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Scored by whatever was handy— from an ambient electronic song with a surprising amount of pipe organ (Oneohtrix Point Never - Boring Angel) to midi versions of your favorite SNES soundtrack (Donkey Kong Country – Aquatic Ambience, Opening, and Treetop Rock) to a not-quite-right rendition of a song that will make you want to say “Oh, Angelo, that’s tearing my heart out!” (Xiu Xiu – Falling). A voyeuristic peak at home movies that exist somewhere between soon to be forgotten and forgotten long ago. 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He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.",0.6377,"\u002F91GA4RzhOOjODSmpx7vv4gBKUwn.jpg","2021-02-08",10,{"adult":5,"backdrop_path":109,"genre_ids":110,"id":111,"title":112,"original_language":113,"original_title":112,"overview":114,"popularity":115,"poster_path":6,"release_date":116,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FnGwJtqLrnYTqXgagN267WrM6hRK.jpg",[10],829605,"Lana Kaiser","de","In 2002, Lana Kaiser became well known in the first season of the German version of the Idol television franchise. She was born in 1985 and went by her birth name Daniel Küblböck. At only 17 years old she polarised the audience with her androgynous appearance and open bisexuality. On September 9th 2018, Lana disappeared from a cruise ship on her way to North America. Most media outlets and the majority of the public didn‘t consider calling her by her chosen name, Lana Kaiser. 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The dream is not a nightmare only because the set it is dreamt into is the seashore of the mare nostrum, where the dreaming subject is perfectly at home. A homeland which she, in turn, in her more secret thus naïf dreams would dream of being cleaner and tidier as in the reality, especially in front of such beauty of nature. As is right and proper.",0.604,"\u002Ff5O594YRdeKNwaCiPCKEabsg2sK.jpg","2018-08-27",{"adult":5,"backdrop_path":6,"genre_ids":162,"id":163,"title":164,"original_language":22,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],1031889,"Not Sure","A speaking into the void.",0.5427,"\u002FhGq4aSwHQf0kNuPmuMw69TBHNkx.jpg","2023-07-03",{"adult":5,"backdrop_path":6,"genre_ids":170,"id":171,"title":172,"original_language":22,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":5,"video":5,"vote_average":107,"vote_count":58},[10],650147,"Wintopia","IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.",1.2199,"\u002FzmQA1WCUVjvNQ2NEbGq1XTIfstp.jpg","2019-11-23",{"adult":5,"backdrop_path":178,"genre_ids":179,"id":180,"title":181,"original_language":182,"original_title":181,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F6yh5qxZuquoI2gtAseEuDBDuARM.jpg",[10],650262,"Viva video, video viva","cs","Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.",1.2054,"\u002FvjYrQd5yOxyzykvmAVfq1Xz9zYq.jpg","2020-02-13",{"adult":5,"backdrop_path":188,"genre_ids":189,"id":191,"title":192,"original_language":193,"original_title":192,"overview":18,"popularity":194,"poster_path":195,"release_date":196,"softcore":5,"video":38,"vote_average":7,"vote_count":7},"\u002FvQG2k45i3OfyIdijqXE0XXY3FCL.jpg",[10,190,13,16],10749,650275,"Cóndor","es",1.8364,"\u002FgaQcOdIgfDVV3ogh9ct8ML6cfW6.jpg","2016-11-03",{"adult":5,"backdrop_path":198,"genre_ids":199,"id":200,"title":201,"original_language":22,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002FwdJCtYXVnLEP92gZ4aCNwkrZHKD.jpg",[10],1624143,"Emerald ▣","A continuously running two-channel installation, presented on 9\" and 13\" CRT monitors atop pedestals and overlooked by a green Kit-Cat clock. The smaller CRT bears a painted green square and is framed by a pair of crossed silver opera gloves, at whose intersection rests a vintage push-puppet of two boxers sharing a single red stand. Together, the two monitors display distinct video collages interweaving footage from Emerald Square Mall and the strike during its 1989 construction with remixed interferences from Channel J's Emerald City TV (1976–1979), Huge Video's Heat in the Night (1989), Genet's Un Chant d'Amour (1950), various cigarette commercials, The Wizard of Oz (1939), and a performance of a mylar-clad entity wrapping one of the televisions in videotape. The work has most frequently circulated publicly through its primary video channel.",0.8195,"\u002FaxYhXOIt2vKvyC81HdQn5rH6cUE.jpg","2025-07-19",{"adult":5,"backdrop_path":207,"genre_ids":208,"id":209,"title":210,"original_language":211,"original_title":210,"overview":18,"popularity":212,"poster_path":213,"release_date":214,"softcore":5,"video":5,"vote_average":7,"vote_count":7},"\u002F7Yy35DNenuZ3qCokywEFackhIBn.jpg",[80,10],868893,"NAO_VA_EMBORA.mp4","pt",0.8737,"\u002FnOHttJwxEYBbkVBlJJ1JzNqaB2l.jpg","2021-06-01",{"adult":5,"backdrop_path":216,"genre_ids":217,"id":219,"title":220,"original_language":22,"original_title":220,"overview":221,"popularity":222,"poster_path":223,"release_date":224,"softcore":5,"video":5,"vote_average":225,"vote_count":226},"\u002FA9peZ8KOyuNrEEs4w9LeNV9yIYS.jpg",[16,190,218],10770,299136,"Melody","Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.",1.4838,"\u002FmIXr0GMkruX96RTFeOrnhesJFkW.jpg","1971-12-22",7,3,{"adult":5,"backdrop_path":6,"genre_ids":228,"id":229,"title":230,"original_language":22,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":5,"video":5,"vote_average":7,"vote_count":7},[10],674352,"No Ordinary Protest","Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Karikis. The video section of the installation features seven-year-olds from Mayflower Primary School in East London discussing the novel's environmental themes.",0.9873,"\u002FmXQ54yHLBQCyMXjR1DKL71iWQ4E.jpg","2019-10-25",{"adult":5,"backdrop_path":6,"genre_ids":236,"id":237,"title":238,"original_language":22,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":5,"video":5,"vote_average":225,"vote_count":58},[10,13],482395,"Guadalcanal Requiem","One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance\u002Fdocumentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles.",0.558,"\u002FaSkPq3yTK3sFNAM5gNwB58kq4vy.jpg","1977-01-01",1001,20001,{"results":246},{},{"results":248},[249],{"iso_639_1":22,"iso_3166_1":21,"name":250,"key":251,"site":252,"size":253,"type":254,"official":5,"id":255,"published_at":256},"E BE SO! 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