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It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. 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They walk, marching day and night in single file 70 miles into the darkest, driest and coldest continent on Earth.  This amazing, true-life tale is touched with humour and alive with thrills. Breathtaking photography captures the transcendent beauty and staggering drama of devoted parent penguins who, in the fierce polar winter, take turns guarding their egg and trekking to the ocean in search of food. Predators hunt them, storms lash them. But the safety of their adorable chicks makes it all worthwhile. 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The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",[11],0.5373,"1969-12-19",{"id":128,"adult":6,"title":129,"video":6,"overview":130,"softcore":6,"genre_ids":131,"popularity":132,"vote_count":133,"poster_path":134,"release_date":135,"vote_average":136,"backdrop_path":40,"original_title":129,"original_language":107},264765,"Film-Tract n° 1968","In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min",[11],0.4007,4,"\u002FrUPCbgXwcRAOpk9FanxUJOqLFrE.jpg","1968-06-01",6.5,{"id":138,"adult":6,"title":139,"video":6,"overview":140,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":29,"poster_path":143,"release_date":144,"vote_average":73,"backdrop_path":145,"original_title":139,"original_language":43},275120,"Days of Thrills and Laughter","An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.",[11],0.5763,"\u002FucSy3EVpYrtImJM6lLl3OI0DQZK.jpg","1961-03-21","\u002FiF3fywaMzhtBe4ZBLcNd8K5M8GR.jpg",{"id":147,"adult":6,"title":148,"video":6,"overview":149,"softcore":6,"genre_ids":150,"popularity":151,"vote_count":152,"poster_path":153,"release_date":154,"vote_average":155,"backdrop_path":40,"original_title":156,"original_language":157},454778,"The Dangers of the Fly","The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. 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And the time pressure exerted by the fact that the train must soon depart adds narrative tension - will everyone get on and off in time?",[11,192],36,0.1777,"\u002FcrxkN8LaM3pQlEvBOMJli7FXz7Z.jpg","1897-09-22",5,"\u002Ft72Aj8XpOXFbvgrRVrxYTNpAEtQ.jpg",{"id":199,"adult":6,"title":200,"video":6,"overview":201,"softcore":6,"genre_ids":202,"popularity":203,"vote_count":29,"poster_path":204,"release_date":205,"vote_average":65,"backdrop_path":40,"original_title":200,"original_language":43},260403,"New York Portrait, Chapter III","\"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human.\" (Tom Gunning)",[11],0.2501,"\u002Fo6LHFlah0QF6ZZRVO9dyTrhTBgl.jpg","1990-03-21",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":211,"vote_count":8,"poster_path":212,"release_date":213,"vote_average":8,"backdrop_path":214,"original_title":208,"original_language":43},627629,"Vios","“At which point do you let go?…” – This is the central question of “Vios”, a short documentary that tracks the last days of a dog suffering from terminal cancer and how its owners struggle with the critical decision: whether or not to euthanise her.  Shot over a 6-month period by the owners, Wendy and Ler, this intimate documentary is an unfettered access into the lives of the flmmakers, exposing their deepest vulnerabilities in face of this crisis, which had crushed their fnances and strained their relationship.  Through their personal story, Wendy and Ler hope to create more awareness for dogs with cancer in Singapore and around the world.",[11],1.631,"\u002FuDNrdjQhaRfZilyAEOwEHTURETL.jpg","2019-04-22","\u002FpC42rwWR9xqYxBxKXaLQj55W2O1.jpg",{"id":216,"adult":6,"title":217,"video":6,"overview":218,"softcore":6,"genre_ids":219,"popularity":220,"vote_count":221,"poster_path":222,"release_date":223,"vote_average":224,"backdrop_path":225,"original_title":217,"original_language":43},11383,"The Living Desert","Although first glance reveals little more than stones and sand, the desert is alive. Witness moving rocks, spitting mud pots, gorgeous flowers and the never-ending battle for survival between desert creatures of every shape, size and description.",[11],0.8815,67,"\u002FyFMhGIMqXdZZYG9pfnyC26bRD6z.jpg","1953-11-10",7.1,"\u002Fi6yv70rZxMmRyVYldSEajmSAHbZ.jpg",{"id":227,"adult":6,"title":228,"video":6,"overview":229,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":232,"poster_path":40,"release_date":233,"vote_average":234,"backdrop_path":40,"original_title":235,"original_language":236},268617,"1\u002F57: Experiment with Synthetic Sound (Test)","Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. 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