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Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? 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Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.",0.8173,"\u002F8IDAKCXIXxHU5q678ugx6lNRRfU.jpg","2016-07-07",{"adult":5,"backdrop_path":7,"genre_ids":235,"id":236,"title":237,"original_language":86,"original_title":237,"overview":13,"popularity":238,"poster_path":7,"release_date":239,"softcore":5,"video":5,"vote_average":197,"vote_count":35},[11],680188,"Goya, tiempo y recuerdo de una época",1.0419,"1960-03-03",{"adult":5,"backdrop_path":241,"genre_ids":242,"id":243,"title":244,"original_language":105,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":5,"video":5,"vote_average":79,"vote_count":66},"\u002FrrWiaJ6TyhDigbKJ8gzNak9HuwO.jpg",[11,83],1071594,"Sapiens ou la naissance de l’art","We immerse ourselves in a quest for the origins of Art, among the very first modern humans. 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