscle she so desperately gained. She now finds herself living one day as an alpha male and the next day as a delicate girl. Will Janae be able to handle her muscle relapses? Will her passage from being a male bring her the peace she's looking for? Will society accept a 250lbs muscular woman? 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This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time.  The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. \"",[183,184,11],878,10402,1.8814,"\u002FpOQ1aq4VasknyiUyxNuCqjhpbhg.jpg","2021-03-24","\u002FOPPmmlWH03nA41JcbZEy0cMzL9.jpg",{"id":190,"adult":6,"title":191,"video":6,"overview":192,"softcore":6,"genre_ids":193,"popularity":195,"vote_count":8,"poster_path":196,"release_date":197,"vote_average":8,"backdrop_path":198,"original_title":191,"original_language":57},1601794,"Death To Straight White Men 2017","Three commercials, presented as a short film, for fictional clothing brand 'Death To Straight White Men' by the QnWF-Sociétè. 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Filmed transcontinentally between Singapore and The Netherlands, Control emphasizes the idiosyncratic texture of a common, fragmented consciousness.",[11],0.4063,"\u002FzXVnDX7sug0qqGxVJyzwp5S9Vgb.jpg","2018-05-27",{"id":228,"adult":6,"title":229,"video":6,"overview":230,"softcore":6,"genre_ids":231,"popularity":232,"vote_count":8,"poster_path":233,"release_date":234,"vote_average":8,"backdrop_path":235,"original_title":229,"original_language":57},1601593,"Walking On Piano","An experimental short where one's footsteps create sound on a piano, creaks and all.",[11,184,64],0.6728,"\u002Fqa7Zl2zxXlsCJ7Nd8ciKHIdXORZ.jpg","2018-05-18","\u002FhZkMryYcYQRaWpJRqUCUIZo5189.jpg",{"id":237,"adult":6,"title":238,"video":6,"overview":239,"softcore":6,"genre_ids":240,"popularity":242,"vote_count":8,"poster_path":243,"release_date":244,"vote_average":8,"backdrop_path":245,"original_title":238,"original_language":57},1601606,"Screaming","A peaceful path with grass along the sides is disturbed by a man that is running and screaming.",[11,241],28,0.8563,"\u002F6z40ZUnSleKnkETidVqZ6NKGard.jpg","2019-05-10","\u002Flpw7hxm5Gh8gfg8MxVSyuWtQPMT.jpg",1001,20001,"At the Summer Palace follows a mysterious man and a young boy as they wander through the Summer Palace, clad in clothing recalling styles from the 1980s and 1990s. The work unfolds like a hazy moment between dreaming and wakefulness, recalling the stillness of a languid afternoon. The era-specific details present in the setting seem to anachronistically clash with their pair’s clothing and behavior. Through this dislocation of time and space, Yang Fudong evokes the complex emotions of childhood, specifically the mixture of curiosity and unease a child feels upon encountering the strange and unknown.",0.6623,"\u002FfozP0kUIJzqbUgmskA8MNa0ByWb.jpg","2025-11-22",[253],"CN","在颐和园",{"results":256},{},[],[259],{"id":260,"name":261,"logo_path":31,"origin_country":253},154609,"Yang Fudong Studio",[263],{"name":264,"iso_3166_1":253},"China",45,"A documentary story that tends to land well.",[]]