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We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state.\" Kateb Yacine, July 28, 1986, interview with Arlette Casas.",[11],0.6306,"\u002FiKvMmuMuZ2kE4ZpfaoyKeJ4PwuV.jpg","1967-01-01","\u002Frf6SUcEdS0AWb1p1YHWzJnly1ID.jpg","Poussière de Juillet",{"id":207,"adult":6,"title":208,"video":6,"overview":209,"softcore":6,"genre_ids":210,"popularity":212,"vote_count":60,"poster_path":213,"release_date":214,"vote_average":215,"backdrop_path":216,"original_title":217,"original_language":182},273852,"The Zerda or the Songs of Forgetting","“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. 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Selim's misadventure begins; he finds himself confronted with the problems of the housing crisis which forces him to begin a long quest, procedures, requests to find the sine qua non condition for his marriage.",[258,11],10751,0.2883,"\u002Flpt7AWwm1WwbwRP0mQbHpcHkvKi.jpg","1982-02-07","\u002FycTXXfhn4tTi7DGwhXbBk3fs8nu.jpg","سقف و عائلة (Saqat Wa'Aila)",{"id":265,"adult":6,"title":266,"video":6,"overview":267,"softcore":6,"genre_ids":268,"popularity":269,"vote_count":30,"poster_path":270,"release_date":271,"vote_average":37,"backdrop_path":25,"original_title":272,"original_language":230},1640622,"Hiziya","It was from the popular song-poem by Mohamed Ben Guittoun that director Mohamed Hazourli (of the Constantine regional station of RTA) wrote the screenplay. Hiziya Bent Ahmeb Bey, 23 years old, lived in southeastern Algeria, in a village called Sidi Khaled. The daughter of a powerful notable of the Dhouaouda tribe, who regularly migrated through the desert, Hiziya was exceptionally beautiful, to the point that other girls were jealous and envious of her, and men succumbed to her charm. But the young woman's heart belonged to Saïd, an orphan taken in as a child by his uncle. They met in secret and married despite family hostility. A month after their wedding, Hiziya died during the transhumance in the desert. The death of his beloved plunged Saïd into deep grief, to the point that he abandoned his possessions and family to wander the desert.",[11,189],0.1872,"\u002Fkn2KThh7XuPMjD85AkU98KQfrJl.jpg","1977-01-01","حيزية",{"id":274,"adult":6,"title":275,"video":6,"overview":276,"softcore":6,"genre_ids":277,"popularity":278,"vote_count":21,"poster_path":279,"release_date":280,"vote_average":228,"backdrop_path":281,"original_title":282,"original_language":182},291459,"The Law of My Country","Algeria. Benjamin, Kateb and Antoine are three teenagers from three religious backgrounds who never should have met. But they share the same passion for football and the same disregard for the disapproving looks which their unusual friendship draws.",[11],0.3385,"\u002Fq95gkERxlYRYtTJcXwZLzhciOqH.jpg","2012-07-03","\u002FwsIi7JHV9at0pUh57Lxhd81BJQm.jpg","La loi de mon pays",{"id":284,"adult":6,"title":285,"video":6,"overview":286,"softcore":6,"genre_ids":287,"popularity":288,"vote_count":8,"poster_path":289,"release_date":290,"vote_average":8,"backdrop_path":291,"original_title":285,"original_language":182},700192,"Le Passager du Tassili","Omar, a young Franco-Algerian from La Garenne-Colombes, decided to spend his vacation in the country of his ancestors, Algeria. 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His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.",[318,11,224],28,0.6218,"\u002FqybFtSBiQ1sa0A11ld95wVA4eyc.jpg","1970-09-14",7.8,"\u002F9G1oVHtjA36gzPnb5kExR279Lu4.jpg","L'Opium et le Bâton",{"id":326,"adult":6,"title":327,"video":6,"overview":328,"softcore":6,"genre_ids":329,"popularity":330,"vote_count":21,"poster_path":331,"release_date":332,"vote_average":250,"backdrop_path":333,"original_title":334,"original_language":230},332858,"Harvest of Steel","Years after Algeria gained independence, war continues to claim lives in Soulima, a border village surrounded by mines, whose victims are too numerous to count. Despite all these deaths, the inhabitants remain rooted in their ancestral land. 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Two methods were used to achieve this, either by sheer force or by a ploy forcing the fellahs to pay fines too high to be paid. The uprooted must then leave for the cities, swelling the mass of proletarians in the slums ...",[224,11],0.9648,"\u002FxmtDRLun0fL3AQvJJBw8RSRGOZw.jpg","1977-03-01","\u002FkMpg066No8zHefSxkcY5hlslXcf.jpg","Les Déracinés",{"id":356,"adult":6,"title":357,"video":6,"overview":358,"softcore":6,"genre_ids":359,"popularity":360,"vote_count":30,"poster_path":361,"release_date":362,"vote_average":37,"backdrop_path":363,"original_title":364,"original_language":230},333050,"The Olive Tree of Boul'hivet","Belkacem, a young unemployed man living in the Saharan village of Boulhilet, is entrusted by Bouacha, an old dervish who came from nowhere, with the secret of the olive tree, the only lush tree and true mystery in this stone desert. After water supply works, modern life bursts into the village. Belkacem, ill-prepared for this situation, confuses dream and reality. Believing he has killed his rival who loves his beloved, he flees the village after donning the clothes of the dervish, whose gait he now imitates.",[11],0.9841,"\u002FeRRFoXDW5jI8rjL9tS32fW2xFUk.jpg","1978-01-02","\u002FtlHhRZNNeYdgvGQQCCZ49L1FFtU.jpg","L'Olivier de Boulhilet",{"id":366,"adult":6,"title":367,"video":6,"overview":368,"softcore":6,"genre_ids":369,"popularity":370,"vote_count":30,"poster_path":371,"release_date":227,"vote_average":37,"backdrop_path":372,"original_title":373,"original_language":230},333234,"We Will Return","The story of a young Palestinian who left his refugee camp to become a resistance fighter in the Palestine Liberation Organization.",[11],1.0429,"\u002F65a1sria6xmAozOOeRcoIC08nUG.jpg","\u002F2LbCvXKtLfxsaSGoE4KGevjbGf8.jpg","Sanaoud",{"id":375,"adult":6,"title":376,"video":6,"overview":377,"softcore":6,"genre_ids":378,"popularity":379,"vote_count":30,"poster_path":380,"release_date":381,"vote_average":37,"backdrop_path":382,"original_title":383,"original_language":230},715696,"Sahara Blues","Mounya doesn't like the desert, and she doesn't like Majid either, but she agreed to go with him for the weekend to southern Algeria. Rabah Bouberras directs an intimate film which tells the story of a woman taking stock of her past and present during a trip to the south of Algeria with her son and her second husband.",[11],0.9334,"\u002FtIRgM7QfXeuygwplUtF8gp9PmnD.jpg","1991-06-02","\u002Fl3RWqNJayO1oRnKv5oIg83yOs0G.jpg","صحراء بلوز",1001,20001,"https:\u002F\u002Fetoilesettoile.home.blog\u002F2019\u002F04\u002F13\u002Fvent-de-sable\u002F","Seen right through the sandstorms that rack the lives of a tribe living on a desert oasis, is a subtle and not-so-subtle mistreatment of the female members of the tribe - tribal chiefs have the right to be the first to deflower virgins, and single or widowed mothers must walk a narrow line of behavior restrictions that do not apply to their male counterparts. Both genders, however, fight the brunt of the harsh desert winds together.",0.3245,"\u002FULhcq7dyt7XRVsRWK12UPmLz4X.jpg","1982-04-04","\u002Fx42I3TzB9hFo5k6StOPOxOPsHzs.jpg",[393],"DZ","Vent de sable",{"results":396},{},[398,401],{"name":399,"iso_639_1":230,"english_name":400},"العربية","Arabic",{"name":402,"iso_639_1":182,"english_name":403},"Français","French",[405,409],{"id":406,"name":407,"logo_path":408,"origin_country":393},139395,"Office National pour le Commerce et l'Industrie Cinématographique (ONCIC)","\u002F4NXn9zAMa8SH9zZnYPmt6okp6VM.png",{"id":410,"name":411,"logo_path":412,"origin_country":393},161896,"Radiodiffusion Télévision Algérienne (RTA)","\u002FrY5w8KTUVgNSjnInyHwYh9JlPLb.png",[414],{"name":415,"iso_3166_1":393},"Algeria",48,"A drama story that tends to land well.",[]]