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They walk, marching day and night in single file 70 miles into the darkest, driest and coldest continent on Earth.  This amazing, true-life tale is touched with humour and alive with thrills. Breathtaking photography captures the transcendent beauty and staggering drama of devoted parent penguins who, in the fierce polar winter, take turns guarding their egg and trekking to the ocean in search of food. Predators hunt them, storms lash them. But the safety of their adorable chicks makes it all worthwhile. 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In both the medium-length film and the installation, Guerin delves into the relationship between cinema and painting based on Pliny the Elder's account of the invention of painting.",[11],0.5469,4,"2011-06-01","Dos cartas a Ana","es",{"id":130,"adult":6,"title":131,"video":6,"overview":132,"softcore":6,"genre_ids":133,"popularity":135,"vote_count":48,"poster_path":52,"release_date":136,"vote_average":61,"backdrop_path":52,"original_title":131,"original_language":65},262493,"The Dawn of Sound: How Movies Learned to Talk","Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.",[11,134],36,0.2619,"2007-09-02",{"id":138,"adult":6,"title":139,"video":6,"overview":140,"softcore":6,"genre_ids":141,"popularity":142,"vote_count":8,"poster_path":143,"release_date":144,"vote_average":8,"backdrop_path":52,"original_title":145,"original_language":65},262073,"Criminal Animals","In this filmic comment on Fascist ideology - which uses footage from the recently discovered archives of Luca Comerio - invisible hands push captive animals to fight among themselves.",[11],1.9307,"\u002F3ohuOkcbi6zTZJUoNxboQV28gqf.jpg","1994-01-01","Animali Criminali",{"id":147,"adult":6,"title":148,"video":6,"overview":149,"softcore":6,"genre_ids":150,"popularity":151,"vote_count":8,"poster_path":52,"release_date":152,"vote_average":8,"backdrop_path":52,"original_title":148,"original_language":153},1186051,"Sonnenfinsternis","Educational short film about the solar eclipse",[11],0.4431,"1958-01-01","de",{"id":155,"adult":6,"title":156,"video":6,"overview":157,"softcore":6,"genre_ids":158,"popularity":159,"vote_count":8,"poster_path":160,"release_date":161,"vote_average":8,"backdrop_path":162,"original_title":163,"original_language":98},620337,"In the Land of the Moose","A mother moose’s journey through nature’s eternal cycles.",[11],0.1339,"\u002F5cRAsdLEIsQ90tjq2DdCNHfW5Ja.jpg","2011-09-16","\u002FfpTYkmTEnCEQDfV3DdfU5MGZuQW.jpg","L'amour au pays des orignaux",{"id":165,"adult":6,"title":166,"video":6,"overview":167,"softcore":6,"genre_ids":168,"popularity":170,"vote_count":171,"poster_path":172,"release_date":173,"vote_average":174,"backdrop_path":175,"original_title":166,"original_language":65},669,"Nanook of the North","This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. 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Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human.\" (Tom Gunning)",[11],0.139,"\u002Fo6LHFlah0QF6ZZRVO9dyTrhTBgl.jpg","1990-03-21",7.7,{"id":219,"adult":6,"title":220,"video":6,"overview":221,"softcore":6,"genre_ids":222,"popularity":223,"vote_count":8,"poster_path":52,"release_date":224,"vote_average":8,"backdrop_path":52,"original_title":220,"original_language":65},264970,"Clouds","Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.",[11],0.5174,"1969-12-19",{"id":226,"adult":6,"title":227,"video":6,"overview":228,"softcore":6,"genre_ids":229,"popularity":230,"vote_count":125,"poster_path":231,"release_date":232,"vote_average":233,"backdrop_path":52,"original_title":227,"original_language":98},264765,"Film-Tract n° 1968","In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. 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