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The film attempts to give the general filmgoing public a taste of art history and art appreciation.",[11],1.6897,"\u002Fl9yfzLLck7u9bhUjDySo700rHZl.jpg","1951-06-01",{"id":369,"adult":6,"title":370,"video":6,"overview":371,"softcore":6,"genre_ids":372,"popularity":373,"vote_count":50,"poster_path":374,"release_date":375,"vote_average":50,"backdrop_path":376,"original_title":370,"original_language":26},1440522,"The Barbie Movie","Equal parts documentary, visual essay, experimental collage narrative, and parodic homage to and of all things Barbie, this caustic and exciting visual foray embraces the complicated terrain of feminist discourse, cultural criticism, and political rhetoric, as well as insights on gender, identity, and personal experience where all roads lead back to the phenomena that is Barbie.",[11],1.5212,"\u002FzsEWRfzNlr7qzZcStaGxeMbihhh.jpg","2025-03-10","\u002F9PoBQZxy3taCrD3hI1gJvvDGJyy.jpg",1001,20001,"Unseen footage of the future sound of Slovakia","https:\u002F\u002Fthefuturesoundofslovakia.site\u002Fouttakes\u002F","In 2024, during an artistic residency at Periférne Centrá (Dúbravica, Slovakia), Cristian Estrella filmed the folkumentary „Medzi dolinami, medzi vŕški, po stopách budúceho zvuku Slovenska“ while producing the album \"The Future Sound of Slovakia Vol.1\" by Mira Tus Manos. But every film leaves scenes out. What doesn't fit due to time, rhythm, or because the main story needs to go elsewhere.  \"Medzi scénami, medzi hlasmi\" is exactly those outtakes: already edited material that no one had seen, divided into two parts —SIDE A and SIDE B— where artists from Argentina, England, France, Catalonia, Amsterdam, New Zealand, and Slovakia speak not only about the project but also about their own artistic practices, personal stories, and internal maps.",0.1638,"\u002FjsDwjcNB8QcxzX5fkp7Ignao67t.jpg","2026-06-07","\u002F830P98EApVMZaA6rmlB9LQ6EHDY.jpg",[387,388,389,390,391],"AR","FR","NL","SK","ES","Medzi scénami, medzi hlasmi. Nevidené zábery budúceho zvuku slovenska.",{"results":394},{},[396,398,401,405],{"name":397,"iso_639_1":26,"english_name":397},"English",{"name":399,"iso_639_1":252,"english_name":400},"Français","French",{"name":402,"iso_639_1":403,"english_name":404},"Slovenčina","sk","Slovak",{"name":406,"iso_639_1":243,"english_name":407},"Español","Spanish",[],[410,412,414,416],{"name":411,"iso_3166_1":387},"Argentina",{"name":413,"iso_3166_1":390},"Slovakia",{"name":415,"iso_3166_1":391},"Spain",{"name":417,"iso_3166_1":388},"France",45,"A documentary story that tends to land well.",[],{"id":20,"key":21,"name":22,"site":23,"size":24,"type":25,"official":6,"iso_639_1":26,"iso_3166_1":27,"published_at":28}]