[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-1720470-en-US":3},{"detail":4,"match":271,"insight":272,"providers":273,"providerLink":60,"trailer":60},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":36,"revenue":8,"runtime":37,"similar":38,"tagline":234,"homepage":234,"overview":235,"softcore":6,"popularity":236,"vote_count":8,"poster_path":237,"release_date":124,"vote_average":8,"backdrop_path":60,"origin_country":238,"original_title":7,"watch\u002Fproviders":241,"spoken_languages":243,"original_language":77,"production_companies":250,"production_countries":266,"belongs_to_collection":60},1720470,false,"Assia Djebar, entre ombre et soleil",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":27},[18],{"id":19,"name":20,"adult":6,"order":8,"gender":21,"cast_id":21,"character":22,"credit_id":23,"popularity":24,"profile_path":25,"original_name":20,"known_for_department":26},1223385,"Assia Djebar",1,"Self","6a3c1abf19bf480e38663a2c",0.8919,"\u002FzufqTwYhSjD5SK7OXGrSJu3kEri.jpg","Directing",[28],{"id":29,"job":30,"name":31,"adult":6,"gender":32,"credit_id":33,"department":26,"popularity":34,"profile_path":35,"original_name":31,"known_for_department":26},1436853,"Director","Kamal Dehane",2,"6a3c1ad105680208d36639c6",0.4443,"\u002FdK784FM7MHy5vnJBAlQCqLyD5qg.jpg","tt30971551",52,{"page":21,"results":39,"total_pages":232,"total_results":233},[40,52,61,69,78,88,97,109,117,125,134,143,153,162,172,184,192,203,213,222],{"id":41,"adult":6,"title":42,"video":6,"overview":43,"softcore":6,"genre_ids":44,"popularity":45,"vote_count":21,"poster_path":46,"release_date":47,"vote_average":48,"backdrop_path":49,"original_title":50,"original_language":51},1697854,"National Liberation Football","In 2009, the Algerian team won their match against Egypt, thus qualifying for the 2010 World Cup, after significant tensions during the first leg, which included the stoning of the Algerian players' bus. The artist Amina Menia recalls that the collective euphoria of these celebrations seemed almost disproportionate and unreal, reminiscent of the popular jubilation surrounding Algeria's independence in 1962. She draws a parallel between political and sporting history through the use of archival footage and two interviews, one with Rachid Mekhloufi, star of AS Saint-Étienne and an emblematic figure of Algerian football. In the second interview, Slimane Zeghidour, a writer and journalist, offers a detached and critical perspective on the impact of football on the masses. By tracing these links, she examines the relationships between national representation, sense of belonging, fervor and the destiny of a community.",[11],1.0326,"\u002F3AGlfPXp1h8ShitwNhLCgiRHrZl.jpg","2020-01-01",10,"\u002FawftDCnDkhp1qLYmTnHW3ug4otC.jpg","Foot de Libération Nationale","fr",{"id":53,"adult":6,"title":54,"video":6,"overview":55,"softcore":6,"genre_ids":56,"popularity":57,"vote_count":8,"poster_path":58,"release_date":59,"vote_average":8,"backdrop_path":60,"original_title":54,"original_language":51},762837,"L'Algérie au travail","This film is devoted to Algeria's vast equipment plan which has fostered the development of the ports of Algiers and Oran. The inauguration of new aerodromes, roads, the construction of dams and power stations, the development of coal production, the textile and metallurgical industry, the opening of canneries, as well as the phenomenal boom in production of wheat and wine.",[11],0.8827,"\u002FxIFAlhhyezBm8zg3rF2YlZrfHC3.jpg","1946-06-02",null,{"id":62,"adult":6,"title":63,"video":64,"overview":65,"softcore":6,"genre_ids":66,"popularity":67,"vote_count":8,"poster_path":60,"release_date":68,"vote_average":8,"backdrop_path":60,"original_title":63,"original_language":51},1751900,"Kabylie : au cœur de la révolte",true,"Three months of riots and street fighting. Three months of marches and demonstrations, but the anger of Algerias Kabyle population has not diminished. This rank and file mouvement mistrusts political parties, and presents a real threat to the Algerian government. Berber-speaking, Kabylian native, director Samia Chala followed Mohand, one of the young people who initiated those riots, through his village of Avizar, 40 kilometers from Tizi Ouzou, to get the inside story. Because of her background and intimate knowledge of the region, Samia was allowed to film without any police escort, and this produced a rare document.",[11],0.7484,"2001-01-01",{"id":70,"adult":6,"title":71,"video":6,"overview":72,"softcore":6,"genre_ids":73,"popularity":74,"vote_count":8,"poster_path":75,"release_date":76,"vote_average":8,"backdrop_path":60,"original_title":71,"original_language":77},453531,"Vote off","Fayçal Hammoum recounts the 2014 presidential election through non-voting inhabitants of Algiers who, like him, are in their thirties. Be it Bilel, a grocer by default exposed to his customers’ political babbling, or the more politically-charged comments of Younes, a militant FM radio journalist opposed to President Bouteflika’s fourth term, the variety of conversational scenes in no way changes the determination not to vote for an old man who has been invisible for almost two years. The rappers Omar and Brahim are as bereft of hope and voter’s cards as the Tellek webradio DJ, since “the match is fixed”. Moving away from his focus on this subject to film their daily life, the filmmaker draws the portrait of a generation who, as Bilal says with poignant simplicity, “just wants to live",[11],1.0712,"\u002Fm2DoXNoLdFCsBEroKjllPyhd5fM.jpg","2017-03-24","en",{"id":79,"adult":6,"title":80,"video":6,"overview":81,"softcore":6,"genre_ids":82,"popularity":84,"vote_count":21,"poster_path":85,"release_date":86,"vote_average":48,"backdrop_path":87,"original_title":80,"original_language":51},827535,"Les Mains Libres","In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.",[11,83],36,0.9543,"\u002Fcmz5Sv63zAJDtIUizhlZ8HWTCk1.jpg","1965-08-14","\u002Fu99vQyIe5zYV2esFauFEbzuTN8A.jpg",{"id":89,"adult":6,"title":90,"video":6,"overview":91,"softcore":6,"genre_ids":92,"popularity":94,"vote_count":21,"poster_path":95,"release_date":96,"vote_average":48,"backdrop_path":60,"original_title":90,"original_language":51},1608733,"Remembering History","Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.",[11,83,93],10752,1.6293,"\u002F3WNsZj0cqbTecJYtRcgg0TdxcjO.jpg","2004-10-12",{"id":98,"adult":6,"title":99,"video":6,"overview":100,"softcore":6,"genre_ids":101,"popularity":103,"vote_count":21,"poster_path":104,"release_date":105,"vote_average":48,"backdrop_path":106,"original_title":107,"original_language":108},1619243,"Along the Smugglers' Trail","Pierluca Rossi's Lungo La Pista Dei Contrabbandieri (1990) is an adventure documentary about a mountain bike crossing of the 700 km between the towns of Tamarasset and Djanet in the southern Algerian Sahara, from the Hoggar mountain range to the Tassili n'Ajjer. This crossing, supported by a 4x4 truck and a motorcycle, and never before undertaken by bicycle, emphasizes the rediscovered dimension of slowness, similar to the caravans of the Tuareg, in contrast to the unnatural speed of mechanized desert travel in the 1990s, which was considered the norm at the time due to the distorted image provided by the Paris-Dakar Rally and other similar events.",[11,102],12,0.5809,"\u002FcSvyiJaBppySeLN5TQfJ7lnxvJ0.jpg","1990-01-01","\u002F169552CFnWtPYkrpR9YMuUmkZJV.jpg","Lungo la pista dei contrabbandieri","it",{"id":110,"adult":6,"title":111,"video":6,"overview":112,"softcore":6,"genre_ids":113,"popularity":114,"vote_count":21,"poster_path":115,"release_date":68,"vote_average":48,"backdrop_path":60,"original_title":116,"original_language":51},849181,"Holidays Despite All","Immigrated to the Paris region since 1964, Kader decides to spend the summer holidays with his family in his native village, not far from Algiers. These few weeks, so eagerly awaited by both sides, constitute a special moment full of strong emotions. The camera follows the family in their meetings, their reunions, their difficulties, their visions of the country and its region, the celebrations, the weddings, their return to France… This film raises many questions. Within this family itself, between those who stayed in the country and those who emigrated to France, how do we perceive the situation in Algeria? What hopes do each of them have for their country? What about the Franco-Algerian relationship? Contemporary immigration? The desire for exile of Algerians today? Different discourses on both sides of the Mediterranean? The desires of each of them…",[11],0.9986,"\u002Fhj7eaFSKawm2z2WPApTuqKs4vLY.jpg","Des Vacances Malgré Tout...",{"id":118,"adult":6,"title":119,"video":6,"overview":120,"softcore":6,"genre_ids":121,"popularity":122,"vote_count":21,"poster_path":123,"release_date":124,"vote_average":48,"backdrop_path":60,"original_title":119,"original_language":108},1619531,"Desideri Di Sabbia","This documentary film by Pierluca Rossi recounts a journey to the southern Algerian Sahara, near Amguid, a small Tuareg village renowned for its unusual nearby crater. In the Tefedest massif, with its mythical summit, Garet el Djenoun, on the slopes of a vast sand dune rising to over 400 meters, one can practice an unusual sport: sandboarding, a new technique to try. Surprising speeds can be reached, and participants can familiarize themselves with the equipment of this new sport, perhaps paving the way for new practices.",[11,102],0.5902,"\u002Fw3Q0TtJ4M7N0isASWYZ691GvgRm.jpg","1992-01-01",{"id":126,"adult":6,"title":127,"video":6,"overview":128,"softcore":6,"genre_ids":129,"popularity":130,"vote_count":21,"poster_path":131,"release_date":132,"vote_average":48,"backdrop_path":133,"original_title":127,"original_language":108},1431469,"Tahalra","Five young Italian climbers, Paolo Grunanger, Lorenzo Marimonti, Pietro Meciani, Lodovico Gaetani and Giorgio Gualco, members of the expedition organized under the patronage of the Milanese section of the Italian Alpine Club, reached Tamanrasset, in Hoggar, the Tuareg kingdom. From there, with a caravan of camels, they head towards the mountainous volcanic chain of Tahalra, little known to Westerners. During the exploration, climbers will climb seven virgin peaks via very difficult routes and at the same time carry out topographical surveys.",[102,11],0.7396,"\u002FdMwnHyQ7mHjbyIeUQ216DBcSywA.jpg","1957-01-01","\u002F6069a0eI7dywfXICL4aOS14L5DC.jpg",{"id":135,"adult":6,"title":136,"video":6,"overview":137,"softcore":6,"genre_ids":138,"popularity":139,"vote_count":21,"poster_path":140,"release_date":141,"vote_average":48,"backdrop_path":142,"original_title":136,"original_language":108},1626724,"Terra Senzo Tempo","This is the journal of an expedition that, starting from the oasis town of Djanet, embarked on a 12-day journey guided by a member of the Algerian Tourism Club to discover the rock paintings of Tassili n'Ajjer in southeastern Algeria. These paintings date back to prehistoric times (10,000 to 5,000 years ago) and are located on an uninhabited rocky plateau whose highest point reaches 2,158 meters. Considered one of the largest and oldest \"open-air rock art museums\" in the world, the Tassili n'Ajjer boasts a particularly rugged landscape: the vast rocky plains, which sometimes give way to \"forests\" of monoliths, are riddled with akbas (holes in the escarpments accessible only on foot or by camel) and numerous faults and canyons. The Tassili n’Ajjer National Park was inscribed on the UNESCO World Heritage List in 1982 and classified as a biosphere reserve in 1986.",[11,102],0.5945,"\u002FdgvSgdzx398rkzQsTGiRxEsiwZT.jpg","1969-01-01","\u002FhtxZZ8eBglg92sWGMopSCWslECv.jpg",{"id":144,"adult":6,"title":145,"video":6,"overview":146,"softcore":6,"genre_ids":147,"popularity":148,"vote_count":21,"poster_path":149,"release_date":150,"vote_average":48,"backdrop_path":151,"original_title":152,"original_language":51},1627296,"The Forgotten Night - October 17, 1961","On October 17, 1961, in response to the curfew imposed on Muslim Algerians by Paris police prefect Maurice Papon, the FLN Federation of France organized a peaceful demonstration in the streets of the capital. The demonstration turned into a bloody crackdown: unprecedented violence, thousands of arrests, hundreds missing, and dozens dead. Today, much is known about the violence of that night: at least 200 Algerians were killed, beheaded, beaten, or thrown into the Seine; 11,500 others were arrested and often tortured. Hundreds were deported back to Algeria. Long silenced, the repression has been acknowledged thanks to the work of remembrance and eyewitness accounts.",[11],1.0502,"\u002FpyTJfx0PnSIp8VJZ48BTBi6uUbw.jpg","2011-01-01","\u002FonF50zo96fKlrDCMJnkoLb7Jnm5.jpg","La Nuit Oubliée - 17 Octobre 1961",{"id":154,"adult":6,"title":155,"video":6,"overview":156,"softcore":6,"genre_ids":157,"popularity":158,"vote_count":21,"poster_path":159,"release_date":68,"vote_average":48,"backdrop_path":160,"original_title":161,"original_language":51},1627210,"October 17, 1961, Cover-up Of a Massacre","On October 17 and 18, 1961, during a non-violent demonstration against the imposed curfew, dozens of Algerians were murdered in Paris by police officers acting on orders from their superiors. For forty years, this crime has been concealed; yet these events, the deadliest on French soil since the Second World War, resemble, in some respects, the darkest hours of the collaboration. Why has this history been hidden? Under what conditions, and in the name of what reasons, did officials of a democratic state conceal the scale and gravity of such events?",[11],1.1629,"\u002Fmu5T8cA0bKTW74MnJBamNJAcaJW.jpg","\u002FaALJemVlriG8mm9pe1T2Jdg0H5t.jpg","17 octobre 1961, dissimulation d’un massacre",{"id":163,"adult":6,"title":164,"video":6,"overview":165,"softcore":6,"genre_ids":166,"popularity":168,"vote_count":21,"poster_path":169,"release_date":170,"vote_average":48,"backdrop_path":171,"original_title":164,"original_language":51},1627235,"Mémoires du 17 octobre 1961","Three demonstrators from October 17, 1961, and a journalist recount the peaceful success of the demonstration and its brutal repression in the streets of Paris. Five months before the end of the Algerian War, the Gaullist government violently suppressed (40 to 300 deaths in a single evening, according to various sources) a peaceful demonstration by the entire Algerian civilian population of the Paris region, protesting the curfew imposed solely on this population (all participants held French citizenship). The government long denied this state crime; the official version: 3 deaths! In 1962, these events were granted amnesty by a simple decree (later enacted into law) issued by the same Gaullist government.",[11,83,167],18,1.1037,"\u002FbOKjU8QWUCozFTnwOYs8UxLq2Jn.jpg","2002-01-01","\u002FlCJ0XcwwB2ZDb4TJz3gEyAJYhjo.jpg",{"id":173,"adult":6,"title":174,"video":6,"overview":175,"softcore":6,"genre_ids":176,"popularity":178,"vote_count":32,"poster_path":179,"release_date":180,"vote_average":181,"backdrop_path":182,"original_title":183,"original_language":51},854893,"Camus: An Icon Of Revolt","Albert Camus, who died 60 years ago, continues to inspire defenders of freedom and human rights activists around the world today. The Nobel Prize winner for literature is one of the most widely read French-language writers in the world. He continues to embody the rebellious man who opposes all forms of oppression and tyranny while refusing to compromise his human values.",[11,177],10770,0.7394,"\u002FeiJr8sPZyudwQqdgivzpAhWKRun.jpg","2020-01-03",6.8,"\u002Fq0To9mspdu8tEMbwYewuu0kjHJT.jpg","Camus, l'icône de la révolte",{"id":185,"adult":6,"title":186,"video":6,"overview":187,"softcore":6,"genre_ids":188,"popularity":189,"vote_count":21,"poster_path":190,"release_date":124,"vote_average":48,"backdrop_path":160,"original_title":191,"original_language":51},1627083,"October 17, 1961: A day that went missing","This documentary bears witness to the events that took place more than thirty years before the filming of this movie, on October 17, 1961, in Paris, during the Algerian War. It is a work not only about historical truth but also about memory. Constructed primarily from interviews conducted with those involved in the events, along with archival footage, photographs, and radio broadcasts from the time, our investigation proves that nearly 200 Algerians were killed (drowned, tortured) that night and in the days that followed by the French police. \"A Missing Day\" seeks to ask two key questions: how could such events have unfolded in the capital of a Western democracy barely thirty years ago? And why have they been silenced ever since?",[11,83,167],1.1352,"\u002Fqwlaiwt3b8HWD0cij8IlipfCtD6.jpg","17 octobre 1961 : Une journée portée disparue",{"id":193,"adult":6,"title":194,"video":6,"overview":195,"softcore":6,"genre_ids":196,"popularity":197,"vote_count":198,"poster_path":199,"release_date":200,"vote_average":181,"backdrop_path":201,"original_title":202,"original_language":51},467742,"CHoosing at Twenty","Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.",[11],0.7719,4,"\u002FoG9JP76zG7QWEY2OaV8Kgj5WtZx.jpg","2017-08-24","\u002FzaMncrBrFhZuEsMVHYMk6JakXTA.jpg","Choisir à vingt ans",{"id":204,"adult":6,"title":205,"video":6,"overview":206,"softcore":6,"genre_ids":207,"popularity":208,"vote_count":21,"poster_path":209,"release_date":210,"vote_average":48,"backdrop_path":211,"original_title":205,"original_language":212},1427716,"Sahara Vertical","The climbing couple Heinz Mariacher and Luisa Iovane abandon their usual winter training spot to go in search of places more conducive to free climbing in Algeria in the Sahara desert, more precisely in the Hoggar massif, which saw pass the cream of world climbing Lionel Terray, Roger Frison-Roche, Lucien Bérardini, Michel Vaucher, Pierre Mazeaud, Guido Monzino, Patrick Edlinger, Patrick Berhault and many others. Their objective, to climb the east face of Garet El Djenoun, 500 m high, failed because the wall was too smooth and the cracks unstable. The journey continues in the Hoggar massif towards other peaks, where they find the climbing conditions they were hoping for. An overhang in the face of Tizouyag Nord will prove to be a major challenge for Heinz Mariacher.",[11,102],0.576,"\u002FjEQaFCBqKDXmVkP4cV4VHisqgZn.jpg","1986-01-01","\u002F3qruAKdblkTpQbezKGpBQ5LsRoi.jpg","de",{"id":214,"adult":6,"title":215,"video":6,"overview":216,"softcore":6,"genre_ids":217,"popularity":218,"vote_count":21,"poster_path":219,"release_date":220,"vote_average":48,"backdrop_path":60,"original_title":215,"original_language":221},478076,"Sawt Echaâb","“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.",[93,11],0.7534,"\u002FtciK1fCuXBCqIAXDgOM1GkXYEcB.jpg","1961-01-01","ar",{"id":223,"adult":6,"title":224,"video":6,"overview":225,"softcore":6,"genre_ids":226,"popularity":227,"vote_count":21,"poster_path":228,"release_date":229,"vote_average":48,"backdrop_path":230,"original_title":231,"original_language":51},668492,"An Unhealed Wound - The Harkis in the Algerian War","It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of \"Apocalypse\".",[11,93,177],0.773,"\u002FiYcgA5Vo41nKKTkqXpx1FsWhZEZ.jpg","2010-09-20","\u002FuTrkSyJBMgot6UQTEj6otwXqIpE.jpg","La Blessure, la tragédie des harkis",1001,20001,"","Algeria is written in the feminine. In a society where the gaze is only masculine, another eye is nonetheless present… The feminine gaze—unsettling, disturbing modesty, breaking taboos, freeing speech… It emerges from the shadows: with Assia Djebar, Algerian writer-historian, we go to meet Algerian women of all generations to enter into their lives, their daily routines, this world where the gaze is supposed to be forbidden. These women tell their own stories, imposing their gaze on the camera for a journey into this half of Algeria condemned to silence… to a clandestine life.",0.6701,"\u002FhxL4mSS3Eftpc3HUwilwLy3QzPA.jpg",[239,240],"DZ","BE",{"results":242},{},[244,247],{"name":245,"iso_639_1":221,"english_name":246},"العربية","Arabic",{"name":248,"iso_639_1":51,"english_name":249},"Français","French",[251,255,259,263],{"id":252,"name":253,"logo_path":254,"origin_country":240},74735,"CBA","\u002FxhBN3zrFBMZsRQibBK7BbI9J4gt.png",{"id":256,"name":257,"logo_path":258,"origin_country":239},27089,"Entreprise Nationale de Production Audiovisuelle (ENPA)","\u002FsTgxuOyyv2GafNDRFZQZ3XZCNC2.png",{"id":260,"name":261,"logo_path":262,"origin_country":240},792,"RTBF","\u002FcRhBQP1FFNugNxKkO1pUgeD2Rkr.png",{"id":264,"name":265,"logo_path":60,"origin_country":234},302504,"ZEAUX Productions",[267,269],{"name":268,"iso_3166_1":239},"Algeria",{"name":270,"iso_3166_1":240},"Belgium",45,"A documentary story that tends to land well.",[]]