[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"title-movie-195732-en-US":3},{"detail":4,"match":250,"insight":251,"providers":252,"providerLink":41,"trailer":41},{"id":5,"adult":6,"title":7,"video":6,"budget":8,"genres":9,"status":13,"videos":14,"credits":16,"imdb_id":27,"revenue":8,"runtime":28,"similar":29,"tagline":230,"homepage":230,"overview":231,"softcore":6,"popularity":232,"vote_count":233,"poster_path":41,"release_date":234,"vote_average":235,"backdrop_path":41,"origin_country":236,"original_title":7,"watch\u002Fproviders":238,"spoken_languages":240,"original_language":54,"production_companies":243,"production_countries":247,"belongs_to_collection":41},195732,false,"The Ghost Train",0,[10],{"id":11,"name":12},99,"Documentary","Released",{"results":15},[],{"cast":17,"crew":18},[],[19],{"id":20,"job":21,"name":22,"adult":6,"gender":8,"credit_id":23,"department":24,"popularity":25,"profile_path":26,"original_name":22,"known_for_department":24},1090565,"Director","Frederick S. 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The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.",[11],0.417,5,"\u002FvN9S2zr2g317uHddkii9WpIsyD0.jpg","1932-01-01",7.4,null,"Visions de Lourdes","xx",{"id":45,"adult":6,"title":46,"video":6,"overview":47,"softcore":6,"genre_ids":48,"popularity":49,"vote_count":50,"poster_path":51,"release_date":52,"vote_average":53,"backdrop_path":41,"original_title":46,"original_language":54},259458,"New York Portrait, Chapter II","Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.",[11],0.1544,7,"\u002FemTOeOgYMkSJ2UZovoqo2T1nYtW.jpg","1981-01-01",7.1,"en",{"id":56,"adult":6,"title":57,"video":6,"overview":58,"softcore":6,"genre_ids":59,"popularity":60,"vote_count":61,"poster_path":41,"release_date":62,"vote_average":63,"backdrop_path":41,"original_title":64,"original_language":65},438793,"Dreams of Ice","In 1992 the Universal Exhibition in Seville was held in Spain. Chile participated in this exhibition by displaying in its pavilion an ice floe captured and brought especially by sea from Antarctica. In these true facts is based the fantasy narrated in Dreams of Ice. Filmed between November 1991 and May 1992 on board the ships Galvarino, Aconcagua and Maullín, in a voyage that goes from Antarctica to Spain, in this documentary film in which dreams, myths and facts converge towards a poetic tale turned into a seafaring saga, in the manner of the legends of the seafarers that populate the mythology of the American continent and universal literature.",[11],2.1477,2,"1994-11-15",8,"Sueños de hielo","es",{"id":67,"adult":6,"title":68,"video":6,"overview":69,"softcore":6,"genre_ids":70,"popularity":71,"vote_count":72,"poster_path":41,"release_date":73,"vote_average":74,"backdrop_path":41,"original_title":68,"original_language":54},263841,"Daumë","Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.",[11],1.199,6,"2000-01-01",5.7,{"id":76,"adult":6,"title":77,"video":6,"overview":78,"softcore":6,"genre_ids":79,"popularity":80,"vote_count":8,"poster_path":81,"release_date":82,"vote_average":8,"backdrop_path":83,"original_title":84,"original_language":85},1189106,"Amazon: Longest River in the World","Documentary by Portuguese Silvino Santos, about the Amazon, its flora, fauna, its inhabitants and among other wonderful images from the beginning of the 20th century with alternating close-up shots of caimans, jaguars and tropical flora with footage of Indigenous rituals--including some of the earliest known moving images of the Indigenous Witoto people--and longer sequences showcasing the region’s extractive industries: rubber, the Brazil nut, timber, fishing, even the egret feathers that were a staple of women’s fashion at the time.",[11],0.5029,"\u002F5wj4BBGZNmdBqeX6jhIFKbAcqzb.jpg","1918-01-01","\u002FoPqWUWJsTFUgZjgfFyhAII14DqK.jpg","Amazonas, o Maior Rio do Mundo","pt",{"id":87,"adult":6,"title":88,"video":6,"overview":89,"softcore":6,"genre_ids":90,"popularity":92,"vote_count":93,"poster_path":94,"release_date":95,"vote_average":50,"backdrop_path":96,"original_title":88,"original_language":54},440917,"The Bomb","Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.",[11,91],16,0.1923,15,"\u002F42tKG16xOL6yB4S2Vzp8IzBgktv.jpg","2017-06-10","\u002Fvm40HXBMPQmTXTSnYV1r1mO9DQA.jpg",{"id":98,"adult":6,"title":99,"video":6,"overview":100,"softcore":6,"genre_ids":101,"popularity":103,"vote_count":61,"poster_path":41,"release_date":104,"vote_average":105,"backdrop_path":41,"original_title":99,"original_language":106},441657,"Rytmus","An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.",[11,102],10402,0.8791,"1942-11-06",9,"cs",{"id":108,"adult":6,"title":109,"video":6,"overview":110,"softcore":6,"genre_ids":111,"popularity":112,"vote_count":28,"poster_path":113,"release_date":114,"vote_average":63,"backdrop_path":41,"original_title":109,"original_language":54},443015,"The Displaced View","The Displaced View traces a personal search for identity and pride, within the unique and suppressed history of the Japanese in Canada. Through an examination of the emotional and cultural links between the women of one family, the processes of the construction of memory and the re-construction of history, are revealed. Utilizing an innovative combination of experimental, dramatic and documentary forms, the film emerges as a deeply moving and compassionate love letter. Just as the official history of the Japanese Canadians has been thrown into question, so does the film’s fictionalized narrative, question documentary as truth.",[11],0.3522,"\u002FBweOjlDlOpuutDjvNKhgJfqqOF.jpg","1988-01-01",{"id":116,"adult":6,"title":117,"video":6,"overview":118,"softcore":6,"genre_ids":119,"popularity":120,"vote_count":8,"poster_path":121,"release_date":122,"vote_average":8,"backdrop_path":41,"original_title":117,"original_language":54},442792,"Irradiant Field","In the Mojave Desert, fields of solar panels follow the sun’s daily journey in perfect synchronicity.",[11],0.3165,"\u002Fj1xz0VxyfzlVwLeJleQjGYV08UG.jpg","2016-01-01",{"id":124,"adult":6,"title":125,"video":6,"overview":126,"softcore":6,"genre_ids":127,"popularity":128,"vote_count":8,"poster_path":41,"release_date":129,"vote_average":8,"backdrop_path":41,"original_title":125,"original_language":54},442791,"State of Rest and Motion","This cine-portrait of New York City uses digital effects to turn the countless riders of the subway system into living, breathing paintings.",[11],0.345,"2017-02-19",{"id":131,"adult":6,"title":132,"video":6,"overview":133,"softcore":6,"genre_ids":134,"popularity":135,"vote_count":136,"poster_path":137,"release_date":138,"vote_average":139,"backdrop_path":140,"original_title":132,"original_language":141},263006,"Finlandia","A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.",[11],0.4205,3,"\u002FaBxek58iYmvvmNI2FWxeh85cm6n.jpg","1922-10-21",4.333,"\u002FlHEcOpgOCpqacsP5V4lCMllQZPz.jpg","fi",{"id":143,"adult":6,"title":144,"video":6,"overview":145,"softcore":6,"genre_ids":146,"popularity":147,"vote_count":148,"poster_path":41,"release_date":149,"vote_average":37,"backdrop_path":41,"original_title":150,"original_language":65},263012,"Two Letters for Ana","A medium-length film that takes the central place in the video installation \"The Lady of Corinth\". In both the medium-length film and the installation, Guerin delves into the relationship between cinema and painting based on Pliny the Elder's account of the invention of painting.",[11],0.5802,4,"2011-06-01","Dos cartas a Ana",{"id":152,"adult":6,"title":153,"video":6,"overview":154,"softcore":6,"genre_ids":155,"popularity":156,"vote_count":72,"poster_path":157,"release_date":158,"vote_average":159,"backdrop_path":160,"original_title":153,"original_language":54},442309,"Running Shadow I","Rapidly changing images of natural objects, scenery, animals, plants, and people flicker, flash, tumble, and cascade across the screen.",[11],0.3496,"\u002FcJPzgK4VtGTqVicZgKXPzKc15X8.jpg","1971-12-31",5.5,"\u002Fg6u9BMTPH9b8xJy1fCbP60xzjuz.jpg",{"id":162,"adult":6,"title":163,"video":6,"overview":164,"softcore":6,"genre_ids":165,"popularity":166,"vote_count":61,"poster_path":167,"release_date":168,"vote_average":159,"backdrop_path":169,"original_title":163,"original_language":170},262479,"Jeune femme à sa fenêtre lisant une lettre","Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»",[11],2.1219,"\u002FinDO19H3xXBvdUurUvPWGnE5a6E.jpg","1983-01-01","\u002FweosAtrLFFvCGA48aFW8xVEPh2B.jpg","fr",{"id":172,"adult":6,"title":173,"video":6,"overview":174,"softcore":6,"genre_ids":175,"popularity":177,"vote_count":37,"poster_path":41,"release_date":178,"vote_average":50,"backdrop_path":41,"original_title":173,"original_language":54},262493,"The Dawn of Sound: How Movies Learned to Talk","Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.",[11,176],36,0.2957,"2007-09-02",{"id":180,"adult":6,"title":181,"video":6,"overview":182,"softcore":6,"genre_ids":183,"popularity":184,"vote_count":148,"poster_path":185,"release_date":186,"vote_average":187,"backdrop_path":41,"original_title":188,"original_language":189},262067,"On the Heights All Is Peace","Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.",[11],1.6098,"\u002Feed1jkEAL1wwehR6ZYRSHH52Btm.jpg","1998-01-01",6.75,"Su tutte le vette è pace","it",{"id":191,"adult":6,"title":192,"video":6,"overview":193,"softcore":6,"genre_ids":194,"popularity":195,"vote_count":8,"poster_path":196,"release_date":197,"vote_average":8,"backdrop_path":41,"original_title":198,"original_language":199},623003,"2minutes40seconds","One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.",[11],0.1178,"\u002FnADUeTwzId4HHJhBBNdQh2Mnp2S.jpg","1975-12-01","2분 40초","ko",{"id":201,"adult":6,"title":202,"video":6,"overview":203,"softcore":6,"genre_ids":204,"popularity":205,"vote_count":28,"poster_path":206,"release_date":207,"vote_average":50,"backdrop_path":41,"original_title":208,"original_language":199},806780,"The Hole","One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation. Han Ok-hee’s The Hole, The Rope and Untitled not only experimented with cinematic forms of expression, but also played an important role in the protest against forms of expression in experimental films and the artistic protest against the social suppression and censorship in 1970s Korea. (Art Cinema OFFoff)",[11],0.1465,"\u002F49un7UGWcHy53bFoShqiNB5BnlA.jpg","1973-07-27","구멍",{"id":210,"adult":6,"title":211,"video":6,"overview":212,"softcore":6,"genre_ids":213,"popularity":214,"vote_count":8,"poster_path":41,"release_date":215,"vote_average":8,"backdrop_path":41,"original_title":211,"original_language":216},1186051,"Sonnenfinsternis","Educational short film about the solar eclipse",[11],0.6024,"1958-01-01","de",{"id":218,"adult":6,"title":219,"video":6,"overview":220,"softcore":6,"genre_ids":221,"popularity":222,"vote_count":8,"poster_path":223,"release_date":224,"vote_average":8,"backdrop_path":225,"original_title":226,"original_language":227},620697,"OLO, the Boy from Tibet","A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.",[11],0.9377,"\u002Foz4Y5VohINAx4F5dwD4x4GsKqmS.jpg","2012-06-30","\u002Fsw45SjvdwTP5GwjDvNXr2eHKePN.jpg","オロ","ja",12066,241314,"","Special effects film with a train double exposed on the negative, creating a ghostly image.",0.2561,19,"1901-01-01",4.816,[237],"US",{"results":239},{},[241],{"name":242,"iso_639_1":43,"english_name":242},"No Language",[244],{"id":245,"name":246,"logo_path":41,"origin_country":237},13131,"American Mutoscope & Biograph",[248],{"name":249,"iso_3166_1":237},"United States of America",45,"A documentary story that tends to land well.",[]]