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Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years.  Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. 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Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. 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Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min",[11],0.1594,4,"\u002FrUPCbgXwcRAOpk9FanxUJOqLFrE.jpg","1968-06-01",6.5,{"id":121,"adult":6,"title":122,"video":6,"overview":123,"softcore":6,"genre_ids":124,"popularity":125,"vote_count":20,"poster_path":126,"release_date":127,"vote_average":128,"backdrop_path":129,"original_title":122,"original_language":33},802652,"Haida Carver","On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.",[11],0.1881,"\u002Fk3gXjtys7aiZjFQbRdfSdAIZT1p.jpg","1964-01-01",9,"\u002Fg1s3aa71uqq5D5RrmuKAfN1W8TC.jpg",{"id":131,"adult":6,"title":132,"video":6,"overview":133,"softcore":6,"genre_ids":134,"popularity":135,"vote_count":116,"poster_path":136,"release_date":137,"vote_average":138,"backdrop_path":139,"original_title":140,"original_language":141},257697,"Antigravitation","An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. 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Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.",[11,147],1.456,326,"\u002F9WAboi1QbKu41WkyGxQVNpXwwxx.jpg","1922-06-11",7.089,"\u002FjxD0pcORCx9j0C0AYjjudbHnOm4.jpg",{"id":196,"adult":6,"title":197,"video":6,"overview":198,"softcore":6,"genre_ids":199,"popularity":202,"vote_count":20,"poster_path":203,"release_date":204,"vote_average":31,"backdrop_path":205,"original_title":197,"original_language":33},1357121,"At Sea","AT SEA is a visceral and poetic short film that blends docu-style realism with narrative fiction, following a group of faceless sailors navigating the unpredictable seas of Greece. 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Commissioned by President Bill Clinton and premiered at the Lincoln Memorial on New Year’s Eve 1999, the film features an original orchestral score by John Williams titled American Journey.",[11,39],0.7959,"\u002FiwOxkJJAFZhRHb97drDzaRtm6WW.jpg","1999-12-31",{"id":215,"adult":6,"title":216,"video":6,"overview":217,"softcore":6,"genre_ids":218,"popularity":219,"vote_count":128,"poster_path":220,"release_date":127,"vote_average":221,"backdrop_path":222,"original_title":223,"original_language":47},256263,"The End of Summer","A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.",[11],0.132,"\u002Fo68THzd3lxWxgSFPJoM72HZwjmX.jpg",6.444,"\u002FiQslkEeXri3rFANFtwNVRqqVnPN.jpg","Le temps perdu",{"id":225,"adult":6,"title":226,"video":6,"overview":227,"softcore":6,"genre_ids":228,"popularity":229,"vote_count":8,"poster_path":230,"release_date":231,"vote_average":8,"backdrop_path":32,"original_title":226,"original_language":33},796670,"Gay Rights","Two councils with two different approaches to LGBT rights.",[11],0.1744,"\u002F5lEr8fxQDXrGaHWPVgoR5N9xtzf.jpg","1987-04-10",13186,263720,"A partially nude woman fixes and brushes her hair.",0.053,27,"\u002F9I8YwzHXCncCUBgAECpovW2Auh4.jpg","1905-05-22",6.074,[241],"FR","La Coiffeuse",{"results":244},{},[246],{"name":247,"iso_639_1":248,"english_name":247},"No Language","xx",[],[251],{"name":252,"iso_3166_1":241},"France",45,"A documentary story that tends to land well.",[]]