[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-183859-en-US":3},{"detail":4,"match":309,"insight":310,"providers":311,"providerLink":28,"trailer":28},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":16,"videos":17,"credits":19,"imdb_id":74,"revenue":8,"runtime":75,"similar":76,"tagline":137,"homepage":137,"overview":289,"softcore":6,"popularity":290,"vote_count":291,"poster_path":292,"release_date":293,"vote_average":294,"backdrop_path":28,"origin_country":295,"original_title":7,"watch\u002Fproviders":297,"spoken_languages":299,"original_language":90,"production_companies":302,"production_countries":306,"belongs_to_collection":28},183859,false,"Interviews with My Lai Veterans",0,[10,13],{"id":11,"name":12},99,"Documentary",{"id":14,"name":15},10752,"War","Released",{"results":18},[],{"cast":20,"crew":30},[21],{"id":22,"name":23,"adult":24,"order":8,"gender":25,"cast_id":25,"character":26,"credit_id":27,"popularity":8,"profile_path":28,"original_name":23,"known_for_department":29},1355177,"Richard Hammer",true,2,"Himself","53f583650e0a267f8000435e",null,"Acting",[31,38,42,46,54,60,67],{"id":32,"job":33,"name":34,"adult":6,"gender":25,"credit_id":35,"department":36,"popularity":37,"profile_path":28,"original_name":34,"known_for_department":36},229373,"Director","Joseph Strick","52fe4cae9251416c75122225","Directing",0.3648,{"id":32,"job":39,"name":34,"adult":6,"gender":25,"credit_id":40,"department":41,"popularity":37,"profile_path":28,"original_name":34,"known_for_department":36},"Writer","53f583730e0a267f770042c8","Writing",{"id":32,"job":43,"name":34,"adult":6,"gender":25,"credit_id":44,"department":45,"popularity":37,"profile_path":28,"original_name":34,"known_for_department":36},"Producer","53f5837d0e0a26419b002f9f","Production",{"id":47,"job":48,"name":49,"adult":6,"gender":25,"credit_id":50,"department":51,"popularity":52,"profile_path":53,"original_name":49,"known_for_department":36},73496,"Director of Photography","Richard Pearce","53f5838a0e0a267f7d004417","Camera",0.8474,"\u002FyNxmwKv1nDaouFOWiyKyKmFRU6V.jpg",{"id":55,"job":48,"name":56,"adult":6,"gender":25,"credit_id":57,"department":51,"popularity":58,"profile_path":59,"original_name":56,"known_for_department":51},7067,"Haskell Wexler","53f583950e0a267f770042cd",0.4173,"\u002Fk3JSEg2tildKuFl6F6T1gLQSwgf.jpg",{"id":61,"job":62,"name":63,"adult":6,"gender":8,"credit_id":64,"department":65,"popularity":66,"profile_path":28,"original_name":63,"known_for_department":65},1355178,"Editor","Sylvia Sarner","53f583a10e0a267f890043a5","Editing",0.0143,{"id":68,"job":69,"name":70,"adult":6,"gender":8,"credit_id":71,"department":72,"popularity":73,"profile_path":28,"original_name":70,"known_for_department":65},1355179,"Sound Recordist","Howard Milkin","53f583ac0e0a267f770042d4","Crew",0.0557,"tt0065894",22,{"page":77,"results":78,"total_pages":287,"total_results":288},1,[79,91,105,116,123,134,143,155,163,174,182,192,204,214,226,237,245,256,267,279],{"id":80,"adult":6,"title":81,"video":6,"overview":82,"softcore":6,"genre_ids":83,"popularity":84,"vote_count":85,"poster_path":86,"release_date":87,"vote_average":88,"backdrop_path":89,"original_title":81,"original_language":90},1777,"Fahrenheit 9\u002F11","Michael Moore's view on how the Bush administration allegedly used the tragic events on 9\u002F11 to push forward its agenda for unjust wars in Afghanistan and Iraq.",[11],1.9105,1539,"\u002FcZ7M343iuiMDc36fSeSm699XQFv.jpg","2004-06-25",7.097,"\u002FcLZxnkj75cGBK1tLTMyIudOZYZk.jpg","en",{"id":92,"adult":6,"title":93,"video":6,"overview":94,"softcore":6,"genre_ids":95,"popularity":97,"vote_count":98,"poster_path":99,"release_date":100,"vote_average":101,"backdrop_path":102,"original_title":103,"original_language":104},1863,"Sunflower","After World War II, a woman refuses to believe her husband, missing on the Russian front, is dead. Flashbacks reveal their brief courtship and marriage. Years later, she travels to Russia with his photo, determined to find him. What will she discover?",[96,14],18,2.4678,179,"\u002FeVxcQRc3xfA2IOOzXHT0ML1CjzS.jpg","1970-03-14",7.525,"\u002FqdsZrnGu2YQSIJIaCHt88ASMHVh.jpg","I girasoli","it",{"id":106,"adult":6,"title":107,"video":6,"overview":108,"softcore":6,"genre_ids":109,"popularity":110,"vote_count":111,"poster_path":112,"release_date":113,"vote_average":114,"backdrop_path":115,"original_title":107,"original_language":90},621729,"The Cave","Deep beneath the surface in the Syrian province of Ghouta, a group of female doctors have established an underground field hospital. Under the supervision of paediatrician Dr. Amani and her staff of doctors and nurses, hope is restored for some of the thousands of children and civilian victims of the ruthless Syrian civil war.",[11],0.6304,54,"\u002F2Zb8U2EXBv36DGG9jaEESNEeJv9.jpg","2019-10-18",7.222,"\u002FjqojZIpJBQz08Vip3Ul5nzcUyCf.jpg",{"id":117,"adult":6,"title":118,"video":6,"overview":119,"softcore":6,"genre_ids":120,"popularity":121,"vote_count":8,"poster_path":28,"release_date":122,"vote_average":8,"backdrop_path":28,"original_title":118,"original_language":90},621046,"Boy and Crows","An early short film by Penelope Spheeris about a boy enjoying the age-old pleasures of making a wish on a dandelion.  Preserved by the Academy Film Archive in 2016.",[96,11],0.3462,"1968-01-01",{"id":124,"adult":6,"title":125,"video":6,"overview":126,"softcore":6,"genre_ids":127,"popularity":128,"vote_count":77,"poster_path":129,"release_date":130,"vote_average":131,"backdrop_path":28,"original_title":132,"original_language":133},441335,"Here and Perhaps Elsewhere","During the Lebanese civil war, thousands of people disappeared. In most cases, the bodies were not found and the circumstances of their disappearance never known. Today, I travel through Beirut, asking the inhabitants I encounter, one same question: Do you know anyone who was kidnapped here during the war?  My investigation carries me through the many districts around the \"Green line\", which used to divide Beirut between East and West, and where militias set up their checkpoints, the scenes of many kidnappings, and crimes. I thereby attempt to trigger the process of memory and to reveal the multiplicity of existing discourses on the war and the immensity of the drama. As I cross town and discover places laden with history, I draw a personal map of this city.",[11],0.5686,"\u002F1H7EAtPOKjlG6oflKBh1jUUZgAN.jpg","2003-01-01",10,"Houna wa roubbama hounak","ar",{"id":135,"adult":6,"title":136,"video":6,"overview":137,"softcore":6,"genre_ids":138,"popularity":140,"vote_count":8,"poster_path":28,"release_date":141,"vote_average":8,"backdrop_path":28,"original_title":136,"original_language":142},453489,"De Bevrijding van Den Haag","",[11,139,14],36,0.3171,"2010-01-01","nl",{"id":144,"adult":6,"title":145,"video":6,"overview":146,"softcore":6,"genre_ids":147,"popularity":148,"vote_count":149,"poster_path":150,"release_date":151,"vote_average":152,"backdrop_path":28,"original_title":153,"original_language":154},272075,"Silvered Water","Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.",[11],1.7666,11,"\u002Frmx5XsOQvozFDOcnww5R6FVoHM6.jpg","2014-12-17",6.9,"Ma'a al-Fidda","fr",{"id":156,"adult":6,"title":157,"video":6,"overview":158,"softcore":6,"genre_ids":159,"popularity":160,"vote_count":77,"poster_path":28,"release_date":161,"vote_average":162,"backdrop_path":28,"original_title":157,"original_language":90},1198338,"America's Hidden Weapon","Documentary short film demonstrating the way wartime farming measures in 1943 resulted in the greatest American food crop in history.  Preserved by the Academy Film Archive in 2012.",[11],0.3386,"1944-03-30",9,{"id":164,"adult":6,"title":165,"video":6,"overview":166,"softcore":6,"genre_ids":167,"popularity":168,"vote_count":169,"poster_path":170,"release_date":171,"vote_average":172,"backdrop_path":173,"original_title":165,"original_language":90},9665,"Glory","Robert Gould Shaw leads the US Civil War's first all-black volunteer company, fighting prejudices of both his own Union army and the Confederates.",[96,139,14],6.6486,1836,"\u002FpGDzBjZvzmSCIEduQBfESLMiwtp.jpg","1989-12-15",7.486,"\u002F3yHddfnAwI1kWOGjoQXZoqhnU5Z.jpg",{"id":175,"adult":6,"title":176,"video":6,"overview":177,"softcore":6,"genre_ids":178,"popularity":179,"vote_count":8,"poster_path":180,"release_date":181,"vote_average":8,"backdrop_path":28,"original_title":176,"original_language":90},448055,"Morristown: Where America Survived","A thirty-minute High Definition documentary which revisits that winter of 1779-80 when Washington’s troops arrived at the densely-wooded area just south of Morristown known as Jockey Hollow, to build a log hut city for their winter camp. The film is an eye-opening look at how the camp saved the army – and the American Revolution – from the brink of disaster. Based on John T. Cunningham’s book The Uncertain Revolution and shot on location at Morristown National Historical Park, Morristown: Where America Survived is narrated by award-winning actor Edward Herrmann, who has voiced many history documentaries over his extensive career. The program was produced by New Jersey Network.",[11,139,14],0.5849,"\u002F6B2EYZveQ2e7dsRRI0ZKXm8vwM4.jpg","2009-03-28",{"id":183,"adult":6,"title":184,"video":6,"overview":185,"softcore":6,"genre_ids":186,"popularity":187,"vote_count":188,"poster_path":189,"release_date":190,"vote_average":191,"backdrop_path":28,"original_title":184,"original_language":90},267125,"Tsahal","The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, \"Porquoi Israel,\" and \"Shoah,\" have had great effect on the ways documentaries are produced. \"Tsahal\" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.",[11],1.6999,8,"\u002F7K83Cik0gHSS52zqqkPCIqNDqjb.jpg","1994-11-09",5.625,{"id":193,"adult":6,"title":194,"video":6,"overview":195,"softcore":6,"genre_ids":196,"popularity":198,"vote_count":199,"poster_path":200,"release_date":201,"vote_average":202,"backdrop_path":203,"original_title":194,"original_language":90},10165,"Fear and Desire","After their airplane crashes behind enemy lines, four soldiers must survive and try to find a way back to their battalion. 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Preserved by the Academy Film Archive in 2013.",[11,209],10402,0.3233,"\u002FeDKUNWVQNpSin7aLS9oMmeWbyC9.jpg","1969-01-02",6.875,{"id":215,"adult":6,"title":216,"video":6,"overview":217,"softcore":6,"genre_ids":218,"popularity":220,"vote_count":221,"poster_path":222,"release_date":223,"vote_average":224,"backdrop_path":225,"original_title":216,"original_language":90},9967,"Uncommon Valor","A group of Vietnam War veterans re-unite to rescue one of their own left behind and taken prisoner by the Vietnamese.",[96,14,219],28,2.5092,226,"\u002F92gPncxWevFlPLOz0a0uoob7jFL.jpg","1983-12-16",6.263,"\u002F9f59numwLjCBxGpYDspN8OtO4tM.jpg",{"id":227,"adult":6,"title":228,"video":6,"overview":229,"softcore":6,"genre_ids":230,"popularity":231,"vote_count":232,"poster_path":233,"release_date":234,"vote_average":235,"backdrop_path":236,"original_title":228,"original_language":90},10592,"Hart's War","When Col. William McNamara is stripped of his freedom in a German POW camp, he's determined to keep on fighting even from behind enemy lines. Enlisting the help of a young lieutenant in a brilliant plot against his captors, McNamara risks everything on a mission to free his men and change the outcome of the war.",[96,14],3.7959,1085,"\u002FyRUhSU7vzs5ePa72LNPcKKCCMZ5.jpg","2002-02-15",6.4,"\u002FnKWbbDyUSJDZfygnd5uy6RWxsEr.jpg",{"id":238,"adult":6,"title":239,"video":6,"overview":240,"softcore":6,"genre_ids":241,"popularity":242,"vote_count":8,"poster_path":243,"release_date":244,"vote_average":8,"backdrop_path":28,"original_title":239,"original_language":90},449277,"Manzanar","Short film about the Manzanar Japanese American internment camp.  Preserved by the Academy Film Archive in 2011.",[11],0.5127,"\u002FpB9O0vnVmCj7tobVRG8hVfZr2o3.jpg","1972-01-01",{"id":246,"adult":6,"title":247,"video":6,"overview":248,"softcore":6,"genre_ids":249,"popularity":250,"vote_count":251,"poster_path":252,"release_date":253,"vote_average":254,"backdrop_path":255,"original_title":247,"original_language":90},10590,"We Were Soldiers","The year is 1965 and America is at war with North Vietnam.  Commanding the air cavalry is Lt. Col. Hal Moore (Gibson), a born leader committed to his troops.  His target: the Ia Drang Valley, called \"The Valley of Death.\"  As Moore prepares for one of the most violent battles in U.S. history, he delivers a stirring promise to his soldiers and their families: \"I will leave no man behind...dead or alive.  We will all come home together.\"",[219,139,14],6.7612,2323,"\u002Fq2LeLzw4q9HTelkKx29dyTMf5zK.jpg","2002-03-01",7.137,"\u002F30vLkH3xmWw1gcVN8ZyykWAauZT.jpg",{"id":257,"adult":6,"title":258,"video":6,"overview":259,"softcore":6,"genre_ids":260,"popularity":261,"vote_count":262,"poster_path":263,"release_date":264,"vote_average":265,"backdrop_path":266,"original_title":258,"original_language":90},10652,"Hamburger Hill","The men of Bravo Company are facing a battle that's all uphill… up Hamburger Hill. Fourteen war-weary soldiers are battling for a mud-covered mound of earth so named because it chews up soldiers like chopped meat. They are fighting for their country, their fellow soldiers and their lives. War is hell, but this is worse. Hamburger Hill tells it the way it was, the way it really was. It's a raw, gritty and totally unrelenting dramatic depiction of one of the fiercest battles of America's bloodiest war. This happened. Hamburger Hill - war at its worst, men at their best.",[14,219,96],2.7683,514,"\u002Fa84FDoIm64qcyKq6BEMB9Ycldpt.jpg","1987-08-07",6.565,"\u002FpRpg9OAe4hrThTPxPSPzc185f0D.jpg",{"id":268,"adult":6,"title":269,"video":6,"overview":270,"softcore":6,"genre_ids":271,"popularity":272,"vote_count":273,"poster_path":274,"release_date":275,"vote_average":276,"backdrop_path":277,"original_title":278,"original_language":104},449194,"Tears of the Sexten Dolomites","In 1915, the First World War is in full swing and young men are called to military service in rows - including Franz and Peter. Both are sent to the Dolomite front, in order to fend off a threatened Italian attack. Comradeship and loyalty are needed in the fight, but Franz and Peter are ever enemies. Since Peter's romance with Anna, the competition between the two flares up more. But the circumstances of the war and the harsh weather in the mountains soon end those hostilities.",[14,96,139,11],2.7527,6,"\u002Fc5JaPNROx1LHWJZiVMd3bM77aOG.jpg","2014-03-27",4.6,"\u002F42dJHRKQQjASdkjbUV1ur3od5N4.jpg","Tränen der Sextner Dolomiten",{"id":280,"adult":6,"title":281,"video":6,"overview":137,"softcore":6,"genre_ids":282,"popularity":283,"vote_count":25,"poster_path":284,"release_date":285,"vote_average":188,"backdrop_path":28,"original_title":281,"original_language":286},449600,"Extranjeros de sí mismos",[11,139],0.1291,"\u002Ft0ZAOfMEVkS1ep2771ie8gChMwa.jpg","2000-10-22","es",12246,244918,"Interviews with five former American soldiers who were present at the March 16, 1968 attack on the village of My Lai during the Vietnam War; they discuss the orders that were issued leading up to the attack, their expectations of what they would find there, and the subsequent massacre of the inhabitants and destruction of the village, as well as possible motivations for the killings and rapes which took place.  Preserved by the Academy Film Archive in 2002.",0.1936,16,"\u002Fl01LiB1pHerjOOi8py38Axva9iR.jpg","1971-02-25",6.156,[296],"US",{"results":298},{},[300],{"name":301,"iso_639_1":90,"english_name":301},"English",[303],{"id":304,"name":305,"logo_path":28,"origin_country":137},30589,"Laser Film Corporation",[307],{"name":308,"iso_3166_1":296},"United States of America",45,"A documentary story that tends to land well.",[]]